Reflection Topic Reflect on your lighting project and answer the following questions: How did you do as a team? Did your design look like you wanted it.

Slides:

Advertisements

Similar presentations

Images provide visual messages that can represent the concerns and attitudes of the cultures from which they originate. DIRECTIONS: Analyze the following.

Advertisements

Careers in fashion. Trend Analyst Your job is to spot trends before the trend happens.

RE-TEACH AND RE-TEST 10/31/14 The Design Process and Vocabulary.

What is a costume? Costume includes all clothing, underclothing, hairdressing, makeup, and accessories, such as hats, scarves, fans, canes, umbrellas,

COSTUME DESIGN Costume Design 101.

Jobs in Theatre.

Costuming Theatre Arts.

COSTUME DESIGN COSTUME DESIGN 101. WHAT ARE COSTUMES? They are clothes that actors wear in a play. They help portray the character. Help the audience.

Stage-designing should be addressed to [the] eye of the mind. There is an outer eye that observes, and there is an inner eye that sees. —Robert Edmond.

Set Design Set Requirements Set Requirements Must be practical and usable Must be practical and usable Aesthetically pleasing to the eye—LOOKS GOOD Aesthetically.

THEATRE DESIGN Role of Technical Design Theatre design contributes to the overall presentation of the theatrical performance The following are the main.

Unit 3 Tech Notes. The Play Production Process The production of a play has two main parts – Performing – Technical In the end they will come together.

Costuming Academy Award Winners for Costume Design Harry Potter and the Sorcerer’s Stone The Devil Wears Prada Dreamgirls The Aviator.

Why do we dress the way we do?. Haute Couture Refers to high fashion, one of a kind designs.

PRODUCTION DESIGN OVERVIEW. PRODUCTION DESIGN Production Designers are responsible for the entire art department. They play a crucial role in helping.

DiversityDiversity Valuing. Objectives PS:A2 Acquire Interpersonal Skills PS:A2.1 Recognize that everyone has rights and responsibilities PS:A2.2 Respect.

Stage Directing Chapters 6,7 A Director’s Itinerary Michael Wainstein.

Stagecraft – Sylvan Hills High School.  Describe production style and stylization.  Identify and use the elements of design  Identify and use the principles.

AP/IB English 12: Part I Works Interactive Oral Literature in Translation.

Why Do People Wear Clothes?

Mr. French – Theatre I.  An author of plays, a dramatist.

Choosing and Caring for

COSTUME DESIGN. Costume Design  How important are the clothes you wear to you?  What is your favorite or coolest outfit or item of clothing that you.

Costuming a Show. Steps to Costuming a Show Read the Script Analyze Envision Collaborate Schedule Explore Your Resources Measure Find/Borrow/Make/Order/Buy.

Othello PRODUCTION NOTEBOOK Welcome to your Production Notebook project. Please follow these steps to get all the supplies to assemble your Production.

The Humanities: An Introduction to the Adventure The Arts.

RE-TEACH AND RE-TEST 10/31/14 The Design Process and Vocabulary.

FASHION TH AND 8 TH GRADE MRS. OLIVER Careers in the Fashion Industry.

Properties aka: Props. Props  What are props?  Props are all things handled by the actors or used to “dress” (decorate) the set.  Props help the audience.

Nurturing the Imagination “…the imagination is not just a faculty separate from the mind. It is the mind itself in its entirety…” —Gianni Rodari (1996,

Theatre Professions.

Production Organization and Management Staff

Theatre Design Bosley.

Properties aka Props.

Costumes & Make-Up. Costume Design Team Designing appropriate costumes for actors and actresses to present themselves on the stage Ordering and creating.

The Humanities: An Introduction to the Adventure The Arts.

10 Stage Costumes © Geraint Lewis Copyright © McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent.

The Level 1 Exam What do each of the underlined words mean? Describe the techniques, elements, conventions and technologies of drama in a new context.

European Theatre of the Middle Ages By Betty Bohmer.

