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Part I : The Medieval Era

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1 Part I : The Medieval Era
MUH Music History I 5/22/2018 Part I : The Medieval Era “Prelude” DAY 3 (30 Aug 17)

2 “medieval” Antiquity Medieval Era Modern Era
Literally, “between the ages” Q? : Which ages? Antiquity Ends 476 CE Medieval Era “Middle Ages” “Dark Ages” c Modern Era “Renaissance” c. 1400s (& beyond) See Timeline in Part One: Prelude

3 The Middle Ages (politics)
476 – Fall of (Western) Roman Empire 800 – Charlemagne crowned king of Holy Roman Empire by Pope Leo III Gaul becomes Carolingian Empire and eventually France by late Middle Ages (Hundred Years’ War, ) England unified as Nation-state (post 1066, Norman Conquest) Numerous lesser political entities

4 The Middle Ages (social classes)
MUH Music History I The Middle Ages (social classes) 5/22/2018 Priesthood (Clergy) – “those who prayed” - often monastic, as well as parish priests Nobility – “those who fought” including hereditary rulers (royalty) Commoners – “those who worked” - peasantry (serfs) – laborers in the fields (Feudalism) - bourgeoise – merchants, tradesmen, etc. (urban “middle class” – very small group) DAY 3 (30 Aug 17)

5 The Middle Ages (cultural centers)
Church – predominates from c. 500s - development of monastery (centers of learning) - parish churches serve general populace - Crusades (11th-14th centuries) Court – competing power in later middle ages - reflects accumulation of wealth - stylized code of conduct (“manners”) Universities – beginning in 12th century - “Scholasticism” – truth out of reason and faith - secularization of knowledge (out of monasteries)

6 14th Century (1300s) Multiple crises threaten social order
“Black Death” (bubonic plague) – c % of population dies Hundred Years’ War ( ) - England & France over French succession Papal Schism - follows Avignon popes ( ) - multiple claimants to Roman papacy

7 Music in the Middle Ages
Beginnings of notated music (c. 9th century) Centered in Church & Court (based on surviving documents) Sacred Music ordered & organized - St. Benedict – Rules for Monastic life (& office) - Pope Gregory I – organizes the mass Music as an academic/theoretical subject - Boethius (transmits knowledge from Antiquity to Middle Ages), e.g., “What is a musician?” - Guido d’Arezzo (10th-11th centuries) - et al. (many others)

8 “Plainchant and Secular Monophony”
Chapter 1 “Plainchant and Secular Monophony”

9 Origins of Chant Recitation and singing of Christian scriptures
Based in Jewish Practices Biblical references Allure & danger of music - St. Basil (4th cent) - St. Augustine (5th cent) Not systematized Local Practices: Roman, Ambrosian, Gallican, Mozarabic, etc. NO NOTATION Origins of Chant

10 Early Organization of Chant
Pope Gregory I, “Great” (reigned ) Promotes “Roman” versions of chant Credited w/ systematic organization of chants Myth Probably begun under earlier popes From an early St. Gall MS


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