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Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition Li-Chun Huang Teacher of Li-Ming Elementary School, Taichung City, Taiwan Presented by Li-Chun Huang
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Introduction Methodology Literature Review Conclusion
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition
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Introduction
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Design begins to germinate practically since human beings existed and began to produce living utensils. The bronze ware from the Pre-Qin Period is famous for its great value in history, art, and craftsmanship as well as its skillful casting technology. Other research has shown that visual presentation methods can affect the way patients perceive risks Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition
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* Investigating the dragon patterns on bronze ware.
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Dragon pattern is the most historical pattern in the application of Chinese decoration art. This paper aims at: * Investigating the dragon patterns on bronze ware. * Examining the proposition of metaphysical aesthetics in the Pre-Qin Period by means of the transformation of dragon patterns on bronze ware. Other research has shown that visual presentation methods can affect the way patients perceive risks 5 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 5
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Methodology 6
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Methodology Based on the Literature Research.
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Methodology Based on the Literature Research. This paper explored Chinese literature , mythology ethnology, and art history too. * Interpret the particular meaning of dragon patterns on bronze ware * Examine the proposition of design aesthetics in the Pre-Qin Period. Other research has shown that visual presentation methods can affect the way patients perceive risks 7 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 7
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Definitions The Bronze Ware :
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Definitions The Bronze Ware : Bronze mainly indicates an alloy of copper, tin, lead, etc. and the ware made of bronze is called bronze ware or bronzes. The Pre-Qin Period in this paper indicates: The three dynasties of Xia, Shang, and Zhou as well as the periods of the Spring and Autumn, and the Zhanguo (Ye, 1996). (夏、商、周、 春秋、戰國) Other research has shown that visual presentation methods can affect the way patients perceive risks 8 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 8
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Other research has shown that visual presentation methods can affect the way patients perceive risks The Rubbing of the Great Ke Caldron from the Late Western Zhou Dynasty (大克鼎 ) 9 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 9
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Literature Review
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The Bronze ware from the Pre-Qin Period
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Bronze ware from the Pre-Qin Period The quantity of the bronzes from the Pre-Qin Period is still unable to be calculated so far. The great quantity of fine bronzes have become the best authentic objects for later generations to research the crafts design of the Pre-Qin Periods (Yang, 2005). Other research has shown that visual presentation methods can affect the way patients perceive risks 11 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 11
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 1 Bronze Varieties In light of use, the bronzes of the Shang and Zhou Dynasties can be divided into six varieties (Gao, 2006:70) : food vessels, liquor vessels, liquid vessels, musical instruments, miscellaneous objects, and weapons. Other research has shown that visual presentation methods can affect the way patients perceive risks 12 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 12
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Musical instruments of the bronzes
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Musical instruments of the bronzes Other research has shown that visual presentation methods can affect the way patients perceive risks 13 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 13
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2 The Evolution of Bronze Manufacturing Technology
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 2 The Evolution of Bronze Manufacturing Technology “mud model casting method,” → “one mold, multiple models method” → “lost-wax casting ” Other research has shown that visual presentation methods can affect the way patients perceive risks 14 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 14
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“one mold, multiple models method”
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion “one mold, multiple models method” Other research has shown that visual presentation methods can affect the way patients perceive risks 15 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 15
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Transformation of the Pattern Motives on the Bronzes from the Pre-Qin Period The decorative patterns on the bronzes can be divided into three categories namely : *Animal pattern *Human figure pattern (Tiger) *Geometric pattern (Cloud) Other research has shown that visual presentation methods can affect the way patients perceive risks 16 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 16
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Each dynasty in the Pre-Qin Period had different decorative motives of bronzes. *The Shang Dynasty : Tao-Tao pattern &animal shapes (seen in real life and imaginary ) * The Zhou Dynasty: More simply and tend to be fixed *The period of the Spring and Autumn : Coiled-dragon pattern and snake pattern *The period of the Zhanguo : More abstract and geometric patterns &life-reflecting topics Other research has shown that visual presentation methods can affect the way patients perceive risks 17 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 17
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Tao-Tao patter Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Tao-Tao patter Other research has shown that visual presentation methods can affect the way patients perceive risks 18 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 18
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The Bronze ware of the Zhou Dynasty
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Bronze ware of the Zhou Dynasty Other research has shown that visual presentation methods can affect the way patients perceive risks 19 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 19
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The Bronze ware of the period of the Spring and Autumn