What is a Costume Designer?. Journal 10/23/15 What is the importance of a Costume Designer in the Theatre Business? What do they do? Do you think the.

Costume Designer Chau Nguyen Fash 100 Chau Nguyen Fash 100 …and, action!

Costume Design Theatre Productions MVHS Fall 2008.

Elements of Drama.

Costume Design and Makeup Functions of Costume Design: Indicate gender and reflect age Reflect a character’s psychology Establish social and economic status.

Do Now: Read the article “Ages and Stages of Play.”

Character Costumes What do the clothes say about these people?

Costumes What the actors wear. Do clothes really make the man (or woman)? Costumes add a visual element that enhances the audiences understanding of the.

Theatre Organization and Jobs Chapter 1 Theatrical Design and Production Pages 6-21.

The costume designer’s art lies in effective interpretation,collaboration, and execution.

COSTUME DESIGN Costume Design 101. WHAT ARE COSTUMES? They are clothes that actors wear in a play. They help portray the character. Help the audience.

Forms of Creative Expression Mr. Terrell Humanities Seminar 2.

Lend me thy hand, And pluck my magic garment from me. The Tempest, William Shakespeare.

Acting By: Tyler labbe. Table of Contents Costumes ……… Back Stage ………………….……………. 3 Watch and Learn ……………………… 4 Reacting.

Introduction to Theatre

Technical theatre COSTUME DESIGN.

It’s good to be back! Please take out your notes and something to write with and be seated by the time the bell rings.

1 Style, Composition, and Design (Style/Stylization/Production Style)

People in Theatre Dianara Vazquez Theatre 9th grade

Production Roles! Oh my, there are so many.

Production Process & Jobs

Jobs in Theatre LA ARBOLEDA RAV YEAR 16/17 Isabel Vélez.

Costume design For the Stage.

Technical Elements of Design

COSTUME DESIGN.

Theatre professions. Theatre professions Director Job Description: A Theatrical Production Director visually interprets the script; guiding the actors.

Stage Craft LO: to identify aspects of stagecraft

Topic 3 He said the fashion show was wonderful.

MODULE :ADVANCE FASHION DESIGN TOPIC NO : 3 INTRODUCTION OF FASHION

Thought Jot How can where Native Americans lived tell us about how they lived? Hint: How can location effect the kind of clothes they wore, houses they.

Presentation transcript:

Reflection Topic Reflect on your lighting project and answer the following questions: How did you do as a team? Did your design look like you wanted it to? What would you have changed if you could have changed something? Who was the most valuable member of the team? Why? Who was the least valuable member of the team? Why? Rate your performance on the lighting project on a scale of 1 to 10 and explain.

Costume Design Introduction to Designing Costumes

Fashion vs. Costume Design Fashion Design: Creating a striking design that gives little thought into the personality of the person who will wear the clothes Follows what is currently in vogue, may look at history or may try to create something new. There may or may not be any stylistic consistency from one design to the next.

Fashion vs. Costume Design Costume Design: Provides a visual reflection of the personality and nature of each character at any given time in the play. Designs must exhibit unity: both among the other costumes and with the play as a whole Must provide information on the setting of the play: the historical period, the climate, the culture, etc.

Types of Costumes Character costumes Costumes are made for a specific character, and is derived from information in the script Historical period, socioeconomic status and occupations of the characters, etc. Decorative costumes Costumes that appear to be no more than decorative elements in the general stage picture.

Character Costumes Decorative Costumes

Information Provided by Clothes: Historical Period

Information Provided by Clothes: Age

Information Provided by Clothes: Gender

Information Provided by Clothes: Socioeconomic Status

Information Provided by Clothes: Occupation

Information Provided by Clothes: Climate or Season

Other Considerations for Costume Design Stereotypical Costuming Character Evolution Costume Stylization Interpretation of Period Interpretation of Color and Fabric

Practical Considerations to Costume Design Needs of the Actor Production Venue Budget Construction Demands of the Design Renting Buying Modifying Stock Costumes