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Tourism Destination Management
Holistic Brand Communications
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The Importance of National Image
It’s the brand image of a country. It has strong influence on target audiences tourists Investors Students Donors Trading partners The media 2/43
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Elements of Image Positive Elements Negative Elements Being poor
Uncultured Backward Dangerous Corrupt Prejudice Unfriendly Positive Elements Prosperous Civilized and cultured Progressive Safe and secure Transparent Open to diversity Welcoming spirit 3/43
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Where does national image come from
Fair, prosperous, well run, and successful country Integrated marketing communications as tools to build image and reputation Competitive identity Experiences Place of origin of famous products Government policies Good place for investment Cultural exchanges People of the country 4/43
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The Hexagon of Competitive Identity
Tourist Experiences Famous Brands People Competitive identity Policies Culture Investment 5/43
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Key Concepts of Destination Branding
A place for a pleasant holiday Good narratives of the place Worth to become viral True representation of the place Observe the principles of sustainability Dealing with negative reputation The triads of reputation: environment and safety, technology and infrastructure, cultural self improvement and personal advancement 6/43
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Elements of National Branding
Competitive Identity Core Essence and Endure Characteristics DNA that runs through IMC and behaviors Dynamic interaction between expected and perceived experiences Emotional value attached to tourism assets of the place: landscape, heritage, culture, products, and services 7/43
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Brand Development Process
Branding for everyone involved Brand values disseminated through IMC Definite target segments Discovering targets’ perception of the destination Internal branding among all stakeholders Balancing between the core campaign and other different campaigns for different markets 8/43
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Brand Development Process
Choosing a right theme for destination branding Upholding a brand architecture—sub national brand must reflect some elements of national brand Flexibility for creativity of sub-national brand campaigns National brand campaign should include sub- national brand stories 9/43
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Brand Development Process
Selecting the right narratives for each market segments Continually refreshing the brand when the brand become comfortably familiar Core stories: main thing at the place, profile of the place, things to provoke emotions, description of the place, things that make the place different 10/43
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Destination Branding Implementation
Brand essence and values run through all marketing activities Creative execution for marketing communication Top management being brand steering group Applying brand management system Being brand champions as employee KPI 11/43
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Destination Branding Implementation
Internal branding strategy to gain brand advocates among stakeholders Cultivating brand ambassador concepts among employees Reward systems motivating brand champions and brand advocates National Tourism Organization (NTO) members being trained to understand brand DNA 12/43
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Destination Branding Implementation
NTO members living the brand Producing brand tool kit for all internal stakeholders Residents of the place being integrated and co-operative Brand impacts being regularly monitored Brand being dynamically refreshed Brand maintaining being relevant 13/43
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Critical Success Factors
Core market insights Qualitative consumer research Leadership of NTO Strong brand management system Internal branding Consistent communication among participants Monitor brand impact Applying brand values to IMC Long-term vision Branding mindset among NTO staff Stakeholders buy in Brand adoptions among commercial parties 14/43
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Travel Motivation: Key Points
Cultural immersion Understanding of human and physical environments Personal fulfillment of holiday experiences Adventures Freedom from any limits of everyday world Self realization and indulgence Learning new skills Participating in activities Searching for personal space in natural surroundings Emotional connection with one’s own soul 15/43
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Travel Motivation: Key Points
Social gathering Family reunion Emotional recharge Exploration Religious pilgrim Escapism Hedonistic experiences Materialistic and shopping Visiting iconic cities Collecting destinations Recreational Spiritual refreshment Physical pleasure 16/43
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Significant Trends Technological changes: internet and digital
Long haul travel More holidays Ecotourism and sustainability Tourists are content-driven Single visa market for many regions The bond between tourism development and national economy 17/43
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Competitive Elements Nature Culture Heritage Accommodations
Accessibility Activities Attractions Amenities Infrastructure Friendly host Safety and security Adventures Public services Commercial activities Gastronomical Image and reputation 18/43
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Elements of Destination Brand
Competitive identity Enduring essence and promises Positioning and perceptual image Fundamental blocks for marketing communication (Content Marketing) Relationship between residents and tourists Attributes, features, benefits, and values 19/43
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Brands in Tourism Business
Product brand Service brand Place brand Attraction brand Destination brand Thematic Geographic Events Attractions 20/43
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Place Brand A good place to… Feel of the place Live Work Do business
Invest Visit Buy form Residents Immigration Diplomacy Investment Tourism Exports 21/43
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Key Factors to Determine the Health of a City
Vibrancy of culture Standard of living Attractiveness for a short- break holiday Suitability of climate Positive word-of-mouth Strong economy Distinctive history Green credentials Quality of open space Transportation and logistics Image and reputation Residents’ attitudes and behaviors Good sense of place Tourism policy 22/43
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Trio Factors of Sense of Place
Place (Physical, history, culture, nature) Produce People (products, events, (citizens, residents, Activities, service) attitudes, behaviors) 23/43
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Thematic Branding Uniqueness Essence (core value) Positioning
Personality Unique Selling Proposition (USP) Attributes Features Promise 24/43
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Geographic Branding Physical beauty Natural beauty Climate Distance
