1. Learning Audio/Video Production
CHAPTER 8: Editing with Adobe Premiere Pro and Adobe Audition

2. DOWNLOAD “CH8” FOLDER IN YOUR “PREMIERE PRO” FOLDER
GET THIS FOLDER FROM TEACHER’S JUMP DRIVE

3. Open new project (p.293) Launch Premiere Pro
Select: New Project
Dialogue Box: Leave Presets, Name Project Ch08_01_xx
Dialogue Box:
AVCHD > 720P > 720p(25i)
Name Sequence: Ch08_01_xx
Create New Bin: Theft Unexpected
Import “Theft Unexpected” clips from Ch7 Source material

4. Using the Source Monitor (p.293)
The Source Monitor is the main place you’ll go to when you want to check your assets before including them in a sequence.
When you view video clips in the Source Monitor you watch them in their original format. They will play back with their frame rate, frame size, field order, audio sample rate, and audio bit depth exactly as they were recorded.

5. Loading a Clip (p.294) To load a clip, do the following:
In the Project panel, hold down the Control (Windows) or Command (Mac) key and double-click the Theft Unexpected bin icon. To navigate back to the Project panel contents, click the Navigate Up icon beside the project name.
Double-click a video clip, or drag and drop a clip into the Source Monitor. Premiere Pro displays the clip in the Source Monitor, ready for you to watch it and add markers.
Position your mouse pointer so that it is over the Source Monitor, and press the ` (grave) key. The panel fills the Premiere Pro application frame, giving you a larger view of the video clip. Press the ` (grave) key again to restore the Source Monitor to its original size.
Save the changes to Ch08_01_xx.prproj, and leave it open.

6. Safe Margins(p.295)
Click the Dropdown menu at the top right of the Source Monitor, and choose Safe Margins.
To hide, again: Click the Dropdown menu at the top right of the Source Monitor, and choose Safe Margins.

7. Loading Multiple clips (p.295)
Click the Recent Items menu at the top left of the Source Monitor, and choose Close All.
Click the List View button on the Theft Unexpected bin, and make sure the clips are displayed in alphabetical order by clicking the Name heading.
Select the first clip, Cutaways, and then hold down the Shift key and click the clip Mid John This makes a selection of multiple clips in the bin.
Drag the clips from the bin to the Source Monitor Now the clips selected will be displayed in the Source Monitor Recent Items menu. You can use the menu to choose which clip to view.
Save the changes to Ch08_01_xx.prproj., and leave it open.

8. Source Monitor Controls (p.299)
As well as playback controls, there are some important additional buttons in the Source Monitor.
Add Marker: Adds a marker to the clip at the location of the playhead. Markers can provide a simple visual reference or store comments.
Mark In: Sets the beginning of the part of the clip you intend to use in a sequence. You can have only one In point. A new In point will automatically replace the existing one.
Mark Out: Sets the end of the part of the clip you intend to use in a sequence. You can have only one Out point. A new Out point will automatically replace the existing one.
Go to In: Moves the playhead to the clip In point.
Go to Out: Moves the playhead to the clip Out point.
Insert: Adds the clip to the sequence currently displayed in the Timeline panel using the insert edit method.
Overwrite: Adds the clip to the sequence currently displayed in the Timeline panel using the overwrite edit method

9. Navigating the Timeline (p.300)
The Timeline panel in Premiere Pro is the canvas on which you develop your video content. The Timeline is where you will add clips to your sequences, make editorial changes to them, add visual and audio special effects, mix soundtracks, and add titles and graphics.

10. Navigating the Timeline
Here are a few facts about the Timeline panel:
You view and edit sequences in the Timeline panel.
You can open multiple sequences at the same time, and each will be displayed in its own Timeline panel.
The terms sequence and Timeline are often used interchangeably, as in “in the sequence” or “on the Timeline.”
You can have up to 99 video tracks. Upper video tracks play “in front” of lower ones, so you would normally place graphics clips on tracks above background video clips.
You can have up to 99 audio tracks that all play at the same time to create an audio mix. Audio tracks can be mono (1 channel), stereo (2 channels), 5.1 (6 channels), or adaptive— with up to 32 channels.

11. Navigating the Timeline
You can change the height of Timeline tracks to gain access to additional controls and thumbnails on your video clips.
Each track has a set of controls, shown on a track header, that change the way it functions.
Time always moves from left to right on the Timeline.
The Program Monitor shows you the contents of the currently displayed sequence at the position of the playhead.
For most operations on the Timeline, you will use the standard Selection tool. However, there are several other tools that serve different purposes, and each tool has a keyboard shortcut. If in doubt, press the V key. This is the keyboard shortcut for the Selection tool.
You can zoom in and out of the Timeline using the + and – keys at the top of your keyboard to get a better view of your clips. If you press the \ key, Premiere Pro toggles the zoom level between your current setting and showing your whole sequence. You can also double-click the navigator at the bottom of the Timeline panel to view the whole timeline.

12. Creating a Sequence (p.300)
A sequence is a series of clips that play, one after another—sometimes with multiple blended layers, and often with special effects, titles, and audio— making a complete film.
You can have as many sequences as you like in a project. Sequences are stored in the Project panel, just like clips. They have their own icon.

13. Creating a Sequence (p.300) do this before you “try it”
From the Project Panel, drag the “Excuse Me” clip and drop it in the Source Monitor.
Position the playhead to the point just before the actor walks into the shot and Mark In.

14. Creating a Sequence (p.300) do this before you “try it”
Then, position the playhead to the point just after the actor’s eyes are out of the shot and Mark Out.

15. Creating a Sequence (p.301)
Save Ch08_01_xx.prprj and take screenshot
Command+Shift+3
Screenshot saves on desktop
Screenshot should include
Project Panel w/ “Theft” bin open
Timeline with Playhead parked on last frame
Program Panel w/ last frame on screen
Turn in Screenshot to Google Classroom

16. Premiere Pro Ch. 8 pt. 1 - Quizlet
Complete the Quizlet activity to review Vocabulary