1. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 6 Formal aspects of ‘Meerfahrt’ (Op. 96 No. 4)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

2. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 5 Formal aspects of ‘Der Tod, das ist die kühle Nacht’ (Op. 96 No. 1)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

3. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 4 Formal aspects of ‘Es schauen die Blumen alle’ (Op. 96 No. 3)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

4. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 3 Formal aspects of ‘Nachklang’ (Op. 59 No. 4)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

5. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 2 Semantic aspects of ‘Nachklang’ (Op. 59 No. 4)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

6. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 1 Varieties of formal non-congruence
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

7. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 7 Formal aspects of ‘Verrat’ (Op. 105 No. 5)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

8. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 8 Formal aspects of ‘Mondenschein’ (Op. 85 No. 2)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

9. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 9 Formal aspects of ‘Alte Liebe’ (Op. 72 No. 1)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

10. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 10 Formal aspects of ‘€An den Mond’ (Op. 71 No. 2)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

11. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 11 Formal aspects of ‘Wir wandelten, wir zwei zusammen’ (Op. 96 No. 2)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

12. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 12 Formal aspects of ‘Mein Herz ist schwer’ (Op. 94 No. 3)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

13. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 13 Formal aspects of ‘Eine gute, gute Nacht’ (Op. 59 No. 6)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

14. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Ex. 1 The piano’s introduction to ‘Eine gute, gute Nacht’ (Op. 59 No. 6), with implied text
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.

15. From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Fig. 14 Formal aspects of ‘€Anklänge’ (Op. 7 No. 3)
From: Brahms’s Non-Strophic Settings of Stanzaic Poetry
Music Lett. 2017;98(2): doi: /ml/gcx051
Music Lett | © The Author (2017). Published by Oxford University Press. All rights reserved.