1. Joelle Tuerlinckx (born 1958) is a Belgian visual artist. She works in a variety of mediums including sculpture, film, collage and drawing. In her installation Chicago Studies: Les étants donnés - SPACE THESIS (2003) Tuerlinckx arranged several large walls on small wheels, long tables, temporary enclosures, video monitors, plywood shelves and desks in the gallery space. Everyday these items would be moved, making each visit a unique experience. The exhibition encouraged visitors to challenge their perceptions. Joëlle Tuerlinckx's 2013 WOR(L)D(K) IN PROGRESS? Exhibition. The show travelled from Brussels to Munich to Bristol, the works being rearranged from venue to venue. Adrian Searle suggests Tuerlinckx ‘treats showing and making works as part of the same unending process.’ This exhibition consisted of many items; drawings, boxes, tables. These flow between the various rooms of the exhibition space. Searle describes Tuerlinckx’s work as a mysterious ‘puzzle’ that resists solution. Link to Frieze Magazine Article: https://frieze.com/article/joëlle-tuerlinckx-0://frieze.com/article/joëlle-tuerlinckx-0 Link to The Guardian Article: https://www.theguardian.com/artanddesign/2013/dec/1 1/joelle-tuerlinckx-artist-puzzles-meteorites Pas d'histoire, pas d'histoire (1994) Inside the Visible Alternative views of 20th century art through women's eyes (1996/97) "Walking and Thinking and Walking 'in' Now Here” (1996) Lost in Space, Kunstmuseum Luzern (1997) 'Day and night. MUSEUM OPEN 24/24 (1997) This book, like a book (1999) New Projects DD - Nouveaux Projects DD (1999) 'Combi de la nuit ” (2000) Orbis Terrarum, Ways of Making World (2000) 'A Stretch Museum, Scale 1: 1 "stretched proposition for a walk in a compact museum (2001) Documenta 11 "around AQUI Havia historia-CULTURA AGORA O (2002) Chicago Studies: Les Étants Donnes (2003) BILD, oder (MIT DEM FUSS IN DER Realität) (2004) Joelle Tuerlinckx: Drawing Inventory (2006) NICHTS, Schirn Kunsthalle (2006) "LE present ABSOLUMENT" (2008) 64 EXPOSITIONS MINUTE (2007) UN COUP DE DES. Writing Turned Image. An Alphabet of Pensive Language (2008) WORLD [K] IN PROGRESS (2013) «THAT’S IT!» (+ 3 free minutes) (2014) 1/Museum (2015) Joëlle Tuerlinckx Exhibition History The Renaissance Society, Chicago, USA WOR(L)D(K) IN PROGRESS?

2. Hito Steyerl (born 1966) is a visual artist, writer and filmmaker, focusing her work on her interest in feminism, militarisation, media, technology, and the global circulation of images. In Steyerl’s 2014 exhibition at the ICA, she presented five new film pieces. These explored a diverse range of themes including the issues surrounding the use of technology in today’s society and the effects of violence, war and history. Her piece ‘How Not to Be Seen’ explores our relationship with technology and explains to the audience how they can become invisible by eradicating their online presence. The film demonstrates how it is also possible to become invisible by being poor or undocumented, living in a gated community or a military zone. Steyerl also jokes, saying being a woman over 50, owning an "anti-paparazzi handbag" or "being a dead pixel" could also lead to invisibility. She makes use of this dark humor to reinforce her message. Liquidity Inc. explores the relation between the corporate and economic worlds and events of the late 20 th century. These are presented as weather forecasts and warnings. The display of Steyerl’s films is also important to consider. Hidden on monitor screens in ICA’s theatre reminded the viewer that Steyerl’s work explores issues usually hidden. Solo exhibitions Hito Steyerl, Chisenhale Gallery (2010) Hito Steyerl, E-flux, (2012) Hito Steyerl, Art Institute of Chicago (2012) Hito Steyerl, Van Abbemuseum (2014) Hito Steyerl, Institute of Contemporary Arts (2014) En defensa de la imagen pobre (2014) Hito Steyerl, How Not To Be Seen: A Fucking Didactic Educational Installation (2014) Hito Steyerl, Artists Space (2015) Hito Steyerl, Left To Our Own Devices, KOW, Berlin (2015) Hito Steyerl, Duty-Free Art (2015) Hito Steyerl,Factory of the Sun, LA and Germany (2016) Hito Steyerl, Group exhibitions Dispersion, ICA (2008) International Film Festival Rotterdam (2010) The Global Contemporary: Art Worlds After 1989 (2011) No one lives here,Royal College of Art (2013) Bad Thoughts, Stedelijk Museum (2014) A screaming comes across the sky, LABoral (2015) MashUp: the Birth of Modern Culture, Vancouver Art Gallery (2015) Hito Steyerl Exhibition History A still from How Not to Be Seen A still from Liquidity Inc Link to The Guardian Article: https://www.theguardian.com/artanddesign/2014 /mar/13/hito-steyerl-video-installations-ica- london

3. Jon Rafman (born 1981) is an artist, filmmaker, and essayist. He focuses his work around the concept of the impact of technology has on contemporary consciousness. Rafman uses the images collected on Google Street View to influence his work. “My work explores the paradoxes of modernity. In 2008, a year after Google sent out an army of hybrid vehicles bearing nine cameras on a single pole to photograph the world, I began an exploration of this new virtual world, and was fascinated by how powerfully Street View photographs can represent our contemporary experience, the conflict they can express between an indifferent robotic camera and man’s search for connectedness and significance. The photos underscore the tension between an uncaring camera and man’s need to interpret his experience. While celebrating and critiquing modern experience, the technological tools themselves show how they can estrange us from ourselves.” –Rafman. In his photo project ‘The Nine Eyes of Google Street View’ Rafman collects unusual images captured by the