Accessibility Activity Sensual pleasure 25/43
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Event Branding Activities Attractiveness Uniqueness Occasion
Celebration Cultural or symbolic meaning Commomeration 26/43
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Destination Branding Objectives
Create awareness and recognition Disseminating information to create knowledge Projecting differentiation Projecting positioning Giving strong and compelling identity Creating image and reputation 27/43
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Destination Branding Process
Destination audit Segment analysis SWOT analysis Stakeholder engagement Consumer perception research Competitor analysis Scope and scale Branding objectives TOWS matrix SO—offensive ST—preventive WO—corrective WT—reactive Strategic plan of branding Integrating branding into marketing plan 28/43
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Stakeholders Engagement
Include key stakeholders from the beginning Develop a core group of stakeholders Explain the purpose and the value of branding Consult with key stakeholders Keep core stakeholders engaged and informed Provide stakeholders with brand toolkits Communicate with stakeholders with an ongoing basis Internal branding is essential 29/43
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Questions for Competitive Analysis
What destinations are your competitors? What do the target segments looking for? How much can your destination deliver? How much can other destinations deliver? What are main assets of your destination? How competitive are they? Where does your destination stand in relation to your competitors? 30/43
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The Five-stage Brand Pyramid
The destination’s DNA: “What is the essential Nature and character Of the destination?” Brand essence Summary of the destination’s Strongest competitive features: “What makes it stand out From everywhere else?” Positioning statement Succinct summation of the destination’s Main character traits: “How would it like to be seen and Described by its main audience?” Competitor analysis Brand personality Emotional Benefits Visitors’ ‘emotional take-out’ from the destination: “How do visitors feel about the place?” Consumer research Rational Attributes Visitors’ ‘emotional take-out’ from the destination: “What do visitors like to see and do?” SWOT analysis 31/43
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The Six-stage Brand Pyramid
“What is the essential Nature and character Of the destination?” Brand essence “What makes it stand out From everywhere else?” Brand values “What key traits and characteristics of The destination are communicated by The brand-both head and heart?” Brand personality Competitor analysis Emotional benefits “What psychological rewards or emotional benefits Do tourists receive by visiting the destination? How does the visitor feel” Consumer research Rational benefits “What benefits to visitors result From the destination’s features?” “What are the tangible, verifiable, objective, measurable Characteristics of the destination ?” Attributes SWOT analysis 32/43
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Brand Wheel 33/43 Rational What the product Does for me
Facts and symbols Describe the product Proposition Essence Brand personality How the Brand makes me feel How the brand Makes me look Values Emotional 33/43
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Integrate the brand into Marketing Activities
integrating strategic messages of brand values into creative marketing execution Strategic messages being projected through creative execution Strategic messages of destination brand values being run through all marketing activities Execution elements being imagery, tone, mood, and style 34/43
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Integrate the brand into Marketing Activities
Using unorthodox marketing techniques and unexpected media uses to project brand values Organizing familiarization trip among travel writers, travel agents, and tour operators Using various persuasive communication approaches coherently and synergistically Observing the rules of media convergence Using paid, earned, shared, and owned media 35/43
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Global Brand VS Target Segments
Global (umbrella) brand values should always be reflected in any segment campaign, never lose a link between the global and any segment campaigns Be aware of the distinction between branding and marketing campaigns Imagery and messages of segment campaign should be identifiable that they are emanating from the same destination 36/43
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Key Challenges Unplanned communications Coherence and consistency
Profound visitor insights Stakeholder buy-in Brand architecture Spreading the brand among strategic partners User-generated contents on social media Unplanned communications Coherence and consistency Sufficient budget Brand supports from all departments Top management engagement and sponsorship 37/43
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Brand Architecture National brand and sub-national brands share the same DNA National brand values can be selected and dialed up or down by different sub-national brands Sub-national brands must also be distinctive, but bear some resemblance to the national brand Sub-national brands should get opportunities in national brand materials 38/43
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Supra-national Brands and Pan-regional Brands
Less impactful with some exceptions The countries are similar in terms of culture and typography They are small They are unknown and undifferentiated Umbrella identity is better known than individual component countries They work in long-haul markets where individual destinations are relatively unknown 39/43
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Stretching the Brand through Partnership
Visibility increases when used by other organizations Persuading other organizations to convey destination values in their marketing communications Identifying key stakeholders who are appropriate partners, including non travel organizations Distinctive logo different from NTO logo Controlling the use of logo and brand messages Partnership among NTO’s of many countries 40/43
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User-generated Brand Contents
Increase brand awareness Enhance brand impact Render credibility Can no longer control brand messages Posting by fans are overwhelming positive Create trust Radical change in mindset Buzz feeding on social media Persuasive pictures in instargram Massive low cost extension of NTO messages Earned and shared media 41/43
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Brand Coherence: Image without Cliché
Identify country’s essence No national stereotype Aware of the difference between icons and stereotypes Historic icons work better in the markets where destinations are less well-known, but in more established markets, fresher marketing images are needed Beware of “icon fatigue” 42/43
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Branding for All Branding is for everyone
Budget should not be a constraint All stakeholders are brand ambassadors All stakeholders are brand curators Brand values run through all marketing communications and activities Brand champions live the brand Brand ambassadors manifest brand identity 43/43
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