Superposition and Wave Interference

Slides:



Advertisements
Similar presentations
Wave interactions.
Advertisements

Copyright © 2008 Pearson Education Inc., publishing as Pearson Addison-Wesley Wave interference, boundaries, and superposition Waves in motion from one.
Phys 250 Ch15 p1 Chapter 15: Waves and Sound Example: pulse on a string speed of pulse = wave speed = v depends upon tension T and inertia (mass per length.
Beats  Different waves usually don’t have the same frequency. The frequencies may be much different or only slightly different.  If the frequencies are.
Cutnell/Johnson Physics 8th edition Reading Quiz Questions
Chapter 14 Sound. Using a Tuning Fork to Produce a Sound Wave A tuning fork will produce a pure musical note A tuning fork will produce a pure musical.
Test Physics 202 Professor Lee Carkner Lecture 10.
Superposition and Interference Chapter 17. Expectations After this chapter, students will:  understand the principle of linear superposition  apply.
The Principle of Linear Superposition and Interference Phenomena
The Principle of Linear Superposition and Interference Phenomena CHAPTER 17 Interference Constructive and Destructive Interference: BEATS Standing Waves:
Resonance in Air Columns. Closed Air Columns Column that is closed at one end and open at the other.
Waves and Sound AP Physics 1. What is a wave A WAVE is a vibration or disturbance in space. A MEDIUM is the substance that all SOUND WAVES travel through.
Wave Changes.
Waves.
Ch 20 SOUND Sound is a compression wave in an elastic medium. These can include solids, liquids and gases or a plasma.
Chapter 14 Superposition and Standing Waves 2 Waves vs. Particles Particles have zero sizeWaves have a characteristic size – their wavelength Multiple.
Standing Waves When an incident wave interferes with a reflected wave to form areas of constructive and destructive interference. When an incident wave.
THE PHYSICS OF MUSIC ♫. MUSIC Musical Tone- Pleasing sounds that have periodic wave patterns. Quality of sound- distinguishes identical notes from different.
Chapter 12 Objectives Differentiate between the harmonic series of open and closed pipes. Calculate the harmonics of a vibrating string and of open and.
L 23 – Vibrations and Waves [3] resonance  clocks – pendulum  springs  harmonic motion  mechanical waves  sound waves  golden rule for waves Wave.
L 22 – Vibrations and Waves [3] resonance  clocks – pendulum  springs  harmonic motion  mechanical waves  sound waves  golden rule for waves Wave.
The Principle of Linear Superposition and Interference Phenomena CHAPTER 17 Interference Constructive and Destructive Interference: BEATS Standing Waves:
Diffraction What happens when a wave encounters an obstacle or opening? It ``bends’’ around it. Consider a wave front (a wave in 2D) viewed from above.
L 23 – Vibrations and Waves [3]  resonance  clocks – pendulum  springs  harmonic motion  mechanical waves  sound waves  golden rule for waves 
Sound Waves Sound waves are divided into three categories that cover different frequency ranges Audible waves lie within the range of sensitivity of the.
13.3. Harmonics A vibrating string will produce standing waves whose frequencies depend upon the length of the string. Harmonics Video 2:34.
Wave Changes.
Ch 17. Principle of Linear Superposition and Interference Phenomena When the pulses merge, the Slinky assumes a shape that is the sum of the shapes of.
Sound Waves. Review Do you remember anything about _______? Transverse waves Longitudinal waves Mechanical waves Electromagnetic waves.
Chapter 17 The Principle of Linear Superposition and Interference Phenomena.
Copyright © 2010 Pearson Education, Inc. Lecture Outline Chapter 14 Physics, 4 th Edition James S. Walker.
Chapter 12 Section 3: Harmonics.
Ch17. The Principle of Linear Superposition and Interference Phenomena
Lecture Outline Chapter 13 College Physics, 7 th Edition Wilson / Buffa / Lou © 2010 Pearson Education, Inc.
Lecture Outline Chapter 13 College Physics, 7 th Edition Wilson / Buffa / Lou © 2010 Pearson Education, Inc.
L 23 – Vibrations and Waves [3]  resonance   clocks – pendulum   springs   harmonic motion   mechanical waves   sound waves  golden rule for.
14-6 The Doppler Effect The Doppler effect is the change in pitch of a sound when the source and observer are moving with respect to each other. When an.
Longitudinal Standing Waves antinodes (max. vibration) nodes (no vibration)
Pipe Instruments (Ex. Flutes, trumpets, pipe organs)
Superposition and Standing Waves
L 22 – Vibrations and Waves [3]
L 23 – Vibrations and Waves [3]  resonance   clocks – pendulum   springs   harmonic motion   mechanical waves   sound waves  golden rule for.
Waves Wave - rhythmic disturbance that carries energy through matter or space. ex: water, sound, rope, springs, electromagnetic wave pulse - single disturbance,
1 L 23 – Vibrations and Waves [3]  resonance  clocks – pendulum  springs  harmonic motion  mechanical waves  sound waves  golden rule for waves.
The Principle of Linear Superposition and Interference Phenomena CHAPTER 17 Interference Constructive and Destructive Interference: BEATS Standing Waves:
Chapter 15: Wave Motion 15-2 Types of Waves: Transverse and Longitudinal 15-3 Energy Transported by Waves 15-4 Mathematical Representation of a Traveling.
 Wave energy depends on amplitude, the more amplitude it has, the more energy it has.
15.1 Properties and Detection of Sound Interference of sound waves.
FCI. Faculty of Computer and Information Fayoum University FCI.
1 Transverse Standing Waves The Principle of Linear Superposition Chapter 17 Lesson 2.
Traveling Waves Standing Waves Musical Instruments Musical Instruments all work by producing standing waves. There are three types of instrument.
Adding waves can be positive or negative.. Superposition  When two (or more) waves interfere (meet… they’re at the same place at the same time) the resultant.
Music Music is a “ pleasant ” sound (longitudinal) wave. The pitch is the frequency of the wave. The loudness is the amplitude of the wave. Music is made.
WAVES AND SOUND AP PHYSICS 1. TYPES OF WAVES Transverse waves- Particles move perpendicular to the waves motion Longitudinal Waves (compression waves)-
Waves 1 The Transfer of Energy. The Basics: A λ d(m) (#λ or m) d = displacement Amplitude = max displacement from origin λ = wavelength (in m) f = frequency.
L 22 – Vibrations and Waves [3]
Musical Instruments.
Unit 10: Part 1 Waves.
Waves 1 The Transfer of Energy.
antinodes (max. vibration)
Waves.
The Principle of Linear Superposition and Interference Phenomena
Standing waves.
Standing Waves Waves and Sound
Chapter 17 Goals: Understand the principle of superposition.
Principle of Linear Superposition and Interference Phenomena
14-7 Superposition and Interference
The Principle of Linear Superposition and Interference Phenomena
Combining results gives us the case where both observer and source are moving:
Presentation transcript:

