Legal and copyright issues: experiences and advice Morag Greig.

Slides:



Advertisements
Similar presentations
Copyright Issues Pauline Simpson Head of Information Services Southampton Oceanography Centre (with acknowledgement to Morag Greig, Univ Glasgow) OdinPubAfrica.
Advertisements

Enlighten: Glasgows Universitys online institutional repository Morag Greig University Library.
Making Your Research Open Access: What you need to know National Biomedical Research Unit in Hearing 15 th November 2010 Willow Fuchs Centre for Research.
Richard Jones The Edinburgh Research Archive The Edinburgh Research Archive: ERA Institutional Repository Theses & Dissertations Conference Papers/Posters.
Advocacy and IPR tutorial Morag Greig Advocacy Manager: Enlighten Glasgow University Library Open Scholarship th October, 2006, Glasgow.
Electronic theses and copyright Janet Aucock Head of Repository services March 2014.
Researcher Decision Tree – ‘Green’ or ‘Gold’? How to meet the UK Research Councils’ requirements on Open Access This slide pack contains 3 versions of.
Open Stirling: Open Access Publishing and Research Data Management at Stirling Monday 25 th March 2013 Michael White, Information Services STORRE Co-Manager/RMS.
LIBRARY SERVICES Publishing your digital thesis via QUT ePrints Contact: Paula Callan
Document Repositories and the copyright issue Marc Goovaerts Hasselt University Library ODIN-PI TRAINING OSTENDE, May 2008.
Open Access, Research Funders and the Research Excellence Framework Open Access Team, Library.
Open Access, Research Funders and the REF Open Access Team, Library.
Open Access What’s Happening? Nia Wyn Roberts, March 2015.
Title of presentation - Your name Audience – Date.
Open Access Policies in Scotland and the UK Morag Greig, University of Glasgow.
Project RoMEO Funded by the UK Joint Information Systems Committee (JISC) Romeo and Juliet,1884 by Sir FrankDicksee ( )Southampton City ArtGallery,
Copyright management in open access projects Iryna Kuchma Open Access Programme Manager Attribution 3.0 Unported.
Gaining Momentum for Open Access Bas Savenije, Director General KB Tartu, Open Access Week 2011, 28 October 2011.
____________________________________________________________________ _____________________________________________ WEILL CORNELL MEDICAL LIBRARY
QUT Library CRICOS No.00213J Division of Technology Information and Learning Support Keys to Success: Repository Policies and Copyright Management This.
Intellectual Property in the Digital Age Series “Don’t I Own My Own Work?” Negotiating to Keep Your Copyright Intellectual Property in the Digital Age:
Protecting Your Scholarship: Copyrights, Publication Agreements, and Open Access Harvard University Office for Scholarly Communication May 11, 2009 Kenneth.
Method: systematically gather citations by KU faculty and approach those faculty for permission to deposit on their behalf articles published in journals.
Practical Advice Morag Greig Advocacy William J Nixon Service Development DAEDALUS Workshop – 27 June 2005.
CRICOS No J a university for the world real R Managing the legal issues: practical steps for handling copyright, IP and other legal issues Kylie.
Class 3 Finding theses, conferences and research publications.
Copyright: perspectives from the repository coalface Morag Greig Advocacy Manager- Enlighten University of Glasgow.
Open Access The Basic Terms Ozden Sahin Repository Coordinator Goldsmiths Research Online.
Copies, Copyrights, and Bother Difficult Details of the NIH Public Access Process Elizabeth E. Kirk, Dartmouth College.
Open Access and Research Data Management: Information for PGR Supervisors Open Access and Data Curation team 17 th February 2015.
© Imperial College London Imperial College’s Digital Repository Spiral Philippa Hatch Project officer 2008.
 A Primer for Higher Education in disseminating Management Research Data Arnold Mwanzu Rodney Malesi.
MODULE 3 - Exploring the Open Access landscape: how to make use of OA.
Copyright transfer in a transitional time: Karla Hahn, Ph.D. Collection Management Team Leader University of Maryland Libraries A perspective.
This project is part of the JISC FAIR programme The Copyright Conundrum: how to populate your repository and stay legal SPARC Workshop, 18-19th November.
Open Access Opportunities, Policies & Rights IAS ACE Programme 19 November 2015.
Traditional Distribution Electronic Distribution User Florida Entomologist Issues Reprints FTP.
Open Access and the Research Excellence Framework
Open Access - from a Library perspective Susan Ashworth, University of Glasgow Library.
O PEN A CCESS : AN INTRODUCTION Open Access & Data Curation Team.
The balancing act : balancing copyright and open access eIFL.net in co-operation with the Research Library Consortium Institutional repositories : a workshop.
Your rights to your published work: a workshop addressing these questions: 1. “Can I post my publications in full text on… my web site my departmental.
Open Access & REF202*.  Green OA  Deposit of pre-print or post-print of accepted paper for publishing within a repository.  Gold OA  Published version.
Research Outputs - Services for Staff and Students Valerie McCutcheon
Filling institutional repositories: considering copyright issues Susan Veldsman eIFL Content Manager
Managing eCopyright within Institutional Repositories Institutional Repository Workshop 1 – 3 April 2009 Presented by
The Glasgow Experience: From DAEDALUS to Enlighten William J Nixon and Morag Greig Glasgow University Library IUA Librarians Group, 20 th February 2007.
Legal Issues Repositories Support Project Winter School, New Lanark Thursday 26 th February 2009 Morag Greig, Advocacy Manager (Enlighten) University of.
Author Rights Paul Royster November 1, 2012 UNL Engineering Library.
Complying with HEFCE open access requirement for eligibility to REF2021 submission How to create a record in Pure and upload your ‘Author’s Accepted Manuscript’
Course Pack Production at HKIEd HKIEd Library 20 Jun 2013.
Copyright and RoMEO RSP Summer School Jane H Smith Services Development Officer, SHERPA
Title Rachel Proudfoot White Rose Research Online
You Know What You Write, But Do You Know Your Rights? Understanding and Protecting Your Rights As an Author Jill Cirasella The Graduate.
UCF Libraries - Scholarly Communication Lily Flick & Sarah Norris June 9, 2016 Using SHERPA RoMEO: Finding policies for self-archiving articles.
TOM ADAM MONICA FAZEKAS BRUCE FYFE JOANNE PATERSON JANUARY 14, 2014 Author Rights.
Course Pack Production
EIFL Licensing Training 2: EIFL LICENCE AGREEMENTS
Morag Greig, Advocacy Manager (Enlighten) University of Glasgow
Copyright and Open Licensing
Copyright and Open Licensing
Jennifer Duncan, Head of Collections
Institutional Repository and Friends
The DAEDALUS Project: Filling the repositories
SFU Open Access Policy Endorsed by Senate January 9, 2017
An Introduction to Open Access and Research Data Management
CARL Guide to Author Rights
Copyright and Open Licensing
Presentation transcript:

