1. Sonnets

2. History Originated in Italy sometime in the 12th Century
Famous Italian “sonneteers”: Dante Alighieri, Guido Cavalcanti, and Michelangelo
Fourteen lines with a strict rhyme scheme:
abba abba cde cde
Structure of a typical Italian sonnet forms an “argument”
The first eight lines (an octave) describes a “problem”
The last six lines (a sestet) proposes a “resolution”

3. Petrarch (1304 – 1374) Most famous Italian sonneteer
Left the priesthood after seeing a woman named “Laura” in a church on Good Friday in 1327
“Laura,” most likely Laura de Noves, a married woman, became Petrarch’s obsession
Petrarch wrote 366 sonnets for Laura
She remained faithful to her husband
and died in 1348, leaving Petrarch
devastated

4. Petrarchan Sonnet Octave (The Problem)
Filled with consuming thought that divides me (a) from other men, and sends me through life alone, (b) from hour to hour, out of myself I’m flown, (b) searching to find her, from whom I should flee. (a)
And seeing her pass by, so sweet and deadly, (a) my spirit quivers to take wing, fly on, (b) so many armed sighs, with her, are gone, (b) whom Love and I know - our beautiful enemy (a)

5. Petrarchan Sonnet Sestet (The Resolution)
Surely, if I am not wrong, from that brow (c) high and clouded, a ray of pity shines, (d) that, to some degree, brightens my sad heart. (e)
Then, rousing my mind, I consider how (c) to tell her of this unwise choice of mine, (d) yet, having so much to say, I dare not start. (e)

6. Petrarch to Shakespeare
Petrarchan (or Italian) sonnets were introduced to England in the early 16th Century by Thomas Wyatt.
The “Elizabethan Sonnet,” made popular by
William Shakespeare, became the norm for
sonnet writing in England.

7. Elizabethan Sonnets New rhyme scheme: abab cdcd efef gg
Almost always written in iambic pentameter (a series of five iambs an unstressed syllable followed by a stressed syllable)
Instead of an octave followed by a sestet, these sonnets have three quatrains followed by a couplet
The couplet usually contains a “twist” or a “new look” on the theme of the sonnet