1. Dr. Howe's Presentation on Presentations: best practices, do-s and don't-s, tips and tricks for fabulous and informative presentations

2. Shakespeares Sonnet 23 and the Imagery of Parts and Wholes Illustration by Mirko Ilic, New York Times Book Review (1996) By NAME ENXXX Date Dr. Howe

3. Poet describes himself as unperfect (1) in his ability to express the forms and ceremon[ies] (6) of love Poet pleads with his beloved to read his love in his looks (9), which more perfectly express what he cannot in poetry

4. Shakespeare, Sonnet 23* As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit. * Reading by Cori Samuels, available at Librivox.org

5. Note the play of part and whole ? Image via Hit Pause by Lisa Lenoir

6. Shakespeare, Sonnet 23 As an unperfect actor on the stageunperfect Who with his fear is put besides his part,part Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompenserecompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

7. Shakespeare, Sonnet 23 As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

8. Shakespeare, Sonnet 23 As an unperfect actor on the stageunperfect Who with his fear is put besides his part,put besidespart Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart.abundance So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'erchargedO'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompenserecompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

9. Shakespeare, Sonnet 23 As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

10. Shakespeare, Sonnet 23 As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.fine

11. Is the whole more than the sum of its parts? Drawing Hands (1948), by M. C. Escher

12. What is the effect of this play of part and whole?

13. Illustrating perfection of emotion is impossible without a willing reader.

14. Only in poetryor creative expressioncan love be perfected.

15. Jacques Derrida, Of Grammatology (281) image via Planomenology by Reid Kane Notably, it requires a readerand a readers imagination…. the supplementary nature of writingand readingto feeling?

16. Jacques Derrida, Of Grammatology (281) writing is the supplement par excellence…

17. Jacques Derrida, Of Grammatology (281) propos[ing] itself as the…sign of a sign…

18. Jacques Derrida, Of Grammatology (281) taking the place of a speech already significant

19. Works Cited Adams, Eddie. Saigon Execution. Photograph. 1968. Newseum, Washington, DC. Grundberg, Andy. "Eddie Adams, Journalist, 71; Showed Violence of Vietnam. " New York Times (1857-Current file) [New York, N.Y.] 20 Sep. 2004, B10. ProQuest Historical Newspapers The New York Times (1851 - 2005). ProQuest. Web. 24 Nov. 2008. Newseum. 1969 Spot News: Edward Adams, The Associated Press. Newseum Online Exhibit. Web. 24 Nov. 2008. Sherer, Michael D. "Vietnam War Photos and Public Opinion :[1]. " Journalism Quarterly 66.2 (1989): 391-395,530. Humanities Module. ProQuest. Web. 24 Nov. 2008. Willbanks, James. Winning the Battle, Losing the War. The New York Times 5 March 2008, sec. A23. Lexis/Nexis Academic. Web. 24 Nov. 2008. THIS IS A SAMPLE WORKS CITED PAGE… NOT SPECIFIC TO THIS ESSAY!