Brick 2006 – Rian Johnson By Phoebe Farrington. Location(s)/Setting; The first location is the tunnel/sewer opening. It is very closed, dark and isolated.

Slides:



Advertisements
Similar presentations
Question 1 – In what ways does your media product use, develop or challenge forms and conventions of real media products? By Pooja Dhimmar.
Advertisements

COLLATERAL- Textual Analysis. Describe the Location(s) /setting A busy airport or some sort of public transport station and a loud taxi rank How is it.
MISE EN SCENE BRICK. By showing a close up of the boy’s eyes, this is a way of introducing his character to the audience. It is said that eyes are ‘the.
Michael Mann COLLATERAL, This is the opening title sequence of collateral.
We see a lot of recurring props in the sequence, they all seem to be focusing on photos, writing, books, small metal objects and cuttings from pictures.
Brick Opening Title Sequence. Mise-en-scene Locations/Settings The first setting that the audience sees is a storm drain, the location looks very isolated.
BRICK Holly Higgins. Setting The dark damp setting makes us feel un-comfortable. There is something to hide as it is in a palace that the public can’t.
Location/setting The very first shot is of a bedroom, the rest of the OTS appears to have no relevance to this shot and so leaves the audience with questions.
SE7EN Textual Analysis. Describe the Location(s) /setting  You don’t see the location/surrounding area in this opening title sequence;  However, it.
Mise en Scence Emily Hemmings. ‘’ Don’t Look Now’’ 1973 Nicolas Roeg.
Q2. How does your media product represent particular social groups? In our opening title sequence we have two main characters, the Antagonist and the protagonist.
Q1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? Emily Newell.
In the opening sequence the audience and introduced to the main characters and its made quite clear who the antagonist and protagonist are. We see typical.
Set at night in an imaginary city (Basin City) the scene is based on the top of an apartment block, on the open balcony. The characters are at a party,
Se7en Opening title sequence Analysis. Mise – en - scene Location and setting – The opening title sequence for se7en does not include any long shots of.
Collateral opening title sequence Analysis. Mise – en –scene Location and setting – At the beginning of the opening title sequence the character seems.
Shots/Frames From Our Opening Title Sequence ‘The Present Past’
Detailed Analysis on the open title sequence of Brick.
Q1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? By Daly Farrington Our opening title.
Analysis of Opening Title Sequences- Slide Show 3 Jane Lawrance Media Studies Varndean College.
Liam, Ryan and Jamie’s Pitch.. Act 1: In the first act we'll focus on character development of our main character by showing that he likes to be alone,
DONNIE DARKO DONNIE DARKO OPENING TITLE SEQUENCE.
Collateral Mise-en-scene LA airport Typical to thriller; Not often typical to thrillers as it isn’t a deserted/secluded area, however the busyness provides.
Brick OTS- Duncan Mortimore Director: Rian Johnson Release date: 2005.
Evaluation question 1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? by Mahli Macwana.
Brick Charlie Funnell. Character The main character in this scene is clearly an unpopular person because of the way he dresses which seems like he hasn’t.
By Naomi Adams BRICK Opening Title Sequence Analysis Director-Rian Johnson Release date- 20 th July 2009.
Shutter Island opening title sequence textual analysis (2010) directed by Martin Scorsese By Mahli Macwana View here:
Vertigo… By Alfred Hitchcock.
Thriller Film Opening Title Sequence Analyses ‘DRIVE’
Media evaluation – Question 1 JOE COQUET. Introduction Our film is a part of the thriller genre, with some elements crime in it too. This is a typical.
Question 1 The Long Game Our opening title sequence is very typical to the Thriller Genre. Indeed, the narrative involves the murder of female victim;
BRICK Opening Sequence Analysis Leah Walden. Setting (Mise- en- scene) 1)Storm drain The first location we see in the opening title sequence is a deserted.
BRICK- Textual Analysis. Describe the Setting & Location A small, dark drainage system- The tunnel is dark and some of the shots are unclear on what we.
Se7e n Textual analysis By Joe Coquet Directed by David Fincher Released 22 nd September 1995.
Brick Opening Title Sequence
Brick Textual analysis 9o 9o By Joe Coquet Directed by Rian Johnson.
Evaluation Question 1 Charlie Funnell. The Title of the film The title of our film, ‘The Long Game’, is typical of the Thriller genre, as it suggests.
EVALUATION QUESTION ONE… IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE THE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? By Phoebe Farrington.
Evaluation Question 1 – In what ways does your media products use, develop or challenge forms and conventions of real media products? By Chloe Sheppard.
‘In what ways does your media product use, develop or challenge forms and conventions of real media products?’
Opening Sequence Textual Analysis - Brick Brandon Jewell.
Question one: In what ways does your media product use, develop or challenge the forms and conventions of real media products? Frame Analysis By Luke Poore.
Evaluation Question 1 In what ways does your media product use, develop or challenge forms and conventions of real media products?
The first location seen is at a storm drain, an isolated remote area on the outskirts of town. Giving the feel the character is away from civilisation.
Evaluation Question 1 IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE THE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?
BRICK Opening Title Textual Analysis Release dateRelease date: April 7, 2006 (USA) DirectorDirector: Rian Johnson Rian Johnson.
Location The 3rd shot in the film is an establishing shot for the first scene, showing the location of a tunnel/sewer. Dark locations in scenes in which.
Hoodwink Opening Title Sequence Pitch By Katie, Rebecca and Andrew.
Question 1 Evaluation In what ways does your media product use, develop or challenge forms and conventions of real media products? (i.e.: of film openings)
Evaluation Question 1 In What Way Does Your Media Product Use, Develop Or Challenge Forms And Conventions Of Real Media Products? Hoodwink by Rebecca Bloomfield.
L O O P E R O P E N I N G T I T L E S E Q U E N C E.
Shutter Island OTS analysis Director: Martin Scorsese Release Date: 2010.
Mise-en-scène Initially the location is unknown as the viewer is presented with titles of production companies involved and a black screen in place of.
BRICK OPENING TITLE SEQUENCE ANALYSIS. Mise-en-scene & cinematography During the opening title sequence to the thriller ‘Brick’ there are three different.
Brick, 2005 Rian Johnson
In depth textual analysis of Brick’s O.T.S.
Setting/location The opening scene does not include any long shots of the room that the person is in but you would assume it is in an office of some sort.
SE7EN Opening Title Textual Analysis
QUESTION ONE In what ways does your media product use, develop or challenge the forms and conventions of real media products?
How does your media product represent particular social groups?
Analysis Opening Title Sequence Brick
Opening Sequence: Textual Analysis
COLLATERAL Opening Title Sequence.
Question 1 In what ways does your media product use, develop or challenge the forms and conventions of real media products?
In order to understand whether or not we have successfully reached our target audience, we showed our opening title sequence to several people who fit.
Neo-Noir Thriller Brick Ryan Evans.
Opening Title Sequence analysis. Dillon
Opening title sequence analysis
12/02/15 THRILLER 1.
Presentation transcript:

