1. 【起源於耶路撒冷的聖母慶節】 聖母誕辰節(九月八日)
第五世紀中葉，耶路撒冷聖殿以北靠近羊門的水池，據傳是耶穌冶愈病患(若五1-19)之處，建有聖堂。九月八日為聖堂祝聖紀念日。又相傳該堂是築在瑪利亞父母的宅址，瑪利亞在那裡誕生。到第六世紀，九月八日使成了紀念聖母誕生的日子。
這節日在第七世紀傳入羅馬，同列為當時聖母四大慶節之一，正如其他三大慶節一樣，被教宗息澤伍輔以遊行禮。
一九七零年羅馬彌撒書訂九月八日為慶日；當日的進台詠、集禱經及領主後經清楚指出，因為瑪利亞生育了人類的救主基督，所以聖母的誕辰也給世界帶來救恩的曙光和希望。福音則誦讀耶穌的族譜和若瑟領受天使報喜，(瑪一1-16，18-23)為指出耶穌是因聖神降孕，生於瑪利亞之童身，是真天主真人。瑪利亞的誕生，和若翰的誕生，都是作「前驅」，為天主所揀選，準備基督的來臨。

2. Natività della Beata Vergine Maria Nativity of the Theotokos
The Birth of Mary
The Birth of the Virgin

3. Santi_gioacchino_e_anna
Nativity_of_Virgin_1700
La Natività della Beata Vergine Maria è una festa liturgica della Chiesa Cattolica e della Chiesa Ortodossa che ricorda la nascita di Maria e che si celebra l'8 settembre.
Secondo la tradizione tramandata dal Protovangelo di Giacomo, uno dei Vangeli Apocrifi, Maria è nata da Gioacchino ed Anna.
Per la Chiesa Ortodossa la nascita di Maria riveste un'importanza particolare ed è computata come una delle 12 feste maggiori.
Nella tradizione cattolica la festa è celebrata in tante località. Nella tradizione agricola il ricordo della nascita di Maria coincide con il termine dell'estate e dei raccolti. Molte chiese hanno come titolo la Natività di Maria.
La festa è nata dapprima in Oriente; è stata introdotta nella chiesa d'Occidente dal Papa Sergio I.

4. Maria's geboorte (rond 1675)
Oekraiens icoon van Maria's geboorte (rond 1675)
Oekraiens icoon van
Maria's geboorte (rond 1675)

6. GIOTTO di Bondone No. 7 Scenes from the Life of the Virgin: 1
GIOTTO di Bondone No. 7 Scenes from the Life of the Virgin: 1. The Birth of the Virgin Fresco, 200 x 185 cmCappell Scrovegni (Arena Chapel), Padua

7. GHIRLANDAIO, Domenico (b. 1449, Firenze, d. 1494, Firenze)
Birth of Mary Fresco Cappella Tornabuoni, Santa Maria Novella, Florence
English: Santa Maria Novella church in Florence (Italy), Tornabuoni Chapel, Birth of Mary ( ), fresco by Domenico Ghirlandaio.
Italiano: Nascita di Maria, alla presenza di alcune donne della famiglia Tornabuoni, affresco di Domenico Ghirlandaio per la Cappella Tornabuoni, nella chiesa di Santa Maria Novella a Firenze.
"The second scene is the Nativity of the Virgin, executed with great diligence. Among other remarkable things it contains a window which lights the chamber and actually deceives the beholder..." (Vasari).
The second scene, the Birth of Mary, is one of the finest creations in the chapel. The space, which is skillfully constructed along perspective lines, opens up like a display case. It is opulently decorated, with a relief frieze in which putti are dancing a roundel. They appear to be delighting in the birth of the Virgin Mary, for as the Latin inscription at their feet proclaims: "Nativitas tua genitrix virgo gaudium annunziavit universo mundo" (Thy birth, O Virgin and Mother of God, brings joy to all the world). This frieze of putti was inspired by Florentine sculpture, being reminiscent of the two cantorias in the cathedral by Donatello and Luca della Robbia, created about 1435.
The daughter of the donor, Ludovica Tornabuoni, is entering the birth room from the left with her retinue. She is noticed by the kneeling nurse, who turns and looks at her - an action Ghirlandaio uses to forge a direct link between the biblical and the contemporary. The stiff appearance of this young aristocrat forms a stark contrast to the graceful movements of the maid pouring water. There is an isolated preliminary study for this figure that tells us a great deal about Ghirlandaio's method of drawing using a network of parallel hatching.

