Sense, Meaning, and Perception in Three Dance Cultures Written By: Cynthia Jean Cohen Bull Presented by Erika Vasquez Edited by: Dr. Picart and Donna Gallagher.

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Presentation transcript:

Sense, Meaning, and Perception in Three Dance Cultures Written By: Cynthia Jean Cohen Bull Presented by Erika Vasquez Edited by: Dr. Picart and Donna Gallagher

Aims:  To compare the role of the three significant senses – touch, hearing, and sight- in three contemporary dance forms  To compare the roles of body, audience, music, and gender in the three dance forms

Key Terms Kinesthetic – Primacy – Improvisation –

Ballet : The Primacy of Seeing

The Role of the Body

Ballet : The primacy of Seeing “ For the Ballet Viewer, vision also predominates” (Bull 272) (Bull 272) The Role of the Audience

Ballet : The Primacy of Seeing The Role Of Music

Ballet : The Primacy of Seeing The Role Of Gender “

Contact Improvisation : The Primacy of Touching

Contact Improvisation : The Primacy of Touch The Role of the Body

Contact Improvisation: The Primacy of Touch The Role of the Audience

Discussion Question How is the role of the audience different in ballet and contact improvisation? How is the setting different? How might this effect the feelings/thoughts of the viewers?

Contact Improvisation : The Primacy of Touch The Role Of Music

Traditional Ghanaian Dance: The Primacy of Hearing

Discussion Question How does the role of music in traditional Ghanaian dance compare to the role of music in contact improvisation?

Traditional Ghanaian Dance: The Primacy of Hearing The Role of the Audience

Traditional Ghanaian Dance: The Primacy of Hearing The Role of the Body

Discussion Question How do gender roles compare in ballet, contact improvisation, and traditional Ghanaian dance?