1. Design, you’re doing it right.

2. Renaissance to Georgian in England
While the style of the Renaissance originated in Italy, its spread across France, Germany and Spain brought a union of interpretations to England.
As with Baroque and Rococo in France, English styles have distinct names
(line of monarchs of time)

3. John Webb, “double cube room”, Wilton House, England Italian elements include false perspective ceiling painting and decorative elements in the cove -French elements include the restrained elements of the walls and simple floor treatment

4. Tudor Style
End of the Middle Ages and Early Renaissance (transitional from Gothic to Ren)
Reigns of the Tudor monarchy
Henry VII
Henry VIII
Edward VI
Queen Mary

5. Haddon Hall, Derbyshire, England c. 1530
Corridor-rooms typical of Middle Ages
Long Gallery was an addition
E and H shaped plans

6. Long gallery, Haddon Hall
Typical of Tudor style - wood elements (continues to the 17th century)
Note the introduction of Italian details in the wall treatments
Pilasters and arches suggest a knowledge of Palladianism.
Oak

7. Elizabethan, 1558-1603 Period of great pride in England
Strong interest in the arts
Shakespeare
Introduction of more Italian details
Great houses in countryside for wealthy merchants
New relationship with forecourt (front)
Many combo of features – towers, gables, parapet, balustrades… effective skyline

8. Robert Smythson, Hadwick Hall, 1591-7
Symmetry
Bricks
Towers
Projecting bays
Complex rooflines
Long gallery
Decorative roof balustrades
Multiple chimneys
Malfoy Manor in Harry Potter and the Deathly Hallows – Part 1 and Harry Potter and the Deathly Hallows – Part 2
in Derbyshire, is one of the most significant Elizabethan country houses in England. In common with its architect Robert Smythson's other works at both Longleat House and Wollaton Hall, Hardwick Hall is one of the earliest examples of the English interpretation of the Renaissance style of architecture, which came into fashion when it was no longer thought necessary to fortify one's home.
Hardwick's skyline features six rooftop pavilions with Bess of Hardwick's initials "ES" (Elizabeth Shrewsbury) carved into the balustrade.
Although the hall was unconventional in its own time and did not spawn many contemporary imitators, it would serve, three centuries later, as a source of inspiration for the enormous Main Exhibition Building at the Philadelphia Centennial Exhibition of Hardwick Hall was an ideal model for a building which was intended to merge historicism with the large expanses of glass that had, become de rigueur for the main exhibition halls at international expositions and fairs in the wake of the enormous success of the The Crystal Palace constructed for the 1851 London Exhibition

9. Robert Smythson, Long Gallery, Hardwick Hall 1591-7
Located on upper level
Large windows
Tapestry walls with portraits
Furniture is from a 1601 inventory
Strapwork is original and restrained
Perfect symmetry shows Italian influence

10. Jacobean
Named after James I but also includes reign of Charles I
More regularity of classical forms
Palladian windows
Central entry emphasized
Pedimented gables

11. Hatfield House Gardens of more natural appearance
Hatfield House is the home of the 7th Marquess and Marchioness of Salisbury and their family. The Estate has been in the Cecil family for 400 years. Superb examples of Jacobean craftsmanship can be seen throughout the House.
This palace was the childhood home and favourite residence of Queen Elizabeth I. Built in 1497 by the Bishop of Ely, Henry VII's minister John Cardinal Morton, it comprised four wings in a square surrounding a central courtyard. The palace was seized by Henry VIII with other church properties.
Henry VIII's children Edward and Elizabeth spent their youth at Hatfield Palace. His eldest daughter Queen Mary lived there between 1533 and 1536, when she was sent to wait on the then Princess Elizabeth, as punishment for refusing to recognise Henrys marriage to Anne Boleyn and his religious reforms. In 1548, when she was only 15 years old, Elizabeth was under suspicion of having illegally agreed to marry Thomas Seymour, the House and her servants were seized by Edward VI's agent Robert Tyrwhit, and she was interrogated there. She successfully defended her conduct with wit and defiance. Seymour was executed in 1549 for numerous other crimes against the crown. After her two months of imprisonment in the Tower of London by her sister Queen Mary
Gardens of more natural appearance

12. Library
The shelves lining the walls contain a collection of some 10,000 volumes dating from the mid-sixteenth century to the present day.

13. Great Hall, Hatfield House, England, 1608 Italian and Dutch influences as well as elements of Gothic
Two linked houses for king and queen with connecting hall as seen here designed with castle in mind
Mix of Italian and Dutch
Recalls a choir screen
Simple floor at angle is Dutch influence

14. Marble Hall

16. One of the finest examples of the period
an adaption of the Italian Renaissance style to the English type of oak staircase.
It is elaborately carved, and each pillar is surmounted by a figure.

