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American Theatre By Änna Williams.

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Presentation on theme: "American Theatre By Änna Williams."— Presentation transcript:

1 American Theatre By Änna Williams

2 Most difficult writing style to learn
Drama Most difficult writing style to learn

3 The Great White Way

4 NY Theatres Most famous group of American theatres – Broadway 4 Groups
Off Broadway Off-off Broadway Regional

5 Broadway Group of NY theatres on or near Broadway in Manhattan
More than 30 theatres Ea. Seat more than 800 people

6 Beyond Broadway district
Off Broadway Established in 50’s Beyond Broadway district Seat less than 300 people More experimental Cheaper

7 Group of 125 theatres Often not-for-profit Even more experimental
Off-off Broadway Group of 125 theatres Often not-for-profit Even more experimental

8 Dramatic productions, especially yr-rd professional, outside NY City
Regional Dramatic productions, especially yr-rd professional, outside NY City

9 I’d like to thank all the “little people”
Small theatres produced any play, in any style, that commercial theatre won’t touch Start new movements (realistic & absurd) Against commercial theatre

10 Types of Drama

11 Comedy The main character overcomes major conflict & makes it humorous
Happy ending Ex: Neil Simon’s The Odd Couple (1965)

12 Tragedy Main character never overcomes major conflict Sad ending
Ex: Dale Wasserman’s One Flew Over the Cuckoo’s Nest (2001)

13 * Musicals * Richard Rogers & Oscar Hammerstein
Collaborated on 10 musicals Greatest achievement – uniting music & drama so songs advance plot & reveal characters Hits include: Oklahoma! (1943; Pulitzer) South Pacific (1949; Pulitzer 1950) Carousel (1945) The King and I (1951) The Sound of Music (1959)

14 “fourth wall” – wall removed so we can see the action
Realistic Drama “fourth wall” – wall removed so we can see the action (percenium stage)

15 Eugene O’Neill 1st & most important figure in American drama
Put realistic drama on the map 1936 – Nobel Prize in Lit. Influences: August Strinberg, Henrik Ibsen, Anton Chekov Slice-of-life technique

16 “People don’t go to the North Pole and fall off icebergs
“People don’t go to the North Pole and fall off icebergs. They go to the office & quarrel with their wives & eat cabbage soup.” -Anton Chekhov

17 Realism in Theatre Seen as a revolt against crude theatricalism
Theatre goes in cycles Realism to theatricalism & back

18 Social Conscience Playwrights
Miller & Williams

19 Tennessee Williams (1911-1983)
Playwright of our souls Writing – delicate, sensuous, lush imagery, evocative rythms Characters – often women/lost laides drowning in their own neuroses Theatricalized realism w/ “music in the wings” or symbolic props

20 Expressionist Drama (Theatre of the Absurd)
Revelation of characters’ interior consciousness w/o reference to logical sequence of events

21 Beckett, Ionesco, & Albee
Samuel Beckett & Eugene Ionesco founders Edward Albee – most significant absurdist in U.S. Unsympathetic examinations of the modern condition Mix of theatricalism & biting dialogue Plays static Most one act Ex: Samuel Beckett’s Waiting for Godot (1954)

22 Theatre can now be simply a stage & an audience

23 The End Thanks to: “American Drama”. Elements of Literature, 5th Course. Teacher’s Edition. Holt, Rhinehart, Winston Pgs “Edward Albee”. Wikipedia, The Free Encyclopedia. September 9, “Waiting for Godot”. Wikipedia, The Free Encyclopedia. September 9, “Tennessee Williams”. Wikipedia, The Free Encyclopedia. September 9,


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