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Visual Storytelling: The five-shot method and beyond

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Presentation on theme: "Visual Storytelling: The five-shot method and beyond"— Presentation transcript:

1 Visual Storytelling: The five-shot method and beyond
You don’t need to be a pro to use it! 20 minutes for presentation , 10 minutes for Q&A

2 (for videos you want to share)
Common video issues (for videos you want to share) Video too long (in love with the footage) You MUST edit videos either in camera or with some editing software to make it consumable Cuts too long Video not stable (all handheld) Trying to shoot in inadequate light Too far away from subject

3 Why is teaching and learning video hard?
It’s not just you… (so let’s back up a bit) Why is teaching and learning video hard?

4 Ten years of training journalists and students: video storytelling is the toughest thing to teach

5 Problems Uncle Ralph video (home movie) Bad framing
Unusable pans/moves Not enough closeups No clear concept for each shot Bad audio makes the best footage shot with the best camera money can buy, look amateur

6 Why? Multitasking Complexity of technology Intrusiveness
Slow/no feedback loop in shooting/editing

7 Low Face-to-face Instruction
Story research/development Shooting Editing/Recutting

8 Reading/writing closely linked Watching and creating video is not
Usually more art than science Need more science

9 Pioneered by Michael Rosenblum, NYT Television, NY1, BBC, CurrentTV
BBC 5 Shot method Pioneered by Michael Rosenblum, NYT Television, NY1, BBC, CurrentTV

10 Five Shot method Closeup on hands Closeup on face Wide shot
Over the shoulder Unusual/side shot

11 Venice Pier Gets its Fill

12

13 Five Shot basics Start with best shot
Get audience to ask questions/be curious Hold the shot: no pans, zooms, moves

14 Why it works Sequence always cuts together Usable B-roll all the time
Mystery draws viewers in

15 Closeup on hands Closeup on face Wide shot Over the shoulder Unusual/side shot

16 Adam Westbrook “What’s the difference between amateurs and professionals? Pros shoot sequences.”

17 Why it’s useful Compels journalist/storyteller to get close
Provides known game plan Frees up time for story decision making Web video demands closeups

18 Additional shots Interview Reveal shots Establishing shot Tracking shot

19 Tools for Evaluation People other than those in the video (or who helped work on it) will watch the entire video (outside audience appreciation) People will learn something or comment. If you watch your YouTube Analytics people make it through the majority of your video People share your video

20 Keep in mind… Not meant to be rigid formula Know when to break rules
Under stress, fall back on basic training: closeups, faces, holding shots, line of action

21 REMEMBER! With GOOD SHOOTING TECHNIQUE you can create professional style video with iPhone, P&S camera

22 Build the 5 shot method into device
Future Possibilities Build the 5 shot method into device e-workbook Module: BBC 5 Shot REC Closeup on face WHO is doing it? • Frame with rule of thirds • Give “talk space” in front of eyes/nose. • Can cut off top of head, but not the chin. • SHOW TWO EYES! Analyze FRAMING EYES NOSEROOM Hands Face Wide OTS Unusual

23 Materials Field checklists


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