8. GOZZOLI, Benozzo(b. ca. 1420, Firenze, d. 1497, Pistoia) Birth of Mary
1491 Transferred fresco Biblioteca Comunale, Castelfiorentino Send this picture as postcard Friendly format for printing and bookmarking Order oil painting This scene is on the exterior wall of the Shrine of the Visitation. The Birth of Mary takes place in the presence of several women in a perspectively constructed interior, a bed chamber that is furnished with marble wall paneling and a wooden coffered ceiling.
GOZZOLI, Benozzo Birth of Mary 1491 Transferred fresco Biblioteca Comunale,
Castelfiorentino

9. LORENZETTI, Pietro The Birth of Mary 1342 Tempera on wood, 188 x 183 cm Museo dell'Opera del Duomo, Siena
LORENZETTI, Pietro(b. ca. 1280, Siena, d. 1348, Siena) The Birth of Mary
1342 Tempera on wood, 188 x 183 cm Museo dell'Opera del Duomo, Siena Send this picture as postcard Friendly format for printing and bookmarking Order oil painting Formally a triptych, in fact it is a single scene. In the centre St. Anne in a position similar to the Etruscan sarcophags. The composition is Byzantine but the painting as a whole is Italian showing the influence of Giotto. The framework structure of the panel shows the walls and supporting uprights of a house with the front wall removed. The rooms are shown in convincing perspective, with the anteroom on the left giving access to a tall, Gothic inner courtyard. In the main room St Anne, who has just given birth, is lying in bed while midservants wash the newborn Mary. The child's aged father Joachim is receiving the happy news from a boy in the anteroom. It is signed and dated, the inscription on the frame below the central panel is: PETRUS LAURENTII DE SENIS ME PINXIT MCCCXLII.

10. MASTER of the Life of the Virgin The Birth of Mary c
MASTER of the Life of the Virgin The Birth of Mary c Wood, 85 x 109 cm Alte Pinakothek, Munich
MASTER of the Life of the Virgin(active in Cologne) The Birth of Mary
c Wood, 85 x 109 cm Alte Pinakothek, Munich Send this picture as postcard Friendly format for printing and bookmarking Order oil painting This late Gothic master received his name after his main work, the Mary Altarpiece executed for the church St Ursule in Cologne. Seven panel of the altarpiece is in the Alte Pinakothek on Munich, one in the National Gallery in London. The Birth of Mary is the central panel of the altarpiece.

11. MASTER of the Pfullendorf Altar(beginning of the 15th century) The Birth of Mary
- Wood, 102,8 x 71 cm Staatsgalerie, Stuttgart Send this picture as postcard Friendly format for printing and bookmarking Order oil painting The painting illustrates the birth in a simple family at the beginning of the 15th century.
MASTER of the Pfullendorf Altar The Birth of Mary - Wood, 102,8 x 71 cm Staatsgalerie, Stuttgart

12. VIVARINI, Bartolomeo(b. ca. 1440, Murano, d. ca
VIVARINI, Bartolomeo(b. ca. 1440, Murano, d. ca. 1499, Murano) The Birth of Mary
1473 Tempera on panel, 104 x 50 cm Santa Maria Formosa, Venice Send this picture as postcard Friendly format for printing and bookmarking Order oil painting The painting is the right panel of a triptych.
VIVARINI, Bartolomeo The Birth of Mary 1473 Tempera on panel, 104 x 50 cm Santa Maria Formosa, Venice

13. ALTDORFER, Albrecht(b. ca. 1480, Regensburg, d
ALTDORFER, Albrecht(b. ca. 1480, Regensburg, d. 1538, Regensburg) The Birth of the Virgin
1525 Pine panel Alte Pinakothek, Munich Send this picture as postcard Friendly format for printing and bookmarking Order oil painting No architectural work by Altdorfer is known, but his interest in architecture and his skill in handling intricate problems of perspective are demonstrated by his Birth of the Virgin.
ALTDORFER, Albrecht The Birth of the Virgin Pine panel Alte Pinakothek, Munich