Brick 2006 – Rian Johnson By Phoebe Farrington

Location(s)/Setting; The first location is the tunnel/sewer opening. It is very closed, dark and isolated which is typical of the thriller genre because it creates a cold and unwelcoming atmosphere. It also has a blue tint and is very desaturated in particular scenes to make those locations look cold and dangerous. This is quite a big contrast to the following scenes. Next we see Brenden go to the school lockers, although the area is empty, school is associated with being a safe place (there is also noise in the back- ground, so there is no silence). The lighting is bright and neutral creating a more light-hearted atmosphere that isn’t so intense. Lastly we see the street, which is an isolated cross road that gives the impression that it’s a meeting place to make decisions. All these three settings are used to show a contrast and arise enigma’s such as why does it start at an unusual setting and then switch to such a normal setting such as a school.

Lighting/Colour Stock; The first scene’s colour is dark and bleak, it also has a blue tint which creates a mysterious element and also can be seen as depressing. The lighting is desaturated and has blue grading Throughout the majority of the film settings. This is typical of the thriller genre as they want the scenes to look cold and like they are in dangerous places.

In later scenes the lighting becomes quite light and uses natural light, which represents normality and just ordinary lighting, which is a massive contrast to the first scene. The bright lighting could also connote the times before the danger and conflict started. Even though the lighting suggests it should be normal, you still feel an atmosphere because you are anticipating something to go wrong, due to how the first scenes show what happens later in the film.

Costume/Appearance of Characters; Brenden looks young, laid back and ordinary. His clothes are just average jeans, t-shirt and jacket, which makes the impression that he is very ordinary, which is typical of the thriller genre because the common person normally ends up as a hero. His glasses also maybe infer weakness and that he is a bit nerdy – possibly an easy target. This is typical as the protagonist often has flaw, and the glasses could suggest this is Brenden’s flaw. Brenden is relatable to the audience because he is just an average teenager and the effect of his weaknesses may therefore have an effect on the audience to side with his protagonist character. Emily is wearing blue bangles, heels, a skirt and a white jumper which all suggests that she is quite fashion conscious, feminine and the white jumper may represent purity and innocence. It could also reflect her age. It shows she is an regular teenager who is fashion conscious. Again it infers ordinary people which is typical of the thriller genre. Also her bangles are blue, and the colour blue normally represents the cold, this may reflect the blue lighting in that scene. The bangles are also important, as they identify her in the flashback to her at the lockers. This links to the purpose of the opening title sequence because it wants you to automatically side with both protagonists and learn begin to learn about their character as it wants to introduce the characters in the OTS.