Google Street View camera cars. He finds the images through Street View blogs and his own searches. Rafman also looks at the social effects of digital media, particularly online subcultures. He analyses the behaviors of users of multiplayer video games and 3D virtual communities in his videos. His videos and installations are witty but also with a slight melancholy aspect to them. Solo exhibitions Annals of Time Lost, Future Gallery, Berlin, April 2013 A Man Digging, Seventeen Gallery, London, May 2013 You Are Standing in an Open Field, Zach Feuer Gallery, New York, September 2013 Group exhibitions Rencontres d’Aries New Jpegs, Johan Berggren Gallery in Malmo, Sweden Free, New Museum, New York Speculations on Anonymous Materials, The Fridericianum, Kassel New Museum, 2010 The Saatchi Gallery, 2012 Museum of Contemporary Art of Rome, 2010 Museum of Contemporary Canadian Art, 2012 Palais de Tokyo, 2012 The Fridericianum, 2013 Jon Rafman Exhibition History A reindeer running down Rv888, Norway, 2010 Installation View. Westfälischer Kunstverein, Münster, 2016 Link to Jon Rafman’s CV: http://www.seventeengallery.com/wp- content/uploads/2013/03/Jon-Rafman-CV-2016- 2.pdf

4. Thea Djordjadze (born 1971) is a contemporary artist, her main media being sculpture and installation art. Djordjadze combines traditional sculpture materials (such as plaster or wood) with everyday objects (such as foam or linoleum). Her pieces respond to and interact with one another and the space they are displayed in. She explores the tensions between materials and forms. She merges geometric constructions from modern architecture with handmade clay sculptures and carpets. The use of linoleum (a home floor covering) creates a sense of domesticity. Her works often include exhibition furniture, such as plinths but challenges the convention display methods, for example, having a mattress sized foam slab supported by a tin steel structure. Djordjadze challenges the viewer’s perspective of space, encouraging questions to be raised over how, if at all, space should be used. Link to The Guardian Article: https://www.theguardian.com/artanddesign/2012/sep/0 6/artist-week-thea-djordjadze Solo exhibitions 2011: Let me disclose the gifts reserved for age, Rat Hole Gallery Tokyo 2011: Lost promise in a room, The Common Guild Glasgow 2011: His vanity requires no response, Contemporary Art Museum St. Louis 2011: Quiet speech in wide circulation, Kiosk Ghent 2010: Boat, now., castillo/corrales Paris 2010: Foksal, Warsaw 2009: Kunsthalle Basel 2009: West London Projects London 2009: Explain away - ე. ი., Galerie Monika Sprüth Philomene Magers Berlin 2009: Occasional Exercise, Galerie Micky Schubert Berlin 2008: Kunstverein Nürnberg 2007: Possibility, Nansen, Studio Voltaire London 2007: History of an Encounter, Galerie Micky Schubert Berlin 2005: 2, Bar Ornella Köln 2003: Fröhliche Wissenschaft, Brandenburgischer Kunstverein Potsdam 2001: The Sight of the Conductor, Kunstverein Bonn Group Exhibitions 2012: Phases Wallspace New York City 2011: Time Again, Sculpture Center New York City 2011: Pour un art pauvre, Carré d'art Nîmes 2011: Melanchotopia, Witte de With Rotterdam 2010: How soon now, Rubell Family Collection Miami 2010: The New Décor, Garage Moscow 2010: Les Promesses du passé, Centre Pompidou Paris 2009: The Perpetual Dialogue, Andrea Rosen Gallery NYC 2009: Kunstpreis der Böttcherstraße, Bremen 2009: Your gold teeth II, Marianne Boesky Gallery New York City 2009: In May (After October), Gallery TPW Toronto 2008: abc - Art Berlin Contemporary, Berlin 2007: Martian Museum of Terrestrial Art, Barbican, London (with Rosemarie Trockel) 2007: When Things Cast No Shadow, 5th Berlin Biennale, Berlin 2007: Élégance, Kölnischer Kunstverein, Köln 2007: 9. Biennale de Lyon (with Rosemarie Trockel and Michel Houellebecq) 2007: Franz West (cur.): Der Ficker, Fortescue Avenue, London 2007: Let's stay alive until Tuesday, Children National Gallery, Tbilisi 2006: Mondi Possibili, Galerie Monika Sprüth Philomene Magers, Köln 2006: modus, Neue Kunst Halle St. Gallen (with Gerda Scheepers, Rosemarie Trockel) 2006: 7, Sprüth Magers Lee, London 2005: Open Garden, Fortescue Avenue, London 2004: Djordjadze, Elfgen, Scheepers, Monika Sprüth Philomene Magers Projekte, München 2003: L'Ananas bianco & Utopia Station, La Biennale di Venezia (with Rosemarie Trockel) 2003: 20th Anniversary Show, Galerie Monika Sprüth Philomene Magers, Köln 2001: Zero Gravity, Kunstverein Düsseldorf 2000: Wuckenhof – Klasse Trockel, Kunstverein Schwerte 2000: Art Grus, Dom Moscow 1999: Djordjadze Föttinger Von Hellermann, Champion Art, Arnheim 1998: Due Dimensioni, Academia di Belle Arti, Venedig 1998: Mayday, Böhlerwerke, Düsseldorf 1997: Klasse Krieg, Galerie Timm Gierig, Frankfurt Public projects 2008: Folded B, Skulpturenpark Berlin 2006: A room of ones own (with Manuela Leinhoß), Zülpicher Platz Köln 2006 Pampel, Frauenplatz München/ Mohr-Villa München Performances 2010: Untitled, Serpentine gallery, London 2008: Untitled (Kaffeesatzlesen) with Thea Gvetadze & Manuela Leinhoß, Kunsthalle Zürich 2005: Südstadtvirus, with Andreas Reihse, Studio Voltaire, London 2005: I Will, theatre-play, Düsseldorfer Schauspielhaus 2001: WahrSagen (Kaffeesatz), Staatliche Kunstakademie Düsseldorf 2001: Untitled (Haareschneiden), musically accompanied by Andreas Reihse, Kunstverein Düsseldorf 2000: Untitled (Ich habe keine Kraft für London), with hobbypopMUSEUM, Vilma Gold Gallery London 1999-2003: with hobbypopMUSEUM Thea Djordjadze Exhibition History Untitled 2005, Plaster, iron, paper maché, knitted wool 20 x 20 x 35 cm She didn’t have friends, children, sex, religion, marriage, success, a salary or a fear of death. She worked, 2012. Foam, steel, paint, plaster.120 x 365 x 30 cm