14. BORGOÑA, Juan de The Birth of the Virgin 1509-11 Fresco Chapter room,
BORGOÑA, Juan de(active from 1495, Toledo, d. 1535, Toledo) The Birth of the Virgin
Fresco Chapter room, Cathedral, Toledo Send this picture as postcard Friendly format for printing and bookmarking Order oil painting After the death of Pedro Berruguete, the painter of the Toledo Cathedral, Borgoña received an important commission: the fresco decoration of the chapter room and its small antechamber in the Toledo Cathedral. Borgoña frescoed the chapter room between 1509 and 1511 with eight scenes from the life of the Virgin on the lateral walls and three scenes of the Passion and a large Last Judgment on the end walls. Many of the scenes of the Virgin's life take place within complicated architectural settings, and the masterful use of perspective provides a spacious setting for the calm, controlled narration of episodes from literary sources. The Birth of the Virgin is one of the scenes in the chapter room, the influence of Domenico Ghirlandaio's frescoes in the Santa Maria Novella in Florence is evident.
BORGOÑA, Juan de The Birth of the Virgin Fresco Chapter room,
Cathedral, Toledo

15. CARPACCIO, Vittore Birth of the Virgin 1504-08 Tempera on canvas,
CARPACCIO, Vittore(b. 1472, Venezia, d. 1526, Capodistria) Birth of the Virgin
Tempera on canvas, 126 x 128 cm Accademia Carrara, Bergamo Send this picture as postcard Friendly format for printing and bookmarking Order oil painting Carpaccio painted the Stories from the Life of the Virgin between 1504 and 1508 in the Scuola degli Albanesi, consecrated to Mary and to St Gall. This building, which still exists, was constructed around the year 1500 on a piece of land belonging to the monastery of the Augustinian friars at San Maurizio; the confraternity it housed consisted mostly of the community of Illyrians who had settled in Venice in great numbers especially after the Turkish conquest of Scutari in The six small paintings are today in four different museums: the Accademia Carrara in Bergamo (Birth of the Virgin), the Brera in Milan (Presentation in the Temple and Wedding of the Virgin), the Giorgio Franchetti Gallery in the Ca' d'Oro in Venice (Annunciation and Death of the Virgin) and the Correr Museum in Venice (Visitation). As compared with the earlier, the level of invention and innovation in these works is fairly poor, as is the range and depth of colour; this cannot be explained entirely by the fact that Carpaccio was assisted in this task only by mediocre helpers and that he was less interested in this commission than he had been in the cycle for San Giorgio degli Schiavoni. Carpaccio was quite obviously finding it difficult to develop his art in the climate of spiritual revolution initiated by Giorgione. And yet, in these subjects he occasionally shows a renewed interest in the everyday aspects of existence. Especially in the Birth of the Virgin he investigates with great attention to detail the interior scenes, and every last element of the decoration, recreating a mood of intimacy thanks to a use of soft tints, further mellowed by a diffuse lighting.
CARPACCIO, Vittore Birth of the Virgin Tempera on canvas,
126 x 128 cm Accademia Carrara,
Bergamo

16. DÜRER, Albrecht Life of the Virgin: 4.
DÜRER, Albrecht(b. 1471, Nürnberg, d. 1528, Nürnberg) Life of the Virgin: 4. The Birth of the Virgin
1503 Woodcut Staatliche Graphische Sammlung, Munich Send this picture as postcard Friendly format for printing and bookmarking Order oil painting A study for the composition is at Berlin.
DÜRER, Albrecht Life of the Virgin: 4.
The Birth of the Virgin 1503 Woodcut Staatliche Graphische Sammlung,
Munich

17. FRANCESCO DI GIORGIO MARTINI Birth of the Virgin 1488-94 Fresco, 454 x 552 cm Sant'Agostino, Siena
FRANCESCO DI GIORGIO MARTINI(b. 1439, Siena, d. 1502, Siena) Birth of the Virgin
Fresco, 454 x 552 cm Sant'Agostino, Siena Send this picture as postcard Friendly format for printing and bookmarking Order oil painting Francesco di Giorgio painted two scenes, the Nativity and the Birth of the Virgin, for the decoration of the chapel of family Bichi. Executed with a particular grisaille technique, the frescoes are the culmination of the artist's career as a painter.

