THE OLD GUITARIST BY PABLO PICASSO VA COMP 8-1

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1 THE OLD GUITARIST BY PABLO PICASSO VA COMP 8-1
By Omar Alejandre

2 THE OLD GUITARIST The Old Guitarist is an oil painting by Pablo Picasso created late 1903–early It depicts an old, blind, haggard man with threadbare clothing weakly hunched over his guitar, playing in the streets of Barcelona, Spain. This PAINTING WAS MADE FROM PICASSO DURIING THE BLUE PERIOD BECAUSE WHEN HIS FRIEND PASSED AWAY HE WAS REALLY UPSET AND SO HE MADE PAINTINGS TO REPRESENT HIS EMOTION TO THE VIEWERS. These events and circumstances were the impetus for the beginning of Picasso’s Blue Period which lasted from 1901 to The Blue Period is identified by the flat expanses of blues, greys and blacks, melancholy figures lost in contemplation, and a deep and significant tragedy. After the Blue Period came Picasso's Rose Period, and eventually the Cubism movement which Picasso co-founded.

3 ANALYSIS Elements in The Old Guitarist were carefully chosen to generate a reaction from the spectator. For example, the monochromatic color scheme creates flat, two-dimensional forms that dissociate the guitarist from time and place. In addition, the overall muted blue palette creates a general tone of melancholy and accentuates the tragic and sorrowful theme. The sole use of oil on panel causes a darker and more theatrical mood. Oil tends to blend the colors together without diminishing brightness, creating an even more cohesive dramatic composition.[ Furthermore, the guitarist shows no sign of life and appears to be close to death, implying little comfort in the world and accentuating the misery of his situation. Details are eliminated and scale is manipulated to create elongated and elegant proportions while intensifying the silent contemplation of the guitarist and a sense of spirituality. The large, brown guitar is the only significant shift in color found in the painting;[1] its dull brown, prominent against the blue background, becomes the center and focus. The guitar comes to represent the guitarist’s world and only hope for survival. This blind and poor subject depends on his guitar and the small income he can earn from his music for survival. 

4 DESRICPTION Back then people thought it was just crazy of why the painting was blue and what was the purpose of the painting. During the blue period, The events and circumstances were the impetus for the beginning of Picasso’s Blue Period which lasted from 1901 to The Blue Period is identified by the flat expanses of blues, greys and blacks, melancholy figures lost in contemplation, and a deep and significant tragedy. After the Blue Period came Picasso's Rose Period, and eventually the Cubism movement which Picasso co-founded.

5 Interpitation The meaning of the painting is to inform you (the reader) of what stage he went threw in a event in his life and to respresent his emotional thoughts that he put in the painting. Furthermore, the guitarist shows no sign of life and appears to be close to death, implying little comfort in the world and accentuating the misery of his situation. Details are eliminated and scale is manipulated to create elongated and elegant proportions while intensifying the silent contemplation of the guitarist and a sense of spirituality. The large, brown guitar is the only significant shift in color found in the painting;[1] its dull brown, prominent against the blue background, becomes the center and focus. The guitar comes to represent the guitarist’s world and only hope for survival This blind and poor subject depends on his guitar and the small income he can earn from his music for survival. Some art historians believe this painting expresses the solitary life of an artist and the natural struggles that come with the career.

6 Judgement For me Picasso’s painting really tells what emotional staged he went he painted the painting and I also like what he did to the painting like texture and value and also the colors he used to bring the painting to life.

7 Additional Discoveries in the Painting!!!!!!!!!!
Recent x-rays and examinations by curators found three figures peering behind the old guitarist’s body. The three figures are an old woman with her head bent forward, a young mother with a small child kneeling by her side, and an animal on the right side of the canvas. Despite unclear imagery in crucial areas of the canvas, experts determined that at least two different paintings are found beneath The Old Guitarist.[4] In 1998, researchers used an infrared camera to penetrate the uppermost layer of paint (the composition of The Old Guitarist) and clearly saw the second-most composition. By using this camera, researchers were able to discover a young mother seated in the center of the composition, reaching out with her left arm to her kneeling child at her right, and a calf or sheep on the mother’s left side. Clearly defined, the young woman has long, flowing dark hair and a thoughtful expression.[5] The Art Institute of Chicago shared its infrared images with the Cleveland Museum of Art and the National Gallery of Art in Washington, D.C., where curator William Robinson identified a sketch by Picasso sent to his friend Max Jacob in a letter. It revealed the same composition of mother and child, but it had a cow licking the head of a small calf. In a letter to Jacob, Picasso reveals he was painting this composition a few months before he began The Old Guitarist. Despite these discoveries, the reason Picasso did not complete the composition with a mother and child, and how the older woman fitted into the history of the canvas, remain unknown.

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