5. Goshka Macuga (born 1967) is an interdisciplinary artists, best known for her sculptural installations of historic objects and documents. She uses traditional media, such as sculpture, drawing, painting, photography and film, but also creates installations in which she also appropriates the work of other artists and archive materials merging them with items she herself makes. Macuga’s work has been described as ‘cultural archaeology’ and also likened to detective work. She makes use of art history as a point of reference, and when working in a particular institution, she begins her work by exploring it’s archives. In an interview Macuga said; “I see branding very much in the art market, and I find this very limiting…The art market shouldn’t be dictating how people work.” She prefers to work in a range of media, rather than being defined as a certain type of artist. This creates a vast variety to the work she produces. Macuga is represented in London by Kate MacGarry, in New York by Andrew Kreps Gallery and in Munich by Galerie Rüdiger Schöttle. 2016 Goshka Macuga, New Museum, New York 2016 Goshka Macuga: To the Son of Man Who Ate the Scroll, Fondazione Prada, Milan 2014 Public Address: Goshka Macuga Tapestries, Lunds konsthall, Lund [12] 2014 8th Berlin Biennale, Dahlem Museums, Berlin 2013 Goshka Macuga: Non-Consensual Act (in Progress), Index – The Swedish Contemporary Art Foundation, Stockholm [14] 2013 Goshka Macuga: Sexuality of Atoms, Andrew Kreps Gallery, New York [15] 2012 Goshka Macuga: Exhibit, A, Museum of Contemporary Art, Chicago 2012 Goshka Macuga, Kate MacGarry, London [17] 2012 Goshka Macuga: Untitled, Andrew Kreps Gallery, New York [18] 2012 Goshka Macuga: Showroom, Galerie Rüdiger Schöttle, Munich [19] 2012 dOCUMENTA (13), Fridericianum, Kassel and Queen's Palace, Bagh-e Babur, Kabul 2011 Goshka Macuga: Untitled, Zachęta National Gallery of Art, Warsaw 2011 Goshka Macuga: It Broke from Within, Walker Art Center, Minneapolis 2010 Newspeak: British Art Now pt.1, Saatchi Gallery, London 2010 Star City, The Future Under Communism, Nottingham Contemporary 2009 The Bloomberg Commission The Nature of the Beast, Whitechapel Gallery, London 2009 I am Become Death, Kunsthalle Basel, Switzerland 2009 The Dark Monarch: Magic and Modernity in British Art, Tate St.Ives 2009 Textile Art and the Social Fabric, MuHKA Museum of Contemporary Art Antwerp 2009 53rd Venice Biennale: Fare Mondi/Making Worlds, Corderie dell’Arsenale, Venice 2008 Turner Prize 2008, Tate Britain, London 2008 5th Berlin Biennial for Contemporary Art, Neue Nationalgalerie 2007 What’s In a Name, Andrew Kreps Gallery, New York 2006 3rd Attese Biennale di Ceramica nell’ Arte Contemporanea, Museo della Ceramica Manlio Trucco, Albissola Superiore, Italy 2006 Sleep of Ulro, A Foundation, Liverpool 2006 Mula sem Cabeça (Headless Mule), How to Live Together, 27th São Paulo Biennial 2006 The Past is a Foreign Country:They do Things Differently There, Mathilda is Calling, Institut Mathildenhöhe, Darmstadt, Germany 2005 Goshka Macuga, Kate MacGarry, London 2005 Go Between, Amt der Landeshauptstadt Kultur, Bregenz, Austria 2005 The British Art Show, Baltic and touring the UK 2004 Autumn Catalog Leather Fringes, Kunsthalle Basel, Switzerland 2003 Kabinett der Abstrakten, BloombergSpace, London 2002 Homeless Furniture, Transmission Gallery, Glasgow, Scotland 2002 Untitled, Fundacja Galerii Foksal, Warsaw, Poland 2002 Friendship of the Peoples (with Declan Clarke), The Project, Dublin, Ireland 2000 Cave, Kunstakuten, Stockholm, Sweden Goshka Macuga Exhibition History Installation View, Fondazione Prada, Milan, 2016 Link to The Wall Street Journal Article: http://www.wsj.com/articles/artist-goshka-macuga- resists-branding-1462984249 Aby Warburg on Madness and Ritual, set for Scene 2, 2014 Tapestry 106 3/8 x 144 1/8 in (270 x 366 cm)

6. Sharon Hayes (born 1970) is a multimedia artist and activist, working mainly in video, installation and performance. In her work, Hayes looks at history, politics and speech, focusing specifically on language use in twentieth- century protest groups. In her project ‘In The Near Future’ Hayes stood in sites asscoiated with historical protests and held signs displaying texts relating to these events. In Hayes’ performance ‘I March In The Parade Of Liberty But As Long As I Love You I’m Not Free’ she spoke to an anonymous, absent lover with a bullhorn. She told the story of their love and asked for understanding and return. Transforming such an intimate speech into a public context emphasised the role of the individual voice in body politic. Current Exhibitions A Prologue to the Past and Present State of Things Delfina Foundation, London, UK July 1, 2015 – August 15, 2015 See you at the barricades Art Gallery of NSW, Sydney, Australia May 30, 2015 – November 29, 2015 Self-Timer Stories Museo de Arte Contemporáneo de Castilla y León, León, Spain May 16, 2015 – September 13, 2015 Walking Sculpture 1967-2015 deCordova Sculpture Park and Museum, Lincoln, MA May 9, 2015 – September 13, 2015 Black Box: Sharon Hayes Baltimore Museum of Art, Baltimore, MD March 15, 2015 – October 11, 2015 The Institute of Sexology Wellcome Collection, London November 20, 2014 – September 20, 2015 Upcoming Exhibitions Public Works Mills College Art Museum, Oakland, CA September 16, 2015 – December 13, 2015 Recent Exhibitions A Voice Remains Pippy Houldsworth Gallery, London, UK March 24, 2015 – May 30, 2015 From words to action Musée d'art contemporain des Laurentides, Saint-Jérôme, Quebec March 29, 2015 – May 1, 2015 Sharon Hayes, Tony Lewis, Adam Pendleton Andrea Rosen Gallery, New York, NY March 6, 2015 – April 25, 2015 All