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Perception Chapter 6 Mr. McElhaney.

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Presentation on theme: "Perception Chapter 6 Mr. McElhaney."— Presentation transcript:

1 Perception Chapter 6 Mr. McElhaney

2 “Seeing” Gregory explains vision: Pay attention to the following:
Gestalt, Foreground, Background, Silhouette How does the eye select, filter and become conscious or make sense of visual world? How does the perceptual system work? What is the role of experience in perception? What are illusions?

3 Questions to be answered
What is the role of experience in perception? What is the role of culture ? How does the mind make meaning of the stimuli from the environment?

4 Perception Making sense of visual stimuli
How we assemble sensations into meaningful patterns Perception is empirical= experiential

5 Constancies Perceptual Constancy Size Constancy Shape Constancy
Perception needs experience Must be familiar with objects to use their size to judge distance Size Constancy Perceived size of object remains the same even though size on the retina changes Shape Constancy Shape of an object remains constant Alcohol impairs Brightness Constancy Brightness of objects appear to be the same if surrounding objects are illuminated

6 Perceptual Organization
Contrasts help perception Object and plain background Figure Ground- perception is first Reversible figure ground Perception is reversed Background is more visible

7 Gestalt Principles We have a tendency to complete shapes into whole units Factors of Perception that bring order to perceptions: Visual depictions can be designed to be perceptually efficient.

8 Gestalt Principles: “The whole is greater than its parts.”
Nearness- items near are grouped together items will be seen in groups Similarity- perceived size/shape color form tend to be grouped together Continuation- continuity- tend toward simplicity- it’s easier to visualize wavy line than complex rows Closures- tendency to complete a figure so that it has an overall form Common region- stimuli found in a common region or area seen as a group Used in everyday patterns

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10 Camouflage Breaks up foreground organization images
also known as cryptic coloration or concealing coloration, allows an otherwise visible organism or object to remain indiscernible from the surrounding environment. © E.R. Degginger/Animals Animals

11 Perceptual Hypothesis
We find meaning and organize visual perceptions from a distance When we get closer the hypothesis is proved or disproved We expect and understand based on experience we have preexisting ideas

12 Necker’s Cube Ambiguous stimuli Brain interprets patterns
Patterns that allow more than one interpretation Brain interprets patterns We actively construct meaningful perceptions/ not passive Problem- Conflicting information prevents stable perception

13 Depth Perception Ability to perceive 3 dimensional space
Nativist= inborn ability Or Empiricists = experience based Depth perception is both

14 Visual Cliff The concept of testing depth perception in babies
Can babies identify Depth Cues? Features of the environment and messages from the body that supply information about distance/depth

15 Implications with both studies are that humans have both
Study found that Infants have some innate depth perception. Implications with both studies are that humans have both

16 Why do infants and babies fall off beds and things?
Depth perception and motor skills have not integrated yet

17 Depth Perception: Muscular Cues
Monocular or Binocular Sensations from muscles attached to each lens flow back to the brain Accommodation- (using muscles) bending of lens to focus on nearby object Convergence= Distant vision = parallel within 50’ eyes converge Controlled by muscles feed info to the brain helps judge distance

18 Convergence

19 Muscular Cue: Stereoscopic Vision=2 eyes
Focusing of image by two eyes = 3 dimensional sight Retinal Disparity (Binocular cue)= two eyes, see the world differently “Discrepancy in images that reaches right and left eye” (3 D movies pg 221) Produces Depth One eyed people can learn to perceive depth

20 Pictorial Cues for Depth
Linear Perspective Relative size Height in picture plane Light and shadow Texture gradient Overlap Aerial perspective Relative Motion

21 Fig. 6. 14 (a) Linear perspective. (b) Relative size
Fig (a) Linear perspective. (b) Relative size. (c) Light and shadow. (d) Overlap. (e) Texture gradients. Drawings in the top row show fairly “pure” examples of each of the pictorial depth cues. In the bottom row, the pictorial depth cues are used to assemble a more realistic scene.

22 The Moon Illusion Perceiving the moon as larger when it is low in the sky; Problem: the moon is closer when the directly overhead The brain thinks the low moo is larger because of Depth Cues Horizon makes moon seem farther away

23 Perceptual Learning Refers to experiences that cause changes in the brain that alter how we process info We learn to focus on one part of stimuli We learn to tell the difference between stimuli

24 Perceptual Habits Through Experience We establish habits of perception
Patterns of organization and attention Perceptual Features- are learned and the brain becomes sensitive to: Lines, shapes, edges, spots, and colors

25 Ames Room- appears square, distorts proportions= Both Perceptual Habits and Perceptual Learning

26 Perceptual Habits continued
Other Race Effect Inverted vision= human brain can adapt Through active movement People need to be active to adapt

27 Examples of Illusions

28 Illusions: Size Distance Variance
The size of an object’s image is precisely related to its distance from the eye Two objects make images the same size

29 Perception cannot occur without attention
Motives for one stimulus will make perception for that stimulus more sensitive We are surrounded by stimuli Selective Attention: we give some messages priority. Divide Attention: Causes us to divide attention among tasks that require more or less effort

30 Types of stimuli that impact attention
Intense stimuli commands attention (brighter, louder, larger- Advertising psych) Repetitious Stimuli- grabs attention Contrast or changing stimuli gets attention

31 Other Factors to Attention
Intentional Blindness- when focusing on a specific item we miss other info/items Habituation= boredom, we respond less to unchanging stimuli <to not be stimulated> Connected to Adaptation- decrease the actual number of sensory messages sent to brain

32 Biological Receptivity
Orientation Response: prepares us to receive information Pupils enlarge Brain patterns shift Breathing stops Blood flows to head increases Physical turn toward stimulus “Double Take”

33 Perceptual Expectancies
Expecting stimuli in a certain manner “Past experiences, motives, context” “Prepares you to perceive in certain ways.” “We see what we expect to see.” Can be created by suggestion

34 Perceptual Expectancies
Bottom Up Processing- Feature analysis of info with sensory units build upward to a complete perception Top Down Processing- pre-existing knowledge used- to rapidly organize features (small units) to a whole

35 Perceptual Categories
Experiences are sorted into categories Labels impact the way we perceive others- Classes Types Groups

36 Eyewitness Testimony Is often incorrect
When a person is surprised, threatened, or under stress are especially prone to distortion

37 Maslow and Perception Found some people perceive themselves and other with great accuracy. Characteristics: Lack Self Consciousness Not critical Not evaluating Problem of Habituation- boredom, responding less to stimuli Need to Dishabituate- reverse habituation = pay attention Examples of: Mother and infant Christmas Two people in love

38 How to Improve Perception
Remember perceptions are reconstructions of reality Break perceptual habits and interrupt habituation Shift adaptation levels and broaden frames of reference by seeking out of the ordinary experiences Beware of perceptual sets Be aware of the ways in which motives and emotions influence perceptions Make a habit of engaging in reality testing. Pay attention


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