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The Actor’s Toolbox: the Body
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Nonverbal Communication
The general term for expressing ideas and emotions without using words
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Relaxation A combination of inner composure, mental awareness, and physical flexibility; the act of “letting go all over”
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Gesture Hand and arm movements and facial expressions that help express an idea or an emotion
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“click”” The setting up of an action with definite hand gestures; such as the snap of a mime’s hand around a glass
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Cross To move from one place on stage to another
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Inclination The bending of the body to the front, the side, or the rear
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Rotation The turning or pivoting of a part of the body
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Isolation The separation of parts of the body for individual development and expression
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Pantomime Acting without words. Imitating real-life actions.
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Mime An offspring of pantomime that conveys abstract ideas. Not confined to real-life imitation.
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Nonverbal Communication
Chest is key to bodily action Wrists lead most hand gestures Move elbows away from body when making gestures Except on specific occasions, avoid gestures above head or below waist Opposite action emphasizes movement
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Nonverbal communication
Arms and hands should move in curves. Straight lines can be used to suggest awkwardness or uneasiness.
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Nonverbal Communication
+ emotions emphasized by raised chest and head, free movement, broad gestures, and animated facial expressions - emotions emphasized by contracted body, sunken chest, tense movement, and drawn features
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Nonverbal Communication
Facial expressions usually precede other physical action Whenever possible, use upstage arm Some exaggeration is required Always keep the audience in mind All actions must be definite in concept and execution, and all movement must be clearly motivated.
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Pantomime vs. Mime Action conveys only action Imaginary objects
No sounds used Based on reality Exact recreation of a specific act Action conveys theme Body may become object Nonverbal sounds can be used Not limited to the real world Main goal is expression of a theme
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