Superposition and Wave Interference IB Physics Superposition and Wave Interference

What happens when two waves are present at the same place at the same time? Web Link: Wave Interference

The Principle of Superposition The net effect = The sum of the individual effects For waves: The resulting wave = the sum of the individual waves This applies to all waves: water, light, sound, etc.

Interference of Sound Waves Imagine two speakers, each playing a pure tone of wavelength 1 meter: 3 m 3 m

This is called Constructive Interference We also say that these two waves are In Phase

Now suppose the listener moves: What does he hear now??

He moves again: 3.5 m 6 m Path length difference = 2.5 m = 2.5  off by ½ wavelength

This is called Destructive Interference We also say that these two waves are Exactly Out of Phase

Ex: Noise canceling headphones

If you’re standing in a place where destructive interference is occurring, where did the energy of the sound waves go? Is energy still conserved in this case?? Web Link: Interference patterns

Interference Summary path 1 path 2 If the difference in path lengths is……… 0, 1, 2, 3, etc…… Constructive ½ , 1½ , 2½ , etc…… Destructive

Ex: If these two speakers are each playing a 412 Hz tone, and the listener is standing 3.75 m away from one and 5.00 m away from the other, what does he hear?

Diffraction – The bending of a wave around an obstacle with diffraction without diffraction Web Link: Diffraction Why does a wave bend?? Huygen’s Principle – Every point on a wavefront acts as a new spherical source Web Link: Huygen’s Principle

All waves exhibit diffraction, including light So why can’t you see around corners? The extent of diffraction is determined by this ratio: tiny for light larger for sound (better dispersion) wavelength size of obstacle

Huygen’s principle + math = ………… For a single slit (or doorway) of width D : D  Angle of 1st diffraction minimum Web Links: Diffraction of light Sun diffraction For a circular opening of diameter D : D  Angle of 1st diffraction minimum

Remember Constructive and Destructive Interference? So far, we’ve only looked at interference between waves of the same frequency. What if the frequencies are slightly different? We can still use Superposition to add them

fbeat = f1 – f2 The beat frequency of an additional loudness wave Web Links: Sound Beats, Beats Ex: Piano Tuning

Transverse Standing Waves Hits the wall and bounces back If the frequency is just right, an integral number of these fit on the string, and we have Resonance Web Link: Transverse Standing Wave There are actually a number of different frequencies that will result in a standing wave

nodes (no vibration) antinodes (max. vibration)

In the previous example, the string was fastened to the wall: Hard Reflection: inverts the wave Soft Reflection: the wave returns upright If it had been loose instead: This creates an antinode at the end This creates a node at the end Web Link: Hard & soft reflections

back to…… Harmonics- Natural frequencies of the system (f1, f2, f3, etc.) fundamental frequency

Ex: The Cello The C-string on a cello plays a fundamental frequency of 65.4 Hz. If the tension in the string is 171 N, and the linear density of the string is 1.56 x 10-2 kg/m, find the length of the string.

We can derive a formula to calculate all of the harmonic frequencies for any string: Web Link: String Harmonics

Longitudinal Standing Waves nodes (no vibration) antinodes (max. vibration) Web Link: Longitudinal standing wave

When air is blown over a bottle, it creates a standing longitudinal (sound) wave Remember, this is a longitudinal wave even though we draw it like this to visualize the shape. open end: antinode vibrating air molecules closed end: node

You can also ring a tuning fork over a bottle or tube, and if it creates wavelengths of just the right length, you’ll get a standing wave (loud sound).

Just like we did for strings, we can also derive a formula to calculate…… The Harmonic Frequencies for a tube open at one end speed of sound odd harmonics only

Standing waves can also occur in a tube that is open at both ends

Harmonic Frequencies for a tube open at both ends Web Link: Flute

Ex: Find the range in length of organ pipes that play all frequencies humans can hear. Assume that the organ pipes are open at both ends, and they each play their fundamental frequency.

Complex Sound Waves Musical instruments play different harmonics at the same time Web Links: String Harmonics, Flute f1 f2 f3 = Shape identifies the instrument

The shape of a vocal sound wave tells us who’s singing (or who’s on the other end of the phone)

Now imagine starting with the complex sound wave, and trying to separate it into sine waves: f1 f2 f3 = Fourier Analysis Any periodic wave form can be represented as the sum of sine waves. Web Link: Fourier series