1. Introducing media language. https://create. kahoot

2. What happened in the 1950s? Seat belts are introduced
1952 
First organ transplant 
1950s
Remote control was invented 
1956
Colour TV was born 
1951
Disneyland opens, McDonald's is founded 
1955

3. First… draw your idea of a woman in the 1950s…

5. However, working women had yet to attain many positions of influence
Brief History 
With marriage and birthrates booming, women were becoming wives and mothers at unimaginable levels.
Housekeeping and raising a family were considered ideal female roles during the 1950s
What were the roles of Woman? 
By 1956, 35 percent of all adult women were members of the labor force, and nearly a quarter of all married women were working.
However, working women had yet to attain many positions of influence
More women were entering the work-place as well as a result of World War 2.

6. Rising Opportunities Media views
While advertisers continued to depict women as domestic servants, real women were finding fulfillment in jobs, volunteer work, and social organizations as well as homemaking.
Many women were torn between traditional expectations and the opportunities available to them.
 By the 1950s only a few women held national office: out of the 531 members of Congress in 1956, 16 were women.
Since women bought 65 to 80 percent of all goods sold in the United States, advertisements and product designs were frequently aimed at feminine concerns
With a wife making most of the family's purchases, it made sense that she also controlled the family finances. 

7. T  I  D  E   
What is Tide? 
Tide is a laundry/ detergent manufactured by Procter & Gamble, introduced in 1946.
Why was it designed? 
...for heavy-duty, machine cleaning. 

8. How meaning is constructed through language and codes.
Media Language
The way in which the meaning of a media text is conveyed to the audience. 
One of the ways Media Language works is to convey meaning through signs and symbols suggested by the way a scene is set up and filmed.
Semiotics
How meaning is constructed through language and codes. 
Firstly there is the "Signifier which is what is there in front of us, what we see and the form the sign takes. 
Then there is the "signified" which is an idea associated with the signifier – the concept it represents.
Ferdinand de Saussure 
 a Swiss linguist and semiotician. His ideas laid a foundation for many significant developments in both linguistics and semiology in the 20th century

9. This advertisement presents fast, effective and "miracle" results.
Tide advertisements from the around the 1950s only portrayed woman as washing the laundry. 
TARGET
AUDIENCE
The main image of the woman hugging "Tide" suggests happiness and love as well as a close relationship – she doesn’t want to let it go. 
They fit right into the category of women being somewhat degrading in comparison to men
The use of the tagline categorizes women as it is suggested that all women want the same thing. 
Women are shown cleaning and showing off the  “miracle tide".

10. The use of the colour red connotates love - emotionally intense colour
The popular use of exclamation marks evokes excitement – note of admiration – and feeling of astonishment and surprise of the amazing results of TIDE.
The use of the colour red connotates love - emotionally intense colour
The women smiling suggests happiness and joy because of the product advertised 
The repetition of the word "tide" reminds the audience of the brand – drilling the idea of buying the product in their head – encourages fast selling – use of hyperbole.
PERSUASION
"The Perfect Woman“, the ideal image – audiences would admire her.
Direct address – personal - involves and engages the reader and drawing the audience to buy th product

11. In addition, the advert overall is very colourful and aesthetically pleasing to the eye. This allows the reader to be drawn in.
The red typography symbolises the red box & packaging of the actual product.
The red text enables them to quickly understand the advert and what it is about.
The key phrases are highlighted in red such as ‘cleanest’, ‘whitest’ & ‘brightens’ so that the audience will notice these key terms first which positively promotes the product.
The choice of colours are simplistic yet effective
VISUAL CODES
Visual codes are seen in the TIDE from the 1950s. The target audience will unintentionally identify the clothing she is wearing; it is pure white which symbolises cleanliness – enhancing the main concept of the product.
The white background again reinforces the element of cleanliness, complementing the initial idea of this concept from her clothing etc. overall.

12. ANALYSIS LAYOUT AND DESIGN CENTRAL IMAGE TYPOGRAPHY AND GRAPICS COLOUR
How is the advert constructed? Where are the images and text placed?
What effect does this make?
CENTRAL IMAGE
Why has it been chosen?
What does it communicate?
TYPOGRAPHY AND GRAPICS
What can you say about the font style?
How does the graphics help persuade the audience?
COLOUR
What do the colours suggests?
Is it part of the branding?
ANALYSIS
LANGUAGE AND MODE OF ADDRESS
How does the advert “speak” to its audience?
Is it a hard sell or a soft sell advert?
ATTITUDES AND BELIEFS
What attitudes and beliefs are conveyed?
Does the product advertise that it will change you life?

13. Audiences
1950’s to Present Day

14. Audiences in the 1950’s
In the 1950’s the target audience of a product was very different to today’s day in age.
This is due to reasons such as… ’s
Stereotypes
Social contexts of audience
Technology Breakthroughs
Today’s

15. Stereotypes in 1950’s Audiences
What do all of these have in common? They all depict housewives.
The stereotype around the housewife was that they always wore lots of make up and loved doing all of the washing hence the many print adverts that show women hugging washing detergent.
Also, if you look at the ethnicity of all of the women in adverts shown and if you look online you will find that all of them are Caucasian so this could be seen as a stereotype also it reinforces the bell hook’s feminists theory that lighter skinned women are considered more desirable.

16. Social contexts of the audiences.
When the Tide advert came out in the early1950’s the world had been several years removed from the devastating World War 2 in which women played a pivotal part in medical, engineering and driving work. After this the housewife stereotype kicked in to full effect all across the advertising scene in the USA.
However, over 60 years times have changed and with that so have stereotypes and although the stereotype does still exist it is less prominent and used in a less extreme way. We now live in a time where technology dominates the life’s of the human being and many stereotypes are now created by the media.

17. How technology breakthroughs affected the new era of audience
With the introduction of dishwashers and liquid washing capsules have rendered manual washing redundant or just extra effort and energy. Also, washing up powders have been replaced by more liquid based products. The brand Tide itself has seen a major decrease in popularity over the years with brands such as Ariel, Fairy and Surf booming in popularity and taking over the screens of the masses as Tide faded off shelves across the world.

18. Representation

19. Representation •Women were seen as secondary citizens to men
•Their primary purpose was to cook, clean and cook after the home which this print adverts conveys. The woman is hugging the product which implies that this is the one thing she wants in her life. As an audience we are able to decode this message from the advert.
•The advert may have been constructed in this way to suit society's view of women at this time. this may therefore have appealed to the company's target audience.
•there are also pink hearts coming off of the washing powder. This could link tot he stereotypical colours and images associated with women and the idea that at this time they were expected to clean and nothing else.
•As well as this, women at this time were seen to be overly emotional which could be another reason why the women in this advert was presented in this way.

20. Representation continued
“Women were twice as likely as men to be in commercials for domestic products and men were twice as likely as women to be in adverts for non-domestic products” In the past media products tended to convey straightforward messages about the ideal types of male and female identities.- David Gauntlett’s theory of representation.

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