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Bronze ware of the period of the Spring and Autumn Other research has shown that visual presentation methods can affect the way patients perceive risks 20 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 20
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The Literature Relevant to Dragon Pattern
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Literature Relevant to Dragon Pattern Dragon pattern is the most historical pattern in the application of Chinese decoration art. There is not any final conclusion about what a dragon really is. The opinions about the origin of dragons are still widely divided. Other research has shown that visual presentation methods can affect the way patients perceive risks 21 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 21
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The Origin of Dragon 1、Dragon Indeed
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Origin of Dragon 1、Dragon Indeed Almost birds, beasts, and reptiles indicated by the independent hieroglyphic words physically exist or existed in the world. Dragon just like elephant, it disappeared in the current hinterland of China (Zhang, 1987: 8-10) Other research has shown that visual presentation methods can affect the way patients perceive risks 22 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 22
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The word, dragon, on the oracle bone
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The word, dragon, on the oracle bone Other research has shown that visual presentation methods can affect the way patients perceive risks 23 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 23
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2、From the Observation of Astronomic and Atmospheric Phenomena
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 2、From the Observation of Astronomic and Atmospheric Phenomena Connecting the seven constellations of Constellation Fang (π Scorpii) into a figure, one may find that the figure is almost identical to the word of dragon on the oracle bone. Other research has shown that visual presentation methods can affect the way patients perceive risks 24 24
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蒼龍七宿:The seven constellations of Azure Dragon
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 蒼龍七宿:The seven constellations of Azure Dragon Other research has shown that visual presentation methods can affect the way patients perceive risks 25 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 25
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3、The Transfer of Totem Worship
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 3、The Transfer of Totem Worship Almost all primitive races have the habit of worshiping snake totems. In terms of the history of Chinese totem art, the culture of worshiping snake was not too long since it was replaced by worshiping dragon. Other research has shown that visual presentation methods can affect the way patients perceive risks 26 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 26
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4、Illusions upon the Emergence of Spring Thunder
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 4、Illusions upon the Emergence of Spring Thunder Some scholars think that if the lightning occurred while thundering and lightning is drawn, it looks like the shape of dragon or snake, and if the thunder is described in words, it is “dragon.” When ancient people mentioned a dragon, it was always relevant to wind or rain. It is thus evident that dragon and rain or water are related. Other research has shown that visual presentation methods can affect the way patients perceive risks 27 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 27
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The Differentiation between Dragon & Snake Patterns
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Differentiation between Dragon & Snake Patterns 1、Dragons have feet, but snakes do not. In the ancient time, wizards or witches from worshiping snake would certainly beautify the idol snake .Although these decorated snakes still kept the bodies, they were not natural snakes. They should be regarded as dragons. The snakes with feet on bronzes should be dragons, and the long objects without feet should be snakes. Other research has shown that visual presentation methods can affect the way patients perceive risks 28 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 28
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Dragons have feet, but snakes do not. Dragon Snakes
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Dragons have feet, but snakes do not. Dragon Snakes Other research has shown that visual presentation methods can affect the way patients perceive risks 29 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 29
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2、Dragons have horns, but snakes do not.
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 2、Dragons have horns, but snakes do not. If the dragon character in the upper part on the oracle bone, does not have such a horn, “ ” , it will be the same to the snake character. Some scholars have proposed two explanations as follows: It is relevant to the ancient people’s reproduction worship: Both “ ” and “ ” were represent male genitals which hope that the descendants can be propagated abundantly. The “ ” symbol is representative of humanism: it indicates honorable as well as a sacred symbol, like the crown nowadays. (Wu, 1987: ) Other research has shown that visual presentation methods can affect the way patients perceive risks 30 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 30
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion In the upper part of the dragon character on the oracle bone , there is a symbol similar to “ ” Other research has shown that visual presentation methods can affect the way patients perceive risks 31 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 31
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In the upper part of the dragon has horns.
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion . In the upper part of the dragon has horns. Other research has shown that visual presentation methods can affect the way patients perceive risks 32 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 32
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The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period
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Ernest Grosse, a German scholar, indicated that:
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Ernest Grosse, a German scholar, indicated that: *The demands of the beauty appreciation are to satisfy the minor desires of humans. *Primitive decorations possess practical meanings and symbolic attributes. (Yeh Liu, 1997) Other research has shown that visual presentation methods can affect the way patients perceive risks 34 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 34
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Investigate the totem meanings of dragon pattern.
