1. OPERATING DIGITAL EDITING MACHINE
BASIC ANIMATION 1

2. DEFINITION Definition of Animation Animation?
The act of making something come alive.
To animate means to give life to inanimate (still) object, image or drawing.
The art of movement expressed with the images that are not taken directly from reality.
Illusion of movement in animation is achieved by rapidly displaying many still images (frames) in sequence. 2

3. CHARACTERISTIC To make the “impossible” possible Viewing angle
Characters, lighting, angles – we can put anywhere and make them do whatever that we want.
Environment – no limit as in where the action takes place.
Does not involves real actors
The actor are create using the imagination 3

4. TYPES OF ANIMATION Types of Animation Cel Animation
Animation artist draws/paints on sheet of film (cel). The cels are layered over the background and photographed frame by frame 4

5. TYPES OF ANIMATION Stop motion animation
A film technique that involves shooting one frame at a time. 5

6. TYPES OF ANIMATION Rotoscoping
The technique of re-drawing live-action images on paper in order to capture natural motion in one’s animation. 6

7. ANIMATION PRODUCTION TYPE Animation Production Type
Long animated feature movie (>30 mins)‏
Medium animation series
Short animation work (< 1 min)‏
Montage
Games 7

8. THREE ACT STRUCTURE The BEGINNING The DEVELOPMENT (Act II)‏
A.k.a Act I
Introduces the character & environment
Set up events & situations that will develop into the story
At the end of Act I, audience will be provided with a clear understandings of:
Characters
Key situation
Central questions of the story (The Quest)‏
The DEVELOPMENT (Act II)‏
A.k.a climax
This is where most of the actions happens
Most challenging part in the story
Must be ensured to engage enough so that the audience won’t lose the attention to the story. 8

9. THREE ACT STRUCTURE The ENDING Resolution of the story
Central question is finally answered
Can also be followed by a brief aftermath/epilogue to ensure viewers that everything is okay again
TRIVIA: Good ending is always memorable. 9

10. CHARACTER DESIGN Should contain the following view for each character:
Full-frontal view
Half-frontal view
Left-side view
Right-side view
Full-back view
Half-back view for the full figure
Key character poses
Walk cycle (how the character walks)‏
Facial expressions + character mouth shapes for lip sync
Size comparison 10

11. THE CHARACTER 7 character : 1. Hero - Undergoes some growth
in the story
- Center of the time/story
Admired by the audience
example: X-men 11

12. THE CHARACTER 2. Mentor Guardian to hero in years & status
Guide hero to the right path
Example: Xavier 12

13. THE CHARACTER 3. Shadow The bad guy A character whose mission
contradicts with the hero
Hero’s enemy
Example: Magneto 13

14. THE CHARACTER 4. Threshold Guardian
Lesser obstruction to the hero compared to the shadow
To help build the hero by allowing him to grow a little at a time through conflicts
Example: lex luthor 14

15. THE CHARACTER 5. Herald Often just brief appearances in the story
To issue challenge/call
to adventure to the hero
Example: Princess Fiona 15

16. THE CHARACTER 6. Shape Shifter
A character that changes personalities & forms depending on situations
Example:Gollum 16

17. THE CHARACTER 7. Trickster The clown/funny man for the study.
Example: Donkey 17

18. STORYBOARD A sequence of images used to visualize the animation
To show motion & camera shots throughout the animation
Provides visual layouts of events as they are to be seen through the camera lens
Includes drawing & written information about every shot in the story
Character composition & movement
Camera shot
Lighting details
Dialogue
Animatic: a moving version of the storyboard and is compiled to correctly establish the timing for each scene. 18

19. STORYBOARD SLUGGING
The process which the instruction for the timing of character and camera movements and the exact positioning of the dialogue is written into the storyboard.
The vehicle for successful exposure sheet production.
Exposure sheet (x sheet): the universal compass for animators as it is a document that contains every piece of information to create the scene. 19

20. POST PRODUCTION Scene composition Scene clean up
Compiling scenes to create a complete story
Sound FX/music/dialogue
Special FX
Deliverables
Film/video in digital format. 20

21. ANIMATION PRODUCTION TEAM
Production manager
Manage the pre-production and production pipelines.
Production assistant
Coffee maker, run errands
Production secretary
Handles paperwork
Animation director
Responsible for overall look and creative quality of the project.
Art director
Responsible for the style of the project and aids the director
Character, set & prop designer
Key background painter
Color stylists
Create color models for characters, props and SFX
Script producer
Responsible for the script
Script writers
Storyboard artist 21

22. FINISH HAVE A NICE PRACTICE
Hal finish Teknologi Informasi & Komunikasi 22

23. TIM PENYUSUN TEKNIK PRODUKSI & PENYIARAN PROGRAM PERTELEVISIAN
SMKN 1 CIMAHI
Drs. TEDI AHMAD SANTOSA, MM
TATANG RUSMANA, S. Pd, S.Sn
BUDI SURYANA, S.Sn
M. AGUNG FIRMANSYAH, S.Sos. I
TESSA M. AGUSTRIADI, Amd
ASEP KOSWARA
LINDA LINDIAWATI, S.Sos, S.Sn
R. YULIA RAMDANI, ST, S.Sn
MILA KARMILA, S.Sos. I