1. AP DRAWING
BREADTH

2. STILL LIFE BREADTH ASSIGNMENT #1
Light and Shade
Rendering of Form
Composition
Media: Charcoal on Paper quick studies; Graphite, Charcoal, or Pastel on Paper final work

3. LEGO STILL LIFE BREADTH ASSIGNMENT #2
Light and Shade, Rendering of Form, Composition, Mark Making, Illusion of Depth
Media: Colored Pencil on Construction Paper

4. PROFESSIONAL ARTIST EXAMPLES

5. BREADTH #3
Hands
Light and Shade, Rendering of Form, Composition, Line Quality, Surface Manipulation, Mark Making

6. HAND PROJECT EXAMPLE

7. BREADTH # 4 EXPRESSIVE MARK MAKING
Line Quality, Composition, Surface Manipulation, Mark Making

8. Possible Tools

9. Possible Tools

10. BREADTH # 5 Portraiture
Line Quality, Light and Shade, Rendering of Form, Composition, Surface Manipulation, The Illusion of Depth, Mark Making

11. PORTRAITURE EXAMPLES

12. PORTRAITURE OPTIONAL PREPARATORY ACTIVITY

13. BREADTH # 6 FIGURE DRAWING
Line Quality, Light and Shade, Rendering of Form, Composition, Surface Manipulation, The Illusion of Depth, Mark Making

14. Figure Drawing
WE WILL BE USING A CHALK GESSO TECHNIQUE.

15. CLINT BROWN
Clint Brown is Professor Emeritus at Oregon State University where his primary focus and passion was teaching drawing. He is an artist who has consistently used the human figure as a means of commenting on the human condition. His work has encompassed painting, drawing, printmaking, bronze and resin casting, and large scale public sculpture. He is the author of two books on art, Drawing from Life and Artist to Artist

16. BREADTH #7
Abstraction
Light and Shade, Composition, Surface Manipulation, Mark Making

18. BREADTH # 8 Mixed Media Collage
Light and Shade, Composition, Surface Manipulation, Mark Making

19. Discussion Examples: Using the descriptors in the AP workshop handbook, discuss which course these works would be appropriate for.

20. BREADTH # 9 DRAPERY PAINTING
Light and Shade, Composition, Rendering of Form

21. CHALK GESSO TECHNIQUE
If you enjoyed working in this technique you can create your drapery project this way.

22. BREADTH #10 CROSS CONTOUR DRAWING
Line quality, Rendering of Form, Mark Making

23. CROSS CONTOUR EXAMPLES

24. BREADTH 11 & 12
TWO PROJECTS OF YOUR CHOICE THAT EXPLORES ONE OF THE KEY DESCRIPTORS BELOW:
Line Quality, Light and Shade, Rendering of Form, Composition, Surface Manipulation, The Illusion of Depth, Mark Making
THESE WILL BE TWO DIFFERENT ASSIGNMENTS.
USE THIS SITE FOR EXAMPLES OF FINISHED WORKS members/exam/exam_information/ html

25. STUDENT EXAMPLES

26. TIMELINE AUGUST 14 - SUMMER ASSIGNMENT CRITIQUE
AUGUST 21 - BREADTH 1 CRITIQUE
SEPTEMBER 4 – BREADTH 2 CRITIQUE
SEPTEMBER 25 – BREADTH 3 CRITIQUE
OCTOBER 9 – BREADTH 4 CRITIQUE
OCTOBER 23- BREADTH 5 CRITIQUE
NOVEMBER 6 BREADTH 6 CRITIQUE
NOVEMBER 20 BREADTH 7 CRITIQUE
DECEMBER 4 BREADTH 8 CRITIQUE
DECEMBER 18 BREADTH 9 CRITIQUE
DATE TBA BREADTH 10 CRITIQUE – MIDTERM EXAM GRADE  You will do this when you sit for the exam.
JANUARY 4 BREADTH 11 & 12 DUE (THESE ARE COMPLETED DURING WINTER BREAK