Posters Design and Composition Robin E. Hoffman, Faculty of Landscape Architecture Patrick Lawler, Faculty of Environmental Studies Ross Jacobs, Instructional Technology Service From Paper to Poster
Posters Design and Composition Today’s schedule 4:05 – 4:30Design and layout 4:30 – 5:00Text composition 5:00 – 8:00Working session
Posters Design and Composition ESF Poster & Ppt Web Sites Poster Design, Development and Production Resources Large Format Printing Information Tips for Better PowerPoint Presentations Digital Presentation Dos and Don'ts
Posters Design and Composition Advantages Fixed format Requires time and “construction” know- how May be difficult to transport Requires tack-up space
Posters Design and Composition Disadvantages Fixed format Requires time and “construction” know-how May be difficult to transport Requires tack-up space
Posters Design and Composition Essential pieces Composition and layout Text Graphs and charts Photographs Type/font style Color
Posters Design and Composition 48” 36” Composition and layout Abstract Conclusion Top Bottom Left to Right
Posters Design and Composition 36” 48” 3 Column layout 123 Title Big Idea Subtitle specifics provided Abstract Conclusion Methods Introduction Results
Posters Design and Composition 48” 36” 5 column layout Showing A Cyclical Process Abstract Conclusion
Posters Design and Composition 36” 48” Asymmetrical layout Title Big Idea Subtitle specifics provided Abstract Conclusion Methods Introduction Results
Posters Design and Composition Type Your choice of type, and the way you use it, plays a major role in the success of your presentation.
Posters Design and Composition Type Avoid clichés: typeface establishes tone of poster Weight contrast: light, medium, bold Capitalization: MAY BE DIFFICULT TO READ Contrast: Maximize foreground t o background contrast
Posters Design and Composition Develop a Type Hierarchy Title to be largest/boldest Text to be simple, easy to read Labels for table, charts and photos to be smallest Chart 4: Comparison of Seasonal Growth Patterns in Rubus
Posters Design and Composition Color Hue: another name for color Chroma: the brightness or dullness of a color Value: the lightness or darkness of a color
Posters Design and Composition Primary colors RedYellow Blue
Posters Design and Composition Secondary Colors Two primary colors mixed together Orange Green Violet
Posters Design and Composition Color Tint: color + white Tone: color + gray Shade: color + black
Posters Design and Composition Warm Colors Exciting, advancing
Posters Design and Composition Cool Colors Calming, receding
Posters Design and Composition Complementary Colors Opposite on the color wheel Highest, striking contrast
Posters Design and Composition Color Tint, tone, or shade “it down” Reduce harshness Reduce eye strain
Posters Design and Composition Color Mono-chromatic colors: using any shade, tint or tone of one color
Posters Design and Composition Color schemes Showing A Cyclical Process Abstract Conclusion
Posters Design and Composition Color schemes Showing A Cyclical Process Abstract Conclusion
Posters Design and Composition Color Website addresses: Interactive color wheel: How the eye works to perceive color and the 3 properties of color: General color information:
Posters Design and Composition Lost in space?
Posters Design and Composition Portable and flexible
Posters Design and Composition No question
Posters Design and Composition Primary colors
Posters Design and Composition Patrick’s turn
Posters Design and Composition Discover the story A graphic novel Incorporating the visual and the verbal Illustration by Garth Williams, from E. B. White’s novel, Charlotte’s Web
Posters Design and Composition Consider narrative techniques Theme Plot Point of View Setting Suspense & Foreshadowing (purpose, meaning, essence) (beginning, middle, and end) (perspective) (place) (your question)
Posters Design and Composition SHOW. DON’T TELL. Illustration by Garth Williams, from E. B. White’s novel, Charlotte’s Web
Posters Design and Composition When working with the text for your poster, keep the following in mind: Discover the story Use parallel structure Keep text to a minimum Create coherence Decide contextual matters Consider transitions Tell a story
Posters Design and Composition THE END. Illustration by Garth Williams, from E. B. White’s novel, Charlotte’s Web