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion We inferred that the application of the decorative dragon patterns on bronzes in the Pre-Qin Period can be used to : Investigate the totem meanings of dragon pattern. Explain the aesthetics of transformations from religiosity to practicality. Examine the proposition of metaphysical design aesthetics, such as : *The aesthetic thought of “virtue comparison” of the Confucian school. *The aesthetic thoughts in Yijing( the Book of Changes )- falseness-trueness or yin-yang integrate and confront. Other research has shown that visual presentation methods can affect the way patients perceive risks 35 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 35
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The Totem Meanings of Dragon Patterns
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Totem Meanings of Dragon Patterns Image of dragon is actually formed by the image of snake plus various animals which might be used as the gathering sign by several ancient tribes and clans. The ancient Chinese races most respected dragons and made dragons into totems indicates worshiping dragons Ancient emperors said they had blood relationship to dragons, they could represent God’s will and guide all the people. Dragons became the symbol of emperor. Chinese called themselves the descendants of dragon. Other research has shown that visual presentation methods can affect the way patients perceive risks 36 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 36
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The Emergence of Pragmatistic Aesthetics
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Emergence of Pragmatistic Aesthetics In the Shang Dynasty: *Everything had to be checked with gods or ghosts by means of religious rituals. *While manufacturing and decorating bronzes, the ruling class would concretely reflect some kind of attitudes and ideas, such as the hope of the people or their reverence for the great nature, to gods. *The most common pattern on the objects is the tao-tao pattern, blended with the dragon pattern and cicada pattern. Other research has shown that visual presentation methods can affect the way patients perceive risks 37 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 37
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In the Shang and Zhou Dynasties :
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion In the Shang and Zhou Dynasties : The dragon patterns of the bronze ware were simpler . In the period of the Zhanguo: *The bronze ware were mainly for daily use. *The complicated model constructed by several dragons coiling became a common decoration on bronzes. The pragmatistic aesthetics of dragon pattern transferring from being ritual to being decorative should be noticed. Other research has shown that visual presentation methods can affect the way patients perceive risks 38 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 38
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←The bronzes of the West Zhou
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion ←The bronzes of the West Zhou Other research has shown that visual presentation methods can affect the way patients perceive risks The bronzes of the Spring and Autumn → 39 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 39
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The Confucian Aesthetics of Appearance and Nature
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Confucian Aesthetics of Appearance and Nature The Confucian aesthetics is predominant in the aesthetic history of China. * In Confucius’s opinion, it was the supreme state of beauty that appearance and nature harmonized with each other. *According to this concept, the content and the form of craft works must be mutually dependent. Other research has shown that visual presentation methods can affect the way patients perceive risks 40 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 40
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion In the periods of the Spring and Autumn and the Zhanguo, the design of bronze ware had already changed dramatically. Confucius had said, “A Gu does not look like a Gu. Is this really a Gu? How can this be a Gu?” Actually, Confucius was not only discontent with the change of the Gu shape but also angry at the downfall of the ritual system in the Zhou Dynasty. Moreover, since dragon patterns became more complicated and less regularized, I think it might not answer to the Confucius’ aesthetics of the harmony of appearance and nature. Other research has shown that visual presentation methods can affect the way patients perceive risks 41 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 41
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觚 =Gu is a kind of wine ware.
