Digital Media & Cultural Heritage Conservation School of Communication, SFU, Fall 2006 Professor: Jan Marontate Clip of Bill Viola Video.

Slides:



Advertisements
Similar presentations
Collective Conversations and the use of narratives at the Manchester Museum Abby Stevens.
Advertisements

Digital representations of media art related audiovisual materials in online catalogues and archives across various platforms Annika Räim Krystyna Biernawska.
Participants & Partners  190+ individual researchers  State Library of New South Wales  State Library of Victoria  Australians Studying Abroad  St.
Global Art Forum Building Museums Presentation by Gail Dexter Lord, President Lord Cultural Resources Doha, Qatar March 2009.
Can public libraries & their users benefit & profit from Europeana ?
LOOKING AHEAD PLAN The Department For Museums The Israeli Ministry of Culture.
Collective Memory and Public Discourse School of Communication, SFU, Spring 2007 Professor: Jan Marontate Exhibition of Storefront Display covered with.
IPUP YORK Institute for the Public Understanding of the Past Founding Director, Professor Helen Weinstein A NEW APPROACH FOR A NEW INSTITUTE.
Week 8: Tangible and Intangible Cultural Heritage in Memories of the World Projects Living culture, Endangered culture, & heritage preservation Students.
Cultural policy and Australia’s cultural heritage: Issues and challenges in the GLAM landscape Wendy Davis and Katherine Howard Faculty of Science and.
Week 4: Time-Based Media and Cultural Heritage Initiatives in Institutional Contexts: Questions of Mission and Constraint.
Methods, Sites and Sources for Studying Discourse about Commemoration and Silencing Professor: Jan Marontate Visitors to “The wall”, The Vietnam Veterans’
Why study Art History & Visual Culture at Exeter? -Unique combination of art history and visual culture -Extensive range of modules taught by experts in.
LIMITLESS POTENTIAL | LIMITLESS OPPORTUNITIES | LIMITLESS IMPACT Copyright University of Reading IMPACT AND THE ARTS AND HUMANITIES Anthony Atkin (Research.
Mobilising MOSI: Revolution Manchester iMu tours European EMu Users Group Meeting Beamish 22 April 2010.
Week 7 Managing eLearning. “...an approach to teaching and learning that is used within a classroom or educational institution... It is designed to.
The Archive as Leader Challenges and Opportunities at National Archives of Solomon islands 2012 Catherine Green.
Processes & Social Forms of Remembering & Shaping Memories Collective Memory and Public Discourse School of Communication, SFU, Spring 2007 Professor:
Saffell Street Elementary Arts and Humanities Program Review Portfolio.
SEVILLA, 30TH/09, 1ST -2ND /10/13. Project Transnational Cofinanced by European Regional Development Fund (ERDF) Framework the European Territorial Cooperation.
FAEA Conference October Art Teachers will….. * understand the importance Visual Arts participation has on academic performance. * understand the.
Hertfordshire Archives and Local Studies (HALS) Julie Gregson Head of Heritage Services.
MEDIA LITERACY: a European approach Aviva SILVER - DG Information Society and Media Unit A2 MEDIA programme and media literacy Brussels, 4 December 2007.
MUSEUMS FOR TOMORROW a new era a new vision a new approach November 2005.
Inequalities, Personal Accounts & Collective Memories Professor: Jan Marontate Falling Man.
Collective Memory and Public Discourse School of Communication, SFU, Spring 2007 Professor: Jan Marontate Exhibition of Storefront Display covered with.
An Introduction video provided by UniSA’s MDU will be shown before each presentation – click below to see an example. (no action required from presenters)
Week 3: Visual Images & Text as Cultural Heritage: New Approaches to Documentation & Conservation.
Imaging Pittsburgh: Creating a Shared Gateway to Digital Image Collections of the Pittsburgh Region IMLS 2002 National Leadership Grant Library & Museum.
Memory and Migration (Brussels) 2010 – 2011, Social Art Network Grundtvig workshop, Iasi, Romania, 25th May-1st June 2012.
AP’S EUROPEAN PROJECT SEMESTER A challenging innovation lab for future professionals.
CALIMERA: Co-ordination Action Cultural Applications: Local Institutions Mediating Electronic Resource Access.
Partnership for New York’s Cultural Heritage New York’s IMLS Connecting to Collections Planning Project A statewide survey of New York cultural heritage.
“Telling the Army Story – One Soldier at a Time” Army Heritage and Education Center.
Facilitating the transition from academia to the workplace Theano Moussouri, Archaeology UCL Colloquium, 23/06/09.
Gra 6820 Strategic Choice Syllabus Fall Objective To provide a comprehensive perspective –the theory and art of strategic decision-making Perspective.
Social There are about 6000 communities/languages in the world, which means there are numerous different values, beliefs, practices and expressions.
Archives, Libraries, Museums: Possibilities of Co-operation within the Enwirinment of the Global Information Infrastructure - Croatian experience Vlatka.
Curating transitive verb to organize and choose the items in an exhibition at a museum or gallery transitive verb to organize and choose the items in a.
DIFFERENT PEOPLES, ONE WORLD Concluding Lecture: So are Multicultural Societies necessary? HARI SRINIVAS ROOM: I-312 / Studies in Multicultural.
Students are to get into groups of 2 or 3. Define Social Media.
Alison Prince Bodleian Libraries Web Manager Practical tips for creating online exhibitions Peter Pavement Surface Impression.
Review to Date… November 8, What is literacy? We defined literacy and different types of literacy on the web. We also defined this in class We did.
In touch with our cultural heritage How museums, historic sites, libraries and archives can support the Welsh Baccalaureate.
London Museum Development Volunteer Training Bank: Introduction to Museums.
BUS 644 Week 6 DQ 1 To purchase this material link 644/BUS-644-Week-6-DQ-1 For more courses visit our website
BUS 660 Week 1 Assignment Developing Leaders at UPS Developing Leaders at UPS Read and answer the questions to the UPS case study. Submit your answers.
BUS 660 Week 3 DQ 1 To purchase this material link 660/BUS-660-Week-3-DQ-1 For more courses visit our website
BUS 660 Week 6 Assignment Research Paper To purchase this material link 660/BUS-660-Week-6-Assignment-Research- Paper.
BUS 660 Week 6 DQ 1 To purchase this material link S-660/BUS-660-Week-6-DQ-1 For more courses visit our website
CJA 314 Week 3 Individual Examining Theory Paper To purchase this material link Week-3-Individual-Examining-Theory-Paper.
IT 244 Week 2 DQ 2 To purchase this material link 244-Week-2-DQ-2 For more courses visit our website
IT 244 Week 3 Business Continuity Disaster Recovery To purchase this material link Week-3-Business-Continuity-Disaster-Recovery.
IT 244 Week 4 Cyber Crime To purchase this material link Week-4-Cyber-Crime For more courses visit our website.
IT 244 Week 7 Access Control Cryptography To purchase this material link 244-Week-7-Access-Control-Cryptography.
IT 244 Week 9 Capstone Malware To purchase this material link 244-Week-9-Capstone-Malware For more courses visit.
LAW 421 All DQ's (Week 1 to Week 5) To purchase this material link 421-All-DQ For more courses visit our website.
LAW 421 Complete Class To purchase this material link 421/LAW-421-Complete-Class For more courses visit our website.
LAW 421 Week 1 Reflection To purchase this material link 421/LAW421Week1Reflection For more courses visit our website.
LDR 300 Week 1 Summary To purchase this material link 300/LDR-300-Week-1-Summary For more courses visit our website.
LDR 300 Week 2 Summary To purchase this material link 300/LDR-300-Week-2-Summary For more courses visit our website.
LDR 300 Week 3 Summary To purchase this material link 300/LDR-300-Week-3-Summary For more courses visit our website.
LDR 300 Week 4 DQ 2 To purchase this material link Week-4-DQ-2 For more courses visit our website
LDR 300 Week 4 Summary To purchase this material link 300/LDR-300-Week-4-Summary For more courses visit our website.
ART 101 Week 2 DQ 1 To purchase this material click below link Review the New York City Department.
ACC 421 Week 2 Individual Assignment P1, P2, P3, P4 To purchase this material link Week-2-Individual-Assignment.
Born Digital 2016: generating public interest in digital preservation
History 9808A: Digital Public History
Museums and Libraries Collaborating Online Lourdes Santamaría-Wheeler,
Building a Course with Emerging Technologies
Presentation transcript:

