1. Connecting to a National and International Art Scene
To actively facilitate artists, curators , writers and organisations in the region to connect with contemporaries nationally and internationally.
Raising the profile of the region and its internationally regarded artists and organisations and attracting international artists and focus on the region

2. Positioning the region nationally and internationally
The North East needs to present itself as a co-ordinated network, not a centralised hub – one that makes best use of its national and international connections, whilst being honest about the geographical make up – that also includes the benefits of a mixed urban/rural landscape (Alistair Hudson, mima)
We will continue to work in partnership with regional venues and curators to create a critical mass of activity which also promotes the region as a whole (Rebecca Shatwell, AV Festival)
We need to share and connect with our international partners more so that we can maximise the benefit of our collaborations and present the rich mix of the visual arts offer (Amanda Ritson, NEPN)

3. Positioning the region
This region has everything going for it to be the place for printmaking in the UK – whether it’s the legacy of Thomas Bewick and Richard Hamilton, the teaching institutions, places of production like Northern Print or Hole Editions and the International Print Biennale. (Anna Wilkinson, Northern Print)
We have a reputation as a region as a commissioner and producer for new visual art for galleries, landscapes, buildings, heritage and museums. We are an exemplar in cultural programme between different sectors that create new opportunities for artists, writers, musicians, architects and bring contemporary art to new audiences. (Judith King, Arts & Heritage)

4. The region as a springboard to connect nationally and internationally
I think that it is important that retention doesn’t equate to holding on to our youngest and brightest artists, but perhaps assisting them to travel and develop works outside of the region, in a sense showcasing a skill base that was established in the North East, an advocate for the work and education that we have to offer (Zoe Anderson, Breeze Creatives)
We would like to develop relationships with international arts organisations working in rural areas to share knowledge, skills and artists exchanges (James Lowther, Berwick Visual Arts )

5. The value of national and international working to market development
It would be useful to have an honest debate about limitations of what can be achieved locally and that of a higher value market best accessed through reaching out further afield (mainly international). Creating access to existing markets rather than trying to create a market where the culture and economy is not large, wealthy or receptive enough to the level required would be better. (Paul Stone, VANE)

6. What do we want to be known for?
We want to be more of a political force in the sector, and to connect with other hybrid international organisations with similar roles and vision within their local communities. (Paul Moss, Workplace)