18. GIAMBONO, Michele(b. ca. 1400, Venezia, d. ca
GIAMBONO, Michele(b. ca. 1400, Venezia, d. ca. 1462, Venezia) Birth of the Virgin
Mosaic Mascoli Chapel, San Marco, Venice Send this picture as postcard Friendly format for printing and bookmarking Order oil painting The scene of the Birth of the Virgin is on the left side of the barrel vault. This subject matter had been very rarely represented in Venetian art up until Giambono's time, thus the artist turned to the most extensive and best-known Virgin cycle in Venetian territory, Giotto's frescoes in the Scrovegni Chapel in Padua. In the background and to the left, the same patient servant waits outside the birthing chamber, which has been modernized with balconies, porches, and Gothic tracery that relate both to contemporary architecture and to the complex architecture of late-fourteenth-century Paduan frescoes.
GIAMBONO, Michele Birth of the Virgin Mosaic Mascoli Chapel, San Marco,
Venice

19. GIOVANNI DA MILANO The Birth of the Virgin 1365 Fresco Rinuccini Chapel, Santa Croce, Florence
GIOVANNI DA MILANO(active , Milano, Firenze) The Birth of the Virgin
1365 Fresco Rinuccini Chapel, Santa Croce, Florence Send this picture as postcard Friendly format for printing and bookmarking Order oil painting Agnolo Gaddi, Giovanni da Milano, and Altichiero da Zevio competed in the development of Giotto's figurative space. The plane of the wall as the foremost level of fictive space, combined with perspective in depth, remains. But the paintings of the Rinuccini Chapel in Santa Croce in Florence in 1365 by Giovanni da Milano points up the further possibilities of pictorial architecture in its ornamental framing. The compressed space loses its importance as architectural space and gains in decorative elegance, though even here the figures in the story of the Virgin act within an architectural stageset. The poetry of their movements reflects the refined patterns painted on the frame.

20. GIOVANNI FRANCESCO DA RIMINI The Angel Appearing to Joachim;
The Birth of the Virgin 1440s Tempera on wood, 59 x 30 cm (each) Musée du Louvre, Paris
GIOVANNI FRANCESCO DA RIMINI(b. ca. 1420, Rimini, d. ca. 1470, Bologna) The Angel Appearing to Joachim; The Birth of the Virgin
1440s Tempera on wood, 59 x 30 cm (each) Musée du Louvre, Paris Send this picture as postcard Friendly format for printing and bookmarking Order oil painting The picture shows two panels from a series of twelve depicting scenes from the life of the Virgin. These panels flanked a central sculpted or painted element of an altarpiece.

21. GIROLAMO del Pacchia The Birth of the Virgin 1518 Fresco, 295 x 317 cm Oratory of San Bernardino, Siena
GIROLAMO del Pacchia(b. 1477, Siena, d. after 1533, Siena) The Birth of the Virgin
1518 Fresco, 295 x 317 cm Oratory of San Bernardino, Siena Send this picture as postcard Friendly format for printing and bookmarking Order oil painting In 1518 a new project brought together three Sienese painters, Sodoma, Beccafumi and Girolamo del Pacchia. The new project was a scheme of fresco paintings to embellish the interior of a meeting room belonging to one of the city's oldest confraternities - the Confraternity of Santa Maria degli Angeli della Veste Nera (Saint Mary of the Angels and of the Black Robes). Founded in honour of the Virgin after 1450 the confraternity also adopted Bernardino as one of their saints, adding his name to the confraternity's title. For this reason the room that painters decorated is now known as the Oratory of San Bernardino. Designed as a place where the members of the confraternity would meet to conduct both their collective devotions and their administrative business, the Oratory of San Bernardino offers a rare example of an early sixteenth-century decorative ensemble that has survived in almost its original form. On the side walls of the room there is a series of large-scale fresco paintings separated from one another by pilasters decorated with candelabra motifs. The paintings consist of narrative scenes from the life of the Virgin. Girolamo del Pacchia, who was a member of the confraternity, had been assigned the paintings of the Birth of the Virgin and the Annunciation. Girolamo del Pacchia provided his patrons with paintings whose style reflects that of earlier altarpieces commissioned from him by patrons in and around Siena. Their stylistic idiom also demonstrates an appreciation of Sodoma's earlier Sienese work, as well as that of other contemporary painters based in Florence and Rome. In the Birth of the Virgin Girolamo appears to have studied Andrea del Sarto's painting of this subject in the forecourt of the church of the Santissima Annunziata in Florence, adopting the generously proportioned figures and ample draperies of the women visitors in this fresco completed some four years earlier.

