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Frank Kermode’s Poet and Dancer: Before Diaghilev Group 1 Stephanie Peck and Edited By: Laura Pratt and Dr. Kay Picart.

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Presentation on theme: "Frank Kermode’s Poet and Dancer: Before Diaghilev Group 1 Stephanie Peck and Edited By: Laura Pratt and Dr. Kay Picart."— Presentation transcript:

1 Frank Kermode’s Poet and Dancer: Before Diaghilev Group 1 Stephanie Peck and Edited By: Laura Pratt and Dr. Kay Picart

2 Reformist Movement Paris 1909 Diaghilev and the Ballets Russes Correlation between prose and dance Bloomsbury Group Symbolist poetry and the “emblem of the Image” (Mester 3)

3 Sui Generis Lois Fuller “Symbol of Art itself” Dancing and dehumanization Become an expression of the soul Objectification into “an almost inhuman state” (Kermode 154)

4 Talk to Her Expressionism as a form of the primal essence of self ________________ Rejecting the cultural construction of dance Significance of ending the film with Ruth Amarante’s ‘Masurca Fogo'

5 Works Cited Kermode, Frank. “Poet and Dancer: Before Diaghilev.” What is Dance? Koritz, Amy. Gendering Bodies/ Performing Art. UP of Michigan, 1995. Mester, Terri. Movement and Modernism. Fayetteville, Arkansas UP. 1997. Talk to Her. Dir. Pedro Almodóvar. 2002.


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