Digital Media & Cultural Heritage Conservation School of Communication, SFU, Fall 2006 Professor: Jan Marontate Clip of Bill Viola Video

Cultural heritage & communication cultural values & practices as heritage cultural values & practices as heritage –Identity politics –Knowledge, beliefs & practices –Policies & institutions constitution of records of lived experience and creative practices for future generations constitution of records of lived experience and creative practices for future generations –Collective memory & amnesia Challenges & Opportunities afforded by time-based media Challenges & Opportunities afforded by time-based media

Focus on Case Studies in assignments with links to debates, theories & policies

Course Administration Handout # 1: Syllabus, Grading, Schedule, Course Website Handout # 1: Syllabus, Grading, Schedule, Course Website Handout # 1Course Website Handout # 1Course Website Exhibition of Storefront Display covered with toxic dust from September 11, 2001, New York City. Source NYTimes, Aug. 25, 2006Source NYTimes

Readings & Fieldwork Weeks 1,2,3 (Handout #2 Weeks 1,2,3 (Handout #2Handout #2Handout #2

Next Day: Communication & Cultural Heritage--Principles of cultural heritage preservation

Today: Museum visit Think about Think about –Objects & audiences (visitors) –Objects & stakeholders –The museum “system” –Material culture & meanings

Recall: Bill Viola clip (migration)

Haida cultural heritage & contemporary society? Planning the museum visit: Vancouver Art Gallery Planning the museum visit: Vancouver Art GalleryVancouver Art GalleryVancouver Art Gallery Think about Think about –The museum visit as a form of communication (from the perspective of the visitor, the museum professionals & the people depicted) –The “content” of the exhibition –The museum as a frame or cultural context (other shows, shop items etc.)

Getting to the Vancouver Art Gallery: 750 Hornby Street – Meet in the lobby at 11