Legal and copyright issues: experiences and advice Morag Greig

Outline How does copyright affect repositories? Institutions and copyright Publishers and copyright Publisher conditions Copyright checking process at Glasgow Experiences with publishers OA journals and copyright Licensing schemes

How does copyright affect repositories? Many repositories contain published material All material has a rights holder In the UK the rights holder for journal articles is often not the author(s) but the publisher The rights holder controls what acts are permitted in relation to the publication, i.e. what people can do with it. Where authors do not hold the copyright to their articles they may be restricted in what they can do with them

Institutions and copyright UK situation is that although in theory institutions hold copyright for publications produced by academics in the course of their work, in practice most institutions do not assert this right Publishers are therefore able to ask authors to assign copyright to them This would not be possible if institutions exercised their rights, but most institutions are reluctant to do this – seen as being controversial Publishers do not need copyright assignment to publish Work done on persuading authors to amend copyright agreements or submit their own licenses to publishers

Publishers and copyright Until recently, the rights of authors were limited if they had assigned copyright to a publisher Authors were not always permitted to distribute articles, to re-use them as e.g. a book chapter or to adapt them Many copyright agreements did not include any author rights to make their articles available online

Recent developments Over the past 2-3 years publishers have become much more aware of the OA movement Publishers have come under pressure to grant more rights back to authors, in particular the right to deposit a copy of the articles in a repository Some publishers grant this right back to authors ; others allow authors to sign less restrictive agreements, sometimes called ‘license to publish’ rather than ‘copyright transfer agreement’

Publisher conditions Most publishers only permit authors to deposit their own final version of articles and not the publisher formatted PDF version Some publishers only permit deposit after an embargo period, e.g. 6 months or a year after publication Some publishers will permit deposit in institutional repositories but not in subject repositories

Problems with publisher conditions Many authors keen to deposit older material However, most did not have suitable versions of their articles – only the publisher versions Some authors were not happy about making their own versions of papers publicly available Some authors were discouraged by embargo periods

Copyright checking process Repository staff check copyright agreements relating to all material deposited Main source of information is SHERPA- RoMEO database of publisher policies ( If a publisher is not included we check publisher web sites If no information is available we contact publishers directly to seek permission

Experiences with publishers Not all publishers reply to requests for permission We send follow up requests If we receive no reply we do not make material available in the repository Sometimes publishers are more likely to respond if authors contact them directly Some publishers have asked for payment, which we have declined! Some publishers say no

Copyright and OA journals OA journals do not ask authors to assign copyright to them Instead they generally ask authors to grant them a non-exclusive license to make articles available Authors are generally free to do what they wish with their papers

Creative Commons licenses If authors are making their own work available rather than publishing it via any sort of publisher they may wish to attach a license to it This will indicate to end users what they can and cannot do with the material One scheme which permits authors to attach a license to their work is the Creative Commons scheme Licenses have been developed for many countries worldwide

Open access and copyright: some outcomes Open access has made authors more aware of the fact that in many cases they were not on control of their work Open access has encouraged them to be more active in controlling their work Publishers were forced to recognise that authors were not happy with the current set up, and have had to change their policies in this area After all, if authors did not submit articles to journals there would be no journals!