Tomorrow's Past Kunsthaus Hamburg, Hamburg January 26, 2015 – March 15, 2015 Self-Timer Museum der Moderne, Salzburg, Austria November 20, 2014 – March 15, 2015 Zero Tolerance MoMA PS1, Queens, NY October 26, 2014 – April 13, 2015 RESPOND Smack Mellon, Brooklyn, NY January 17, 2015 – February 22, 2015 Syster The Borås Museum of Modern Art, Borås, Sweden October 18, 2014 – January 11, 2015 The Militant Image Camera Austria, Graz, Austria September 27, 2014 – November 16, 2014 10th Gwangju Biennale: Burning Down the House Gwangju Biennale, Korea September 5, 2014 – November 9, 2014 What's Love Got to Do With It Hayward Gallery, Southbank Centere, London July 23, 2014 – September 14, 2014 Self-Timer Stories Austrian Cultural Forum, New York, NY June 18, 2014 – September 8, 2014 Sharon Hayes: In the Near Future Museum of Modern Art, Warsaw, Poland June 3, 2014 – July 31, 2014 The Part In The Story Where A Part Becomes A Part Of Something Else Witte de With Contemporary Art, Rotterdam, Netherlands May 22, 2014 – August 17, 2014 Take Liberty! Curated by Andrea Kroksnes Museum of Contemporary Art, Oslo, Norway April 11, 2014 – August 10, 2014 Liebe Wilhelm-Hack Museum, Ludwigshafen, Germany March 22, 2014 – June 29, 2014 Fingernails on a Blackboard Andrea Rosen Gallery, New York, NY March 15, 2014 – April 26, 2014 Sharon Hayes: Public Appearances Tanya Leighton Gallery, Berlin, Germany September 6, 2013 – November 9, 2013 About the House - Silence Turned into Objects Auden House, Kirchstetten, Austria September 1, 2013 – April 27, 2014 The Encyclopedia Palace Curated by Massimiliano Gioni 55th International Venice Biennale, Italy June 1, 2013 – November 24, 2013 People Have the Power La Casa Encendida, Madrid, Spain May 23, 2013 – September 8, 2013 After My Own Heart Oakville Galleries in Gairloch Gardens & at Centennial Square, Oakville, Ontario March 24, 2013 – May 18, 2013 More Love: Art, Politics, and Sharing since the 1990s Ackland Art Museum, The University of North Carolina at Chapel Hill, NC February 1, 2013 – March 31, 2013 Performing Histories (1) The Yoshiko and Akio Morita Media Gallery, The Museum of Modern Art, New York, NY September 12, 2012 – March 11, 2013 Keywords and the powers of eloquence Kunsthaus Baseland, Basel, Switzerland September 15, 2012 – November 11, 2012 Ruptures: Forms of Public Address 41 Cooper Gallery, Cooper Union, New York, NY September 4, 2012 – October 13, 2012 Stage Presence: Theatricality in Art and Media San Francisco Museum of Modern Art (SFMOMA), San Francisco, CA July 14, 2012 – October 12, 2012 Sharon Hayes: There’s so much I want to say to you The Whitney Museum of American Art, New York, NY June 21, 2012 – September 9, 2012 Sharon Hayes: Habla Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain May 30, 2012 – September 24, 2012 Ecstatic Alphabets/Heaps of Language The Museum of Modern Art, New York, NY May 6, 2012 – August 27, 2012 Elevator Music 20: Sharon Hayes The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY February 18, 2012 – June 3, 2012 Aleksandra Domanovic & Sharon Hayes Tanya Leighton at Proyectos Monclova February 4, 2012 – March 24, 2012 Americans in New York 2 Galerie Michel Rein, Paris, France January 28, 2012 – February 25, 2012 9 Scripts from a Nation at War The Museum of Modern Art, New York January 25, 2012 – July 30, 2012 Recent Talks & Performances Artists at the Institute of Fine Arts: Sharon Hayes IFA-NYU, New York, NY February 24, 2015, 6:30 PM Charlie Hebdo, Zero Tolerance, and Freedom of Speech Sir Harold Evans, moderator, Kader Attia, Sharon Hayes, Aasif Mandvi, Jason Mojica, Simon Schama, and Karl Sharro The Museum of Modern Art, New York, NY February 3, 2015, 6:30-8:30 PM MoMA Forum on Contemporary Photography: Barbara Clausen, Lucy Gallun, Sharon Hayes, Liz Magic Laser, Jill Magid, and Melanie Kress The Museum of Modern Art, New York, NY January 12, 2015, 6-8 PM Sharon Hayes (Media Artist-in-Residence) Talk and Screening Revolutionary Love screening and discussion with Katrin Pahl and Chris Nealon part of Speaking in/of Public: Sex, Sexuality and the Limits of Discourse John Hopkins University, Baltimore, MD October 29, 2014, 5-7:30 PM Sharon Hayes (Media Artist-in-Residence) Talk and Screening Ricerche: three screening and discussion with Bernadette Wegenstein part of Speaking in/of Public: Sex, Sexuality and the Limits of Discourse John Hopkins University, Baltimore, MD October 23, 2014, 5-7:30 PM An Evening with Sharon Hayes & Brooke O'Harra Ricerche: three screening and discussion The Museum of Modern Art, New York, NY February 24, 2014, 7-9 PM Blackboard Conversation: Brad Butler, Avery Gordon, Sharon Hayes, and Karen Mirza Part of The Museum of Non Participation: The New Deal Walker Art Museum, April 20, 2013, 2 PM STEDELIJK|DO IT! / STAGE IT! (Part 2) - Sharon Hayes & Brooke O'Harra Teijin Auditorium, Stedelijk Museum, Amsterdam January 17, 2013, 7:30-10 PM ANDREA GEYER, SHARON HAYES, ASHLEY HUNT, KATYA SANDER AND DAVID THORNE The Museum of Modern Art, New York, NY November 12 & 13, 2011, 12:00 PM – 4:30 PM Spoken Word DJ The Art Institute of Chicago, Chicago, IL November 10, 2011, 5:30 – 7 PM Spoken Word DJ-ing Haunted: Contemporary Photography/Video/Performance, New York, NY July 24, 2010 Sharon Hayes Exhibition History In The Near Future Link to Contempory Art Gallery Article: http://www.contemporaryartgallery.ca/exhibitions/sh aron-hayes-in-the-near-future-2/