22. LE NAIN brothers(b. 1598/1610, Laon, d
LE NAIN brothers(b. 1598/1610, Laon, d. Louis and Antoine: 1648, Mathieu: 1677, Paris) Birth of the Virgin
c Oil on canvas, 220 x 145 cm Notre-Dame Cathedral, Paris Send this picture as postcard Friendly format for printing and bookmarking Order oil painting The Le Nain brothers are considered, above all, painters of peasant scenes. Nonetheless, secular compositions, such as the Bacchus and Ariadne, are painted in the full, solid style typical of the Le Nains.
LE NAIN brothers Birth of the Virgin c Oil on canvas, 220 x 145 cm Notre-Dame Cathedral, Paris

23. SIGNORELLI, Luca(b. ca. 1450, Cortona, d
SIGNORELLI, Luca(b. ca. 1450, Cortona, d. 1523, Cortona) The Birth of the Virgin
c Panel, 24 x 43 cm Private collection Send this picture as postcard Friendly format for printing and bookmarking Order oil painting This panel and another, The Birth of the Virgin in the same private collection, are from a predella of an unidentified Luca Signorelli altarpiece.
SIGNORELLI, Luca The Birth of the Virgin c Panel, 24 x 43 cm Private collection

24. UCCELLO, Paolo Birth of the Virgin c
UCCELLO, Paolo Birth of the Virgin c Fresco, 302 x 361 cm Duomo, Prato
UCCELLO, Paolo(b. 1397, Firenze, d. 1475, Firenze) Birth of the Virgin
c Fresco, 302 x 361 cm Duomo, Prato Send this picture as postcard Friendly format for printing and bookmarking Order oil painting These same characteristics as in the Disputation of St Stephen are noticeable in the scene of the Birth of the Virgin, on the righthand wall of the chapel. Here, too, like in the frescoes in the Green Cloister, we find the same tendency to create geometric forms both in the decorative details and in the faces of the characters. Another extremely important element pertaining to all Paolo's frescoes in the chapel is his narrative talent, evident in the description of details and the liveliness of the bright colours.

25. VANNI, Lippo The Birth of The Virgin 1345 Illumination, 150 x 130 mm Museo dell'Opera del Duomo,
Siena
VANNI, Lippo(active in Siena) The Birth of The Virgin
1345 Illumination, 150 x 130 mm Museo dell'Opera del Duomo, Siena Send this picture as postcard Friendly format for printing and bookmarking Order oil painting Sienese painters often worked on parchment and paper. Many of them were engaged in the specialized task of illuminating manuscripts - particularly the large initials that allowed sufficient space to represent complex figural grouping and narrative scenes.

26. VOUET, Simon(b. 1590, Paris, d. 1649, Paris) Birth of the Virgin
c Oil on canvas, 217 x 329 cm San Francesco a Ripa, Rome Send this picture as postcard Friendly format for printing and bookmarking Order oil painting The French Simon Vouet triumphed in Rome by becoming president of the Academy of St Luke in He painted the Birth of the Virgin for the S. Francesco a Ripa with an uncommonly powerful sense of composition.
VOUET, Simon Birth of the Virgin c Oil on canvas, 217 x 329 cm San Francesco a Ripa, Rome

27. CAVALLINI, Pietro Nativity of the Virgin 1291 Mosaic Santa Maria in Trastevere, Rome
CAVALLINI, Pietro(b. ca. 1250, Roma, d. 1330, Roma) Nativity of the Virgin
1291 Mosaic Santa Maria in Trastevere, Rome Send this picture as postcard Friendly format for printing and bookmarking Order oil painting The most important achievements by Cavallini still visible in Rome are the mosaics in the apse of Santa Maria in Trastevere and the fragmentary frescoes in Santa Cecilia in Trastevere. In the Birth of the Virgin from the series the background appears like a simple stage set based on ancient Roman domestic architecture and shrines, while its inlaid ornament derives from Roman medieval sources. The women setting a table by the mother's couch and the two midwives about to bathe the newborn Mary carry their bread, wine, and water with the solemnity of a ritual.

