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Wandering Monsters: Mesopotamia’s Influence on Later Magic and Religious Traditions
Clay Mask of Huwawa British Museum: ME
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Mesopotamian Chronology: 2nd to 1st
Old Babylonian: c – 1595 B.C. Kassite Babylonia: c – 1150 Assyria: 1363 onwards: Neo-Assyrian: Hittite Kingdom(s): c Syro-Palestine: Amurru, Ugarit, Canaan “The Levant”
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- Efficacy and control – power of the agent - Means
How do we define magic? - Efficacy and control – power of the agent - Means - source of ability? Divine or not? - status of caster - sympathetic magic and (demonic) possession - Intent - malevolent or antagonistic - apotropaic - curative - divinatory (magic?)
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Magic and Control Magic as a ‘savage belief’ problem
Defining Magic: “The use of ritual activities or observances which are intended to influence the course of events or to manipulate the natural world, usually involving the use of an occult or secret body of knowledge; sorcery, witchcraft” (OED) μαγικὴ τέχνη = magic art/craft
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One supernatural universe Primeval monsters and elements/nature
What About Demons? One supernatural universe Primeval monsters and elements/nature Demonic diseases - Vectors of Death/Illness Transgressive Individuals/Ghosts What role do monsters and demons play?
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Mushhushu – Demons and Monsters in the desert/steppe
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"I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half-vital motion...human endeavor to mock the stupendous mechanism of the Creator of the world.”
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Huwawa Pazuzu Witch / ardat-lili Lamashtu
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The Ashipu (āšipu) - ashipu = the exorcist
"I am the exorcist, the chief temple administrator of Enki, the Lord Enki has sent me to the sick man. He has sent me to him as a messenger of Enki's temple." - Exorcist as legitimate magical practitioner
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Key characteristics - "The maiden lilî who blew into a man's window, the maiden of the steppe, when blowing through the window in the wind, is the maiden who flitted about...she is a maiden of the steppe..." - "The maiden is one who was forced out of her wedding house, who was forced out of the window like the wind...she always prowls about in the broad steppe, she stands about and crosses over from roof to roof." - Wind – lilu - associations
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- Through sympathetic magic
Witchcraft attacks - Through sympathetic magic - Figurines, bound to victim - Attacks victim: - zikurudû (throat-cutting) magic - impotency spells - necromancy - the evil eye - marry figurine to corpse
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Diagnosing and Exorcising the Ardat-Lili
“If the top of his head feels split in two all day long, his head burns, he continually has sexual desires, and the bedding is continually turned around him, (and) like one who lays himself down on top of a woman, he has an erection, hand of ardat-lili” - Ghost Marriage! - Sending her back to the netherworld
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Lamashtu Divine origin – "Anu's terrible daughter” Cast out of heaven
Or! Part of cosmic plan? Connected to 7 names Defined iconography: 2nd Mill (Southern (A) or Assyrian (B)) and 1st (Assyrian or Babylonian) B A
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Lamashtu in Incantations:
“She came up from the marshes…Her feet are those of the Anzû-bird, her hand spells decay…Dark corners are her dwelling, on thresholds she sits. Very long are her fingernails…In view of her unseemly deeds, Anu forced her to step down from heaven and denied her a place of worship on earth… The Daughter of Anu follows behind the women about to give birth. She counts their months, marks their days on the wall: “Brings me your sons – I want to suckle (them)! In the mouth of our daughters I want to place (my) breast.” She holds in her hand fever, cold, chills…she spatters venom, snake’s poison and scorpion’s poison…An open house she enters and she slithers into a locked house and strangles the youth…” -Farber, Lamashtu p. 157: Incantation 5
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Amulet (fragment) First Millennium B.C. Metropolitan Museum:
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Expelling Lamashtu “You make a figurine of Lamashtu as a prisoner…You libate well water for her, you make her sit at the head of the sick person for three days. You place a piglet’s heart in her mouth, pour hot soup for her. Give her a flask of oil, provide her with travel provisions…In the morning, at noon, and in the evening, you recite the incantation to her. On the third day, move her out and bury her in a corner of the city wall.” -Farber, Lamashtu, p. 147: Rit. 2a
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Mold, Early First Millennium
Mass Production Mold, Early First Millennium British Museum: 91904
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Considering these Figures
What do they have in common? What underlying fears do we see? How could these representations change?