7. Ellen Gallagher (born 1965) is an artist best known for her painting and multimedia work. Gallagher is of biracial ethnicity, her father being of West African heritage and her mother an Irish Catholic. Some of her work draws upon her heritage, many of her pieces focusing on advertising targeted at black women. She recontextualises these adverts, by collaging Afro wig elements and adorning them with plasticine. As Gallagher explains; ‘The wig ladies are fugitives, conscripts from another time and place, liberated from the “race” magazines of the past. But again, I have transformed them, here on the pages that once held them captive.’ Another area Gallagher looks at in her work is marine life. She had done many watercolour paintings as part of her ‘Watery Ecstatic Series’. Her studies of marine life go beyond the canvas to include a film installation, entitled ‘Murmur’. Gallagher has also been intrigued by how we look and how we change how we look. In her piece ‘Morphia’ she is interested in the manipulation of light and surface, to create confusing, concealed drawings. Gallagher describes them as ‘a kind of refusal. If you stand in front of them they go blank and then if you stand at the side you see only a little.’ Ellen Gallagher's work has been featured in solo exhibitions at numerous galleries and institutions including: Drawing Center, New York, USA Preserve (2001) [18] Institute of Contemporary Art, Boston USA "Watery Ecstatic" (2001)Henry Art Gallery, Seattle, Washington, USA Preserve/Murmur (2004) Museum of Contemporary Art, North Miami, Florida, USA, Ellen Gallagher: DeLuXe (2005) Freud Museum, London, UK Ellen Gallagher: Ichthyosaurus (2005) Whitney Museum of American Art, New York, USA, Ellen Gallagher: DeLuXe (2005) Tate Liverpool, UK, Ellen Gallagher (2007) Tate Modern, London, UK AxMe (2013) Sara Hilden's Museum, Finland (2013) Haus der Kunst, Munich, Germany (2014) Gagosian Gallery, New York Group exhibitions have included: Whitney Biennial, New York City (1995) Irish Museum of Modern Art, Dublin, Ireland, Projects (1997) Jack S. Blanton Museum of Art, Austin, Texas, USA Negotiating Small Truths (1999) P.S. 1 Contemporary Art Center, Long Island City, NY, USA Greater New York: New Art in New York Now (2000) Solomon R. Guggenheim Museum, New York, USA New Acquisitions (2000) Venice Biennale, Italy 50th International Art Exhibition (2003) Walker Art Center, Minneapolis, Minnesota, USA Heart of Darkness (2006) Tate Modern, London, UK Passages from London (2007) Scottish National Gallery of Modern Art, Edinburgh, Artist Rooms (2009) Whitney Biennial, New York City (2010) Centre Pompidou, Paris, France elles@centrepompidou (2010) Museum of Modern Art, Arnhem, the Netherlands Six Yards Guaranteed Dutch Design (2011) Museum of Fine Arts, Boston, USA Linde Family Wing for Contemporary Art (2011) Museum of Modern Art, New York, USA Print/Out (2011) Ellen Gallagher Exhibition History DeLuxe (2004-2005) Link to The Guardian Article: https://www.theguardian.com/artanddesign/2013/ma y/05/ellen-gallagher-axme-tate-review Murmur (2003-2004) Morphia (2008-2012)

8. Kerry James Marshall (born 1955) uses art to explore black identity. Best known for his paintings, Marshall is inspired by African-American history. After noticing the disparity in the numbers of black and white figures in paintings displayed in art galleries, Marshall decided to aim to ensure this is no longer the case. His work responds to both real and imagined events in black history. His piece ‘The Lost Boys’ was made after he read an article about a boy being killed in his home when officers mistook a toy gun he was holding for a real one. The painting is a memorial to loss of life and innocence. Selected Solo Exhibitions: 2016-2017 Kerry James Marshall: Mastry, Museum of Contemporary Art, Chicago, April 23 – September 4, 2016. Travels to: The Metropolitan Museum of Art, October 24, 2016 – January 22, 2017; Museum of Contemporary Art Los Angeles, February 26 – June 25, 2017. 2013–2014 Kerry James Marshall: Painting and Other Stuff, Museum van Hedendaagse Kunst Antwerpen, Belgium, October 3, 2013–February 2, 2014. Traveling to: Kunsthal Charlottenborg, Copenhagen, Denmark, February 28–May 4, 2014; Antoni Tapies Foundation, Barcelona, June 17–October 26, 2014; Museo Nacional Centro de Arte Reina Sofia (MNCARS), Madrid, June 19–October 26, 2014. Kerry James Marshall: Look See, David Zwirner Gallery, London, October 11 – November 22, 2014. 2013 Front Room Series: Kerry James Marshall, Contemporary Art Museum St. Louis, Missouri, May 24–July 7, 2013. Kerry James Marshall: In the Tower, National Gallery of Art, Washington, D.C., June 28–December 7, 2013. DOLLAR FOR DOLLAR, Jack Shainman Gallery, 524 West 24th Street, New York, September 10– October 12, 2013. 2012 513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316 WWW.JACKSHAINMAN.COM INFO@JACKSHAINMAN.COM Kerry James Marshall: Selected Biography Page 2 Kerry James Marshall: Black holes and constellations, moniquemeloche, Chicago, February 4–May 12, 2012. Kerry James Marshall: Who’s Afraid of Red, Black and Green, Vienna Secession, Association of Visual Artists, Vienna, Austria, September 20–November 25, 2012. 2011 Everybody’s Autobiography, Millstone Gallery, Sam Fox School of Design & Visual Arts and the Center of Creative Arts, Washington University in St. Louis, Missouri, March 11–April 24, 2011. Curated by Jessica Baran. 2010–2011 Kerry James Marshall, Vancouver Art Gallery, British Columbia, Canada, May 8, 2010–January 3, 2011. 2009-2011 Art in the Atrium, San Francisco Museum of Modern Art, California, February 26, 2009 - October 11, 2011 2009 Jack Shainman Gallery, Art Basel, Switzerland 2008 Black Romantic, Jack Shainman Gallery, New York, May 22–July 3, 2008. Every Beat of My Heart, Wexner Center, Columbus Portraits, Pin-Ups And Wistful Romantic Idylls, Koplin Del Rio Gallery, Culver City, CA 2005–2006 Along the Way, Camden Arts Centre, London; traveled to: BALTIC Center for Contemporary Art, Gateshead; New Art Gallery Walsall; and finished at Modern Art Oxford, July 25 – October 22, 2006. 