28. Amiens Cathedral (Cathédrale Notre-Dame d'Amiens), France
Description
Amiens Cathedral (Cathédrale Notre-Dame d'Amiens), France
Source Own photograph
Date 8 January 2008
Author Mattana
Amiens Cathedral (Cathédrale Notre-Dame d'Amiens), France

29. Geburt Mariä (Altartafel), um 1500;
Bernhard Strigel:
Geburt Mariä (Altartafel),
um 1500;
Description
Bernhard Strigel: Geburt Mariä (Altartafel), um 1500; Sammlung: Sammlungen der Fürsten von Waldburg-Wolfegg, Wolfegg (Foto: 1963)
Source bildindex.de
Date c. 1500
Author
Bernhard Strigel

30. Détail d'une verrière néogothique de la cathédrale de Meaux, datée de 1875, et illustrant la vie de la Vierge: la naissance de Marie.
Description Détail d'une verrière néogothique de la cathédrale de Meaux, datée de 1875, et illustrant la vie de la Vierge: la naissance de Marie.
Source Own work
Date 31/07/08
Author Vassil

31. Description Geburt Mariens, Evangelistar aus St
Description Geburt Mariens, Evangelistar aus St. Peter auf dem Schwarzwald, um 1200; Badische Landesbibliothek Karlsruhe, Cod. St. Peter perg. 7, fol. 10v; Beschreibung:
Source
Date c. 1200
Author anonymous

32. Artist Giaquinto, Corrado Title Deutsch: Geburt Mariä
Painting information
Artist Giaquinto, Corrado
Title Deutsch: Geburt Mariä
Year Deutsch: um
English: c
Technique Deutsch: Leinwand
Dimensions Deutsch: 53 × 98 cm
Current location Deutsch: Christ Church Art Collection Deutsch: Oxford
Source The Yorck Project: Meisterwerke der Malerei. DVD-ROM, ISBN Distributed by DIRECTMEDIA Publishing GmbH.
Painting information
Artist Giaquinto, Corrado
Title Deutsch: Geburt Mariä
Year Deutsch: um
English: c
Technique Deutsch: Leinwand
Dimensions Deutsch: 53 × 98 cm
Current location Deutsch: Christ Church Art Collection Deutsch: Oxford
Source The Yorck Project: Meisterwerke der Malerei. DVD-ROM, ISBN Distributed by DIRECTMEDIA Publishing GmbH.

33. Artist Lippi, Fra Filippo c. 1441 28 × 51 cm
Painting information
Artist Lippi, Fra Filippo
Title Deutsch: Ambrosius-Legende
Year Deutsch: um 1441
English: c. 1441
Technique Deutsch: Pappelholz
Dimensions Deutsch: 28 × 51 cm
Current location Deutsch: Gemäldegalerie Deutsch: Berlin
Source The Yorck Project: Meisterwerke der Malerei. DVD-ROM, ISBN Distributed by DIRECTMEDIA Publishing GmbH.
Permission [1]
Creator/Artist
Name Fra Filippo Lippi
Alternative names Fra Lippo Lippi, Frate Filippo del Carmine
Date of birth/death
Location of birth/death Deutsch: Florenz Deutsch: Spoleto (Umbrien)
Work location Deutsch: Florenz
Artist Lippi, Fra Filippo c × 51 cm
Alternative names Fra Lippo Lippi, Frate Filippo del Carmine
Date of birth/death
Location of birth/death Deutsch: Florenz Deutsch: Spoleto (Umbrien)
Work location Deutsch: Florenz

34. Gaudenzio Ferrari, Stories of the Vergin detail: Nativity of the Vergin, fresco, 1529, Church of St. Cristoforo, Vercelli, Italy.
Gaudenzio Ferrari, Stories of the Vergin detail: Nativity of the Vergin, fresco, 1529, Church of St. Cristoforo, Vercelli, Italy.
Creator/Artist
Name Ferrari, Gaudenzio
Date of birth/death Deutsch: um 1475
English: c
Location of birth/death Deutsch: Valduggia Deutsch: Mailand
Work location Deutsch: Piemont, Lombardei

35. Description de: Geburt der Maria, Augsburg um 1520, Lindenholz mit originaler Vergoldung und Fassung
en: Birth of Mary, Augsburg c. 1520, limewood with original gold and colours
Skulpturensammlung (Inv. 453; 1852 im Inventar der Kunstkammer erwähnt), Bode-Museum Berlin
Birth of Mary, Augsburg c. 1520, limewood with original gold and colours

36. Natività della Vergine Messina Museo Regionale
Date 16th century
Author
Giovan Battista Quagliata
Summary
Description Natività della Vergine Messina Museo Regionale
Source Accascina
Date 16th century
Author Giovan Battista Quagliata

37. La_Nativite._detail_.Louvre
Description La nativite. detail. Guido da siena
Source
Date XIII cent.
Author Guido da Siena