17. Long Hall

18. North Gallery
Leading off the Long Gallery there is a smaller room called the North Gallery with small windows overlooking the Marble Hall. After dinner wives could keep an eye on their husbands, and if they had been drinking too freely, send down to have them carried to bed!

19. Inigo Jones, Banqueting House, Whitehall, London, 1619-22
During the late 16th and early 17th centuries a more regular approach to classical elements as interpreted through the Renaissance began to appear due to Jones.
Bringing the notion of the theatrical as we have seen before, he started as a stage designer.
Whitehall was to be equal to Versailles but more classical in nature had it been completed.
Features a Palladian exterior
Would be very influential for English and American churches
Ionic half columns and Corinthian pilasters
Peter Paul Rubens paintings

20. Sir Christopher Wren, St. Paul’s Cathedral, London, 1675-1710
Restoration Period ( )
divided into Carolean (or Caroline) and William and Mary
Physicist, mathematician, inventor and astronomer. Met Bernini in Paris and had a deep understanding of Baroque design.
After the Great Fire of 1666 made surveyor-general: responsible for both urban planning and numerous churches and buildings

21. Sir Christopher Wren, St. Paul’s Cathedral, London, 1675-1710

22. Sir Christopher Wren, St. Paul’s Cathedral, London, 1675-1710
Wren’s design for St Paul’s as well as his other churches would set the precedent for American civic and religious buildings
Screen wall on the exterior hide buttressing
Classical external appearance
St Peter’s in Rome: Construction of the present basilica, replacing the Old St. Peter's Basilica of the 4th century AD, began on 18 April 1506 and was completed on 18 November 1626.

23. Sir Christopher Wren, St
Sir Christopher Wren, St. Paul’s Cathedral, London, go to GOOGLE Images … amazing shots of interior
Elaborately carved wooden ornamentation.
This was the first cathedral to be built after the English Reformation in the sixteenth century, when Henry VIII removed the Church of England from the jurisdiction of the Pope and the Crown took control of the Church's life.

27. False interior dome
Inner dome is made of brick and supports the exterior dome lantern weight
Interior hidden butressing and iron chains assist in support
Central dome creates a massive central space despite the numerous other shallower domes
Wren died at age 90, and is interred in St. Paul’s. His simple marker reads “if you seek his memorial, look around you”

28. Georgian Town Houses Simple and Functional
Red Brick front with painted trim
4-5 Stories
Interiors:
Ornamental Plaster ceilings
Decorative mantles
Elegant frames and draperies
Built to standard designs, like row houses today, or developmental housing
Several floors with services on ground living areas bedrooms and small rooms for live in help
As available coal was used
Water closets for toilet, baths were small and portable and brought into dressings rooms
Lighting by gas was not common until the end of the 18th century
Typical Georgian decoration includes ornamental plaster ceiling and mantels, drapery treatments become more complex

29. Syon House Robert Adam
James and Robert Adam, Middlesex, England,
Late Georgian
Interiors of large country houses – designed to be integrated with structure
Attention to wall decoration , furniture and fittings
Formality
Symmetry
Simplicity
Use of details fr Gr and R
Broad surfaces of delicate colors
Late Georgian is defined by James and Robert Adam
Work is a combination of Palladian, but with the move towards classical restraint of French Rococo
French eating areas a not typically as decorative because the food is the decoration. And after the meal is done, they would retire to different salons of the house for conversation. Not so the English, who find equally decorative their eating spaces as well as sitting rooms a parlors.

30. Syon House
Interior
Leading from a grey hall one enters a square anteroom.
12 green marble ionic columns with gold staruary
The floor pattern colors are echoed in the ceiling gilding bringing the two elements together.

31. Syon House
Interior
Leading from a grey hall one enters a square anteroom.
12 green marble ionic columns with gold staruary
The floor pattern colors are echoed in the ceiling gilding bringing the two elements together.

32. Syon House
Interior
Leading from a grey hall one enters a square anteroom.
12 green marble ionic columns with gold staruary
The floor pattern colors are echoed in the ceiling gilding bringing the two elements together.

33. Robert Adam Osterley Park
Interior features rooms decorated in the Etruscan Style. This style is defined by ornamentation based on Greek vase painting.
Notice the simplicity and subdued color

34. Robert Adam Osterley Park
Interior features rooms decorated in the Etruscan Style. This style is defined by ornamentation based on Greek vase painting.
Notice the simplicity and subdued color