2004 Color Blind: A Selection of New work, Koplin Del Rio Gallery, West Hollywood, CA Drawings, Jack Shainman Gallery, New York 2003 One True Thing: Meditations on Black Aesthetics, Museum of Contemporary Art, Chicago, traveling to: The Baltimore Museum of Art, MD; The Birmingham Museum of Art, AL; The Studio Museum Harlem, NY 2002 Some Mementos, Greg Kucera Gallery, Seattle, WA 2000 Cheekwood Museum of Art, Nashville, TN WWW.JACKSHAINMAN.COM INFO@JACKSHAINMAN.COM 1999 Jack Shainman Gallery, New York, NY 1998 A Narrative of Everyday, Orlando Museum of Art, FL Kerry James Marshall: Mementos, The Renaissance Society, University of Chicago, traveling to: Brooklyn Museum of Art, NY; San Francisco Museum of Art; Institute of Contemporary Art, Boston; Santa Monica Museum of Art, CA; Boise Museum of Art, ID 1997 Kerry James Marshall: 1980s Unique Woodcut Print, Koplin Gallery, Los Angeles Kerry James Marshall: Looking Back, University Art Gallery, San Diego State University Recent Paintings and Drawings, Addison Gallery of American Art, Andover Academy, MA 1995 The Garden Project, Jack Shainman Gallery, New York Greg Kucera Gallery, Seattle 1994 Telling Stories: Selected Paintings, traveling to: The Cleveland Center for Contemporary Art, OH; Gallery of Art, Johnson County Community College, Overland Park, KS; Gallery 210, University of Missouri, St. Louis; Pittsburgh Center for the Arts; Southeastern Center for Contemporary Art, Winston-Salem, NC 1993 Jack Shainman Gallery, New York 1992 TERRA INCOGNITA: Works by Kerry James Marshall and Santiago Vaca, Chicago Cultural Center 1991 Koplin Gallery: Santa Monica, CA 1986 Studio Museum in Harlem; Artist in Resident Exhibition, New York 1985 Koplin Gallery; Los Angeles 1984 Pepperdine University; Malibu, CA Kerry James Marshall: Selected Biography Page 3 WWW.JACKSHAINMAN.COM INFO@JACKSHAINMAN.COM 1983 James Turcotte Gallery, Los Angeles 1981 L.A. Southwest College; Los Angeles Kerry James Marshall Exhibition History The Lost Boys, 1993 Link to Art News Article: http://www.artnews.com/2016/03/02/the-painter-of-modern- life-kerry-james-marshall-aims-to-get-more-images-of-black- figures-into-museums/?singlepage=1

9. Rosmarie Trockel (born 1952) looks at sexuality, feminism and the human body through her work. She is well-known for her ‘knitted paintings’ through these she challenges the traditional notions of painting, feminine roles in society, culture at large and art making itself. Trockel has addresses gender in a radical way, combining activities typically considered feminine with aggressive mechanical and industrial forms. Solo Exhibitions 2016 “Study #14. Oh Mystery Girl 3,” David Roberts Art Foundation, Londo 2015 “Märzôschnee ûnd Wiebôrweh sand am Môargô niana më,” Kunsthaus Bregenz, Bregenz, Austria 2014 “Rosemarie Trockel: Less Sauvage Than Others,” Aspen Art Museum, Colorado "Rosemarie Trockel," Cahiers d'Art, Paris "Rosemarie Trockel," Goethe Institut / Max Mueller Bhavan, Mumbai, India 2013 "Rosemarie Trockel," Gladstone Gallery, New York “Rosemarie Trockel,” Sprüth Magers, London "Rosemarie Trockel: A Cosmos," Serpentine Gallery, London "Rosemarie Trockel: Flagrant Delight," Museion Bolzano, Italy 2012 “Rosemarie Trockel: A Cosmos,” Museo Nacional Centro de Arte Reina Sofía, Madrid [traveled to: New Museum, New York (2012-2013)] “Rosemarie Trockel: Flagrant Delight,” Wiels, Brussels, Belgium “Rosemarie Trockel,” The Artist’s Institute, New York 2011 “Rosemarie Trockel: Kaiserringträgerin der Stadt Goslar 2011,” Mönchehaus Museum Goslar, Germany "Rosemarie Trockel,” Royal Hibernian Gallery, Dublin 2010 “Rosemarie Trockel, Drawings, Collages, Book Drafts”, Kunstmuseum Basel, Basel, Switzerland [traveled to: Talbot Rice Gallery, University of Edinburgh, Edinburgh, UK (2011); Kunstmuseum Bonn, Bonn, Germany (2011)] “Rosemarie Trockel: Deliquescence of the Mother,” Kunsthalle Zurich, Switzerland “Rosmarie Trockel: Selected Works,” Skarstedt Gallery, New York 2008 "Neue Arbeiten," Georg Kargl Fine Arts, Vienna "Favorite Things,” Donald Young Gallery, Chicago “Keramiken und Collagen,” Galerie Crone, Berlin 2007 “RO’MA,” Albion Gallery, London “Rosemarie Trockel: Selected drawings, objects and videoworks,” Museu Paco das Artes São Paulo, São Paulo, Brazil [traveled from: Museo Nacional de Artes Visuales, Montevideo; Museo de Arte, Lima; Casa Andrade Muricy, Coritiba, Brazil (2006); Culture Center, Rejkjavik; Museo Provincial de Bellas Artes, Cordoba, Argentina; PROA, Museo Bellas Ares Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile (2005)] “Zu Gast bei BQ: Marcus Steinweg: Man überlebt es. Man kann es. Jeder auf seine Weise. Marguerite Duras, Marcus Steinweg, Rosemarie Trockel,” BQ, Cologne, Germany “Thea Djordjadze/Rosemarie Trockel: Un soir, j’ai assis la beauté sur mes genoux. And I found her bitter and I hurt her,” Sprüth Magers, Munich, Germany “Soltanto un quadro al Massimo: Michelangelo Pistoletto – Rosemarie Trockel,” Deutsche Akademie Rom Villa Massimo, Rome “Schneeweiß,” Rohrmeisterei, Schwerte, Germany Projekt milt/project with Michail Pirgelis analsslich der Aufnahme in die/on occasion of the admittance of the Westälische Ehrengalerie 2006 “Country Life, New Ceramics, and Pottery,” Gladstone Gallery, New York “RO’MA,” Museum Kuppersmuhle fur Moderne Kunst, Duisburg, Germany 2005 “Post-Menopause,“ Museum Ludwig, Cologne, Germany [traveled to: Museo Nazionale Delle Arti Del XXI Secolo, Rome (2006)] 2004 “Rosemarie Trockel: Drawings,” Monika Spruth Philomena Magers Galerie, Cologne, Germany “Rosemarie Trockel: Selected drawings, objects and videoworks,” Oude Kerk, Amsterdam [traveled to: Bunkier Sztuki, Krakow, Poland; Tramway, Glasgow, Scotland] 2003 “L’imitation d’Anne,” Galerie Anne de Villepoix, Paris; Karsten Schubert, London “Opening Children Space,” Museum Moderner Kunst, Frankfurt, Germany “Rosemarie Trockel,” Synagoge Stommeln, Stommeln, Germany “Rosemarie Trockel: Selected drawings, objects and videoworks,” Narodni Galerie, Prague, Czech Republic [traveled to: Brandts Klaedefabrik, Odense, Denmark] “Video und Zeichnung,” HerderRaumFürKunst, Herder Gymnasium, Cologne, Germany 2002 “She never promised you,” Galerie Stampa, Basel, Switzerland "Rosemarie Trockel,” Sammlung Goetz, Munich, Germany= “Rosemarie Trockel: Spleen,” Dia Center for the Arts, New York 2001 “Manus Spleen,” Barbara Gladstone Gallery, New York “Metamorphoses and Mutations,” The Drawing Center, New York “Rosemarie Trockel: Drawings,” De Pont Stichting, Tilburg, The Netherlands “Rosemarie Trockel,” Moderna Museet, Stockholm 2000 “Dessins,” Centre Georges Pompidou, Paris “Pause,” Ileana Tounta Contemporary Art Center, Athens “Rosemarie Trockel,” Stadtische Galerie im Lenbachhaus, Kunstbau, Munich, Germany “Fernweh,” Kunst auf der Zugspitze, Garmisch-Partenkirchen (in Zusammenarbeit mit dem Neuen Museum, Staatliches Museum for Kunst and Design, Nürnberg), Viafarini, Mailand Expo 2000, Hanover Sammlung, Hanover, Germany “Hitzefrei,” Galerie Ascan Crone, Berlin 1999 German Pavilion, 48th Venice Biennale, Venice, Italy “Kinderspielplatz,” De Pont Foundation for Contemporary Art, Tilburg, The Netherlands “Maisons/Häuser,” Musée d’Art Moderne de la Ville de Paris, Paris [traveled to: BQ, Cologne, Germany; Literaturhaus, Cologne, Germany] 1998 “Rosemarie Trockel: Bodies of Work 1986-1998,” Whitechapel Art Gallery, London “Werkgruppen 1986 – 1998,” Kunsthalle Hamburg, Hamburg, Germany “Rosemarie Trockel,” Donald Young Gallery, Seattle “Addina,” Galleria Bianca, Palermo, Italy “Rosemarie Trockel - Paare,” Leopold-Hoesch Museum, Düren, Germany “Rosemarie Trockel,” Staatsgalerie, Stuttgart, Germany“Rosemarie Trockel,” Galerie Helga Maria Klosterfelde, Hamburg, Germany “Rosemarie Trockel: Bodies of Work: 1986-1998,” Galeries Contemporaines des Musées de Marseille, Marseille, France “Rosemarie Trockel: Arbeiten auf Papier 1980-1997,” Kupferstichkabinett, Basel, Switzerland [traveled to: Kunsthalle Tübingen, Tübingen, Germany 1997 “Rosemarie Trockel,” Monika Sprüth Galerie, Cologne, Germany “Rosemarie Trockel,” Donald Young Gallery, Seattle “Rosemarie Trockel: Gudrun,” Kunstverein Schwerte, Schwerte, Germany “Rosemarie Trockel: Yvonne,” Barbara Gladstone Gallery, New York “Addina,” Galleria Bianca, Cantieri Culturali alla Zisa di Palermo, Palermo, Italy 1996 “Rosemarie Trockel,” Center for Contemporary Art, Ujazdowki Castle, Warsaw “Rosemarie Trockel,” Museum fur Moderne Kunst, Frankfurt, Germany “Rosemarie Trockel,” Regina Gallery, Moscow “Rosemarie Trockel,” Centre Genevois de gravure contemporain, Geneva, Switzerland “Rosemarie Trockel,” Nolan/Eckman Gallery, New York “Rosemarie Trockel,” Sydney Biennale, Sydney, Australia “Rosemarie Trockel,” Gallerie Stampa, Basel, Switzerland “Rosemarie Trockel,” Akira Ikeda Gallery, Tokyo “Muckenbus,” Wissenschaftsmuseum, Bonn, Germany 1995 “Rosemarie Trockel: Loffel und Mirabelle,” Museum Haus Esters, Krefeld, Germany “Rosemarie Trockel,” Galerie Feuerle & Ruiz de Villa, Cologne, Germany “Rosemarie Trockel,” Galerie Springer, Berlin, Germany “Rosemarie Trockel: Familion – Modelle,” The Israel Museum, Jerusalem “Rosemarie Trockel: Gipsmodelle & Entwurfe,” Galerie Metropol, Vienna “Rosemarie Trockel,” Museum in Progress, Vienna "Rosemarie Trockel: Ich kann, darf und will nicht," Musée des Beaux-Arts de Nantes, Nantes, France 1994 “Rosemarie Trockel,” Galeria Lucio Amelio, Naples, Italy “Rosemarie Trockel,” Monika Sprüth Gallery, Cologne, Germany “Rosemarie Trockel,” Barbara Gladstone Gallery, New York “Rosemarie Trockel,” Museum für Angewandte Kunst, Vienna “Rosemarie Trockel,” Centre d’Art Contemporain, Geneva, Switzerland “Rosemarie Trockel,” Museum of Contemporary Art, Sydney, Australia São Paulo Biennial, Brazil “Rosemarie Trockel,” Museum of Contemporary Art, Helsinki 1993 “Rosemarie Trockel,” Galerie Tanit, Munich, Germany “Rosemarie Trockel,” Andres Tornberg Galleri, Lund, Sweden “Rosemarie Trockel,” Galerie Xavier Hufkens, Brussels “Rosemarie Trockel,” De Pont Stichting, Tilburg, The Netherlands “Rosemarie Trockel,” Kunst-Station St. Peter, Cologne, Germany “Rosemarie Trockel,” City Gallery, Wellington, New Zealand “Rosemarie Trockel,” Gallerie Anne de Villepoix, Paris “Rosemarie Trockel,” Neues Museum Weserburg, Bremen, Germany “Rosemarie Trockel,” Le Casa de Arte, Milan, Italy “Rosemarie Trockel,” Kunstverein Schwerte, Schwerte, Germany “Rosemarie Trockel,” Galleri Anders Tornberg, Lund, Sweden 1992 “Rosemarie Trockel,” The Museum of Contemporary Art, Nykytaiteen Museo Kiasma, Helsinki “Rosemarie Trockel: Die Rorschach-Bilder,” Galerie Ascan Crone, Hamburg, Germany “The Mystery of Malpicaî, Le Case d’Arte, Milan, Italy “Rosemarie Trockel,” Museo Nacional Centro de Arte Reina Sofia, Madrid “Rosemarie Trockel,” Monika Sprüth Galerie, Cologne, Germany “Rosemarie Trockel,” Galerie Karlheinz Meyer, Karlsruhe, Germamy “Rosemarie Trockel, Papierarbeiten,” Statens Museum for Kunst, Copenhagen [traveled to: Museum Ludwig, Cologne, Germany] 1991 “Rosemarie Trockel,” Institute of Contemporary Art, Boston [traveled to: University Art Museum, Berkeley; Museum of Contemporary Art, Chicago; Power Plant, Toronto] “Rosemarie Trockel: Works on Paper,” Museum fur Gegenwartskunst, Basel, Switzerland “Rosemarie Trockel,” Stuart Regen Gallery, Los Angeles “Rosemarie Trockel,” Gallery Mario Diacono, Boston “Rosemarie