Props; The note that falls out of the locker sets up why the phone rings and also sets up a mystery, to hook and engage viewers so they will continue to watch. Also the fact that the note is hidden suggests she didn’t want anyone else to see it. This is typical of the genre because in thrillers you don’t know what is going on because the plot twists and changes constantly. However, the twists only give away some clues as so restrict the narrative, to keep the viewer intrigued. The public telephone is used to create an eerie atmosphere, which is also typical of the thriller genre. The public phone also shows Brenden in a very remote location which also creates that sense of uncertainty which is typical in the thriller genre. We also hear Emily’s voice for quite a long time even though we never see her which makes the viewer want to know why we cant see her and why she is calling him on a public film – this all contributes to the eerie feeling of the public telephone.

Props; The black muscle car is typical of the genre because it shows wealth, possibly through crime. Because the muscle car is black, the colour black has negative connotations. It also signifies power, most likely of a bad person and when the car speeds off that they are aggressive. Next, the lockers insinuate youth, school and a meeting place. This is typical of the thriller genre because it shows an ordinary place. The cigarette that is thrown out of the muscle car also has negative connotations, and could even give possible clues to the antagonist who may possibly be in the car that the cigarette was thrown out of.

Actors Performance; In the first scene Brenden is crouched down, with a straight face and staring really intently. He looks quite troubled and worried. This is typical of the thriller genre because they always seem troubled with the situation they are faced with and the battle he will undertake. The girl on the phones voice seems scared and agitated. She is also performing when she is lying down and we realise she is dead. Because Brenden is looking at the body, an enigma is created to which the audience wonder is Brenden the hero or the villain, which then rises an array of questions about his character. This has an effect on the viewer because you begin to question his role in the film and wonder why he is there and if he has caused the death. In later scenes Brenden looks quite awkward and doesn’t really express any emotion, this tells us that he has quite a low social status. It hints that the character is flawed which is also typical of the genre. The effect of his awkwardness on the audience is that they feel sorry for him and therefore begin to understand his character and persona which is the point of the opening title sequence which is to introduce the characters.

Characterisation/Narratives; The characters in Brick – Brenden and Emily – give us quite a lot of clues to the genre type. Because Brenden is an ordinary person and thrillers always use the protagonist as the main character. In thrillers, ordinary people are often the protagonist because they are the least expected to be involved with crime and unusual things happening. Also, the idea of extraordinary events taking place in ordinary places is typical of thrillers. This links to the purpose of the opening title sequence which is to hook the viewers and establish the genre. Also the dim lighting in the beginning of the scene shows that the film will be of the thriller genre. Also the remote yet urban settings suggest what type of film it will be.

Cinematography; The editing throughout the opening title sequence is very smooth and doesn’t use any jump cuts. It does this to create a gradual effect, to slowly move from shot to shot and introduce characters and locations progressively. The shot sequence is mainly linear, however it does flashback to previous scenes to show the events leading up to that first shot. This is to show more about the characters and slowly introduce them as opposed to it being quick and random. Close-ups are used quite frequently throughout the opening title sequence to show us quite a lot about clues, characters and locations, that hints at the narrative without giving too much away. Establishing shots are also used relatively heavily throughout, to individually introduce each location, as the opening title sequence switches settings a few times.

Sound; The sound in Brick’s opening title sequence is mainly sound added post production – non Diegetic, such as the soundtrack used. The soundtrack in Brick’s opening title sequence is quite a slow, drowsy and ringing. It does this to match the slow transitions into each shot, in the opening shot sequence. There are no lyrics in the soundtrack to really add to the element of secrecy in the opening title sequence. However, ambient sound is also used, such as when the locker is opened and when the note falls and hits the ground. It is also used when he opens the note and the people talking in the background when he is at the school. Sounds that have been added post production include, a dog barking and the phone ringing. Foley sound has also been added when the cars engine is revving, to really exaggerate the importance of the car.

Fonts; The fonts in Brick’s opening title sequences are relatively simple and plain, this is because they want to give as little as possible away about the narrative of the film, which is typical in the thriller genre. They also use a white font, maybe to suggest that the protagonist is innocent and that connotes within the innocence and purity in the white titles.