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The Terrifying Woman: Lamashtu, the Witch, and Lilith
Base fear of Lamashtu Early amulets/texts – development/spread 1st mill. incantation series – 600 lines Middle Babylonian (2nd mill) forerunner from Ugarit – lacks ritual First millennium equate Lamashtu and Lilîtu-demons Later sources (Aramaic, Syriac) Lamashtu + Lilîtu convergence to Lilith
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Lilith Mesopotamian roots – Isiah 34:14 - Dead Sea Scrolls:
Lilitu-demons, ardat-lili, lamashtu Isiah 34:14 - "Wildcats shall meet with hyenas, and goat-demons shall call out to one another. There too, Lilith (lit: lilit) shall repose, and find a resting place." Dead Sea Scrolls: 'the spirits of the destroying angels, the spirits of the bastards, demons, Lilith, howlers, desert-dwellers."
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Lilith Talmud – three mentions Imagery of Adam's first wife
"R. Hanina said: One may not sleep in a house alone, and whoever sleeps in a house alone is seized by Lilith." (Tractate Shabbath 151b) Imagery of Adam's first wife Alphabet of Ben Sira ( CE) Evil offspring 'And from them are born demons, spirits, and the lilim, the plagues of mankind.' Later (17th c. CE) – Lilith paired with Samael – mother of monsters
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Faust and Lilith (1831). Lamia and the Soldier (1905). Richard Westall
Faust and Lilith (1831) Lamia and the Soldier (1905) Richard Westall John William Waterhouse
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John Collier, Lilith (1892) Dante Gabriel Rosetti, Lady Lilith, 1863
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La Belle Dame Sans Merci
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Pazuzu “I am Pazuzu, king of the evil wind-demons (lilû), I ascended a mighty mountain that quaked, and the (evil) winds that I ran into there were headed West. One by one, I broke their wings.” Earliest representations: Nimrud, late 8th c. B.C. Most 7th – 6th B.C. Last two in Seleucid times Textual – earliest 670 B.C. Widespread – central Babylonia/Assyria, Western Iran, Levant, Samos Bronze Pazuzu, (15 cm by 8.6 cm) Early 1st mill. B.C. Musée du Louvre: MNB 467
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Pazuzu: Personal Protector
Worn on amulets Protection during preganancy Bronze Pendant, Head of Pazuzu Neo-Assyrian
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Traveling Monsters
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Huwawa/Humbaba, Guardian of the Cedar Forest
“Humbaba, his voice is the Deluge, his speech is fire, his breath is death. He hears the forest’s murmur for sixty leagues…in order to keep the cedars safe, Enlil made it his destiny to be the terror of the people.” “Gilgamesh struck [Humbaba] in the neck, Enkidu pulled out the lungs…from the head he takes the tusks as booty.”
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Different Uses/Representations of Huwawa
Representing local stories with an international motif (Syrian-style cylinder seals) Old Assyrian (20th – 16th c) seals – Temple of Tell al-Rimah – c. 1475 Late Bronze (c. 1400) seals from Nuzi and Emar LB – Nuzi Anatolian – OA – Kültepe to Hattusa LB - Emar Tell al-Rimah ca. 1475
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Further (later) Representations of Huwawa
Carchemish – Limestone Relief, Iron Age Relief, Tell Halaf, Syria c. 9th-8th B.C.
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Mediterranean Monsters - A Broader Arc
Direct transmission Influence and ideas Orientalizing Period Huwawa-Bes figurine Cyprus, 1st Mill. Bes, Egypt c MMA:
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Pazuzu Pazuzu 9th-7th c. B.C. British Museum: 132964 Pazuzu Macehead
Samos, Heraion, 9th-7th c. B.C. Archaeological Museum, Vathy, Samos
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Huwawa/Humbaba Huwawa Sippar, 1800-1600 B.C. British Museum: 132964
Plaque with Huwawa Crete, Gortyn, acropolis sanctuary Archaeological Museum, Vathy, Samos
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Plate with Gorgon Medusa
Rhodes, Kameiros, ca B.C. (British Museum)
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Magic and Transmission
What happens to cuneiform culture? Astronomical text c. 75 CE Survival of Mesopotamian ritual and traditions in Syria Echoes of religious worship – continued use of temples Biblical and Classical references Later Archaeological excavations
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Graeco-Babyloniaca Akkadian and Sumerian with Greek transliteration
Hellenistic period to Seleucid/Parthian Teaching pronounciation Religious/ritual texts
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