Trockel,” Neuer Berliner Kunstverein, Berlin “Rosemarie Trockel,” Galerie Samia Saouma, Paris “Rosemarie Trockel,” Galerie Brachot-Amelio, Paris “Rosemarie Trockel,” Galerie Erika und Otto Friedrich, Bern “Rosemarie Trockel,” Mario Diacono, Boston “Rosemarie Trockel,” Kunstmuseum St. Gallen, St. Gallen, Switzerland “Rosemarie Trockel,” Kunstraum München, Munich, Germany 1990 “Rosemarie Trockel und A.R. Penck,” Galerie Michael Werner, Cologne, Germany [traveled to: Monika Sprüth Galerie, Berlin] “Rosemarie Trockel,” Galerie, Cologne, Germany “Rosemarie Trockel,” Galerie Susanne Ottesen, Copenhagen “Rosemarie Trockel,” Galerie Sophia Ungers, Cologne, Germany “Rosemarie Trockel,” Kunstverein Schwerte, Schwerte, Germany 1989 “Rosemarie Trockel,” Galerie Erika and Otto Friedrich, Bern “Rosemarie Trockel,” Donald Young Gallery, Chicago 1988 “Rosemarie Trockel,” Barbara Gladstone Gallery, New York “Projects: Rosemarie Trockel,” Museum of Modern Art, New York Two-person exhibition with Katarina Fritsch, Kunsthalle, Basel [traveled to: Institute of Contemporary Art, London] “Rosemarie Trockel,” Galerie Erika & Otto Friedrich, Bern “Rosemarie Trockel,” Galerie Stampa, Basel, Switzerland 1987 “Rosemarie Trockel,” Galerie Tanit, Munich, Germany "Rosemarie Trockel,” Galerie Ascan Crone, Hamburg, Germany 1986 “Rosemarie Trockel,” Galerie Erika & Otto Friedrich, Bern “Rosemarie Trockel,” Monika Sprüth Galerie, Cologne, Germany “Rosemarie Trockel,” Galerie Tanit, Munich, Germany 1985 “Bilder - Skulpturen – Zeichnungen,” Rheinisches Landesmuseum, Bonn, Germany “Rosemarie Trockel,” Galerie Skulima, Berlin 1984 “Rosemarie Trockel,” Monika Sprüth Galerie, Cologne, Germany “Rosemarie Trockel: Skulpturen and Bilder,” Galerie Ascan Crone, Hamburg, Germany “Rosemarie Trockel,” Galerie Stampa, Basel, Switzerland 1983 “Rosemarie Trockel: Plastiken 1982-1983,” Monika Sprüth Galerie, Cologne, Germany “Rosemarie Trockel,” Galerie Philomene Magers, Bonn, Germany Rosemarie Trockel Exhibition History Untitled (Hammer & Sickle), 1986 Knitted Wool Link to The Guardian Article: https://www.theguardian.com/artanddesign/2012/nov/08/rosem arie-trockel-a-cosmos-review

10. Heather Phillipson (born 1978) works across many disciplines, including video, sculpture, drawing, music and text. She combines image, noise, objects, language and bodies, to explore how physical and affective ‘selves’ are constructed, manipulated and, above all, escape. Her work varies between physical intimacies and conceptual distances – desire, sensuality, touching and being touched, shame, anxiety, (over-)exposure, resistant surfaces. Her exhibition ‘immediately and for a short time balloons weapons too-tight clothing worries of all kinds’, involved the audience with her film piece. To view the film, the viewer must sit in an inflatable birthing pool. From this position they are then made a participant of the piece. Phillipson often displays her films in a way that makes the viewer a participant, for example, her piece ‘Zero-Point Garbage Matte’, the viewer climbs up a ladder and looks down on the monitor to view the video, a position that is reflected in its content. Phillipson says; ‘the physical relationship between body and screen is crucial to this formulation, although the rationale might only be revealed sporadically. It's a bastardised literary device, that semblance of inhabitation and activation— one minute you're in first person then second person or third person, then slapped back into first.’ SOLO EXHIBITIONS AND EVENTS 2016 more flinching, Whitechapel Gallery, London sub-fusc love-feast, Images Festival / Trinity Square Video, Toronto, Canada Frieze Projects New York, USA Arts Council Collection 70th Anniversary Commission, UK 32nd Sao Paolo Biennale, Brazil 2015 EAT HERE, Heather Phillipson, Schirn, Frankfurt, Germany UN/FIT 4 FEELING 2015, Heather Phillipson, Istanbul Biennial, Turkey FINAL DAYS, Heather Phillipson, solo installation, Performa, New York, USA FINAL DAYS, solo installation, Sheffield Doc/Fest with Serpentine Galleries, UK SERIOUS TRACTION, online commission, Opening Times, serioustraction.otdac.org love, the clickwrap writers, audio commission, The Verb, BBC Radio 3, UK the nylon tricot hi-cut one-piece, event, Whitechapel Gallery, London, UK THIS WAY UP, online comission, Desktop Residency, UK 2014 Extinction Marathon, stage installation, Serpentine Gallery, London, UK sub-fusc love-feast, Dundee Contemporary Arts, Dundee, UK the flavour of cooling enormities, Park Nights, event, Serpentine Gallery, London, UK immediately and for a short time balloons weapons too-tight clothing worries of all kinds, Bunker259, New York, USA Assembly, event, Tate Britain, London, UK BOG-STANDARD REFRESHER, event, ICA, London, UK yes, surprising is existence in the post-vegetal cosmorama –, Grundy Art Gallery, Blackpool, UK THE ORIGINAL EROGENOUS ZONE, Art Brussels (with Rowing Projects), Belgium* 2013 Splashy Phasings, Random Acts, Channel 4 television, UK yes, surprising is life in the post-vegetal cosmorama –, BALTIC Centre for Contemporary Art, Newcastle, UK A to D: the lot, FLUX Projects, Flux Nights, Atlanta, Georgia, USA through the flesh-tone scenario, the imported combi-boudoir, Zabludowicz Collection, London, UK immediately and for a short time balloons weapons too-tight clothing worries of all kinds, LOOP video fair, with Rowing Projects, LOOP, Barcelona [awarded the LOOP gallery prize, 2013] Heather Phillipson Exhibition History Immediately and for a short time balloons weapons too- tight clothing worries of all kinds (2014) Link to Rhizome Blog Article: http://rhizome.org/editorial/2014/jul/29/artist-profile-heather- phillipson/ The original erogenous zone, installation view, 2014