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 觚 =Gu is a kind of wine ware. Other research has shown that visual presentation methods can affect the way patients perceive risks 42 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 42
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion In my opinion: *The social developments can not be stopped. The limits and the constraints which resulted from the Confucian aesthetic concept of virtue comparison should not be underestimated. If they are reflected in design, sometimes they will form traditional thoughts and concepts which are deep-rooted, stick to old ways, and seek no innovation. *But sometime the Confucian aesthetic concept of virtue comparison may let craft works have special inner Spirit which is differed from other races. Other research has shown that visual presentation methods can affect the way patients perceive risks 43 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 43
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The Aesthetics in the Book of Changes (Yijing )
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Aesthetics in the Book of Changes (Yijing ) 1、To Examine the Proposition of the Harmony of Yin (Female )and Yang( Man ) The legend of two dragons emerged very early in ancient China. It was developed after the system of marriage was formed. In the Han Dynasty, they were called Nuwa (女媧)and Fuxi(伏羲). Nuwa and Fuxi always stood side by side or copulated, basically resembling dancing. Other research has shown that visual presentation methods can affect the way patients perceive risks 44 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 44
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The copulating figure of Nuwa and Fuxi, namely two dragons, also appeared on bronze decorations. Before the Han Dynasty, there was not Taiji (太極), in China. This winding image of a female dragon and a male dragon is possibly the predecessor of the Figure of Taiji(太極圖) or the yin-yang (陰-陽)symbol. Other research has shown that visual presentation methods can affect the way patients perceive risks 45 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 45
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Nuwa and Fuxi http://www.epochtimes.com/ci/ctrinity_Nuwa.jpg
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Nuwa and Fuxi Other research has shown that visual presentation methods can affect the way patients perceive risks 46 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 46
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion 2 To Examine the Proposition of the Confrontation and Harmony of Falseness and Trueness Yihan Jiang (姜一涵 )divides the human culture into two worlds: *The Yi(易) world- Symbolizes the civilized world in Chinese culture, also called the realistic world or the true world. *The Dragon (龍)world - Symbolizes the deific world in Chinese culture, also called the surreal world or the false world. Other research has shown that visual presentation methods can affect the way patients perceive risks 47 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 47
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The Confronting Worlds of Dragon and Yi
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Confronting Worlds of Dragon and Yi The dragon world (falseness) – deity The ruler of the false world The supreme type in the realistic world The Yi world (trueness) - sanctity Other research has shown that visual presentation methods can affect the way patients perceive risks 48 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 48
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In Yihan Jiang opinion:
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion In Yihan Jiang opinion: The concepts of deity-sanctity and falseness-trueness indicate the concept of Taiji. TWo worlds of deity and sanctity which not only contrast each other but also integrate and blend mutually become the lifeline and origin of Chinese culture. *In the Dragon world, the dragon is the body of deity and the deity dominates the dragon. In the Yi world, the sanctity is the body of Yi and the sanctity is the supreme type in the Yi world. *Deity administers everything in the Dragon world and sanctity administers everything in the Yi world. *The boundaries of the false and true worlds are specific, and the responsibilities of deity and sanctity are also entirely different. Other research has shown that visual presentation methods can affect the way patients perceive risks 49 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 49
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The Book of Changes(Yijing ) is the Book of Dragons.
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The Book of Changes(Yijing ) is the Book of Dragons. The Yi character is the hieroglyph of reptile. The kind of giant reptile crawling on the ground, which was seen by ancient people before a deluge, was dragon. Dragon is combines the characteristics of animal, human, and god, it can come and go between the realistic and the falseness world . Falseness and trueness are the two most important concepts, which contrast but sometimes integrate with each other, the dominating power of which constantly continues until nowadays. (Jiang, 1989) Other research has shown that visual presentation methods can affect the way patients perceive risks 50 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 50
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Conclusion
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* The modeling of dragon pattern changed from simple to intricate.
Introduction Methodology Literature Review The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion The dragon pattern transformations on the bronzes from the Pre-Qin Dynasty : * The modeling of dragon pattern changed from simple to intricate. *The function changed from the use of religion or politics to the use of everyday life. The pattern of copulating dragon reflect the Yijing aesthetic concept of Yin and Yang as well as falseness and trueness from the Pre-Qin Period. Other research has shown that visual presentation methods can affect the way patients perceive risks 52 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 52
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Introduction Methodology Literature Review
The Correlation between the Dragon Pattern Design and the Metaphysical Aesthetics in the Pre-Qin Period Conclusion Furthermore, the content and forms of the bronze ware in the Pre-Qin Period did not answer to the Confucian aesthetics appealing to the harmony of appearance and nature. We still could see the bronzes from the Pre-Qin Period are indeed craft treasures for the later generations to research and appreciate. Other research has shown that visual presentation methods can affect the way patients perceive risks 53 Studying From the Bronze ware of change of Dragon pattern to authenticate the Pre-Chin Dynasty design aesthetic proposition 53
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Li-Ming Elementary School, Taichung City, Taiwan
Thanks for Your Attendance and Attention Li-Ming Elementary School, Taichung City, Taiwan
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