Art of Republican and Imperial Rome Honors Humanities.

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Presentation transcript:

Art of Republican and Imperial Rome Honors Humanities

Overview Roman art is closely influenced by Greek art and both sculpted mostly in marble. Romans, however, did develop their own style and thematic emphasis. Greek artists are famous for their idealistic portrayals of the youthful person. Ancient Greek themes dealt much with gods and heroes. The Romans are known for their realism. Most sculptures are of the rich, famous and powerful people of Rome, and Roman portraits show every blemish and wart. Roman artists desired to recreate what the person looked like in real life, instead of relying on an idealized vision. Also to a degree, Roman themes are more varied.

Changing tastes in sculpture Early Roman Style Emphasized gravitas (seriousness) and dignitas (dignity) I nfluenced by the imagines (death masks of higher magistrates) e.g., Head of Brutus Late Republican Style Broke with dignified idealism of the Roman Early Phase Verism, “taste for realism” Almost brutal realism - flaws, blemishes, scars, and baldness! Sense of unease typifies the unsettled times of the Late Republic Increasing eastern (i.e., Hellenistic) influences

Togate Roman v. Hellenistic Nude Right: Roman general depicted as a Hellenistic king, c. 150 BCE Left: Honorific statue of a municipal aristocrat, c. 80 BCE

Realistic & individualized portraiture Left to right: Now-anonymous man from Sardinia ; M. Licinius Crassus; G. Iulius Caesar

Grand Pretensions: Pompey’s Imitation of Alexander the Great

Sarcophagus with battle scene between Romans and Germans. Marble, 180–190 CE.

Marcus Tullius Cicero BCE

Roman Patrician Holding Busts of Ancestors c.10 BCE

Emperor Marcus Aurelius ( CE)

Marcus Aurelius – Gilded Bronze Equestrian Statue, Capitoline Hill, c CE

Column of Marcus Aurelius

Trajan’s Column - Rome

Roman Wall Painting First Style Roman wall painting: "Incrustation" (above), is thought to imitate Greek painting, creating flat areas of color and 'faux" finishes (like a fake marble or oak finish). Second Style Roman wall painting: the "architectural style“ (below) space extends beyond the room with various perspective ("illusion of three-dimensional space on a flat two-imensional surface) devices. Roman artists came close to developing a true linear perspective.

Roman Wall Painting Second Pompeian Style frescoes (left to right): House of Griffins, Rome BCE; Villa of Opolontis, 1st cent BCE; architectural fantasy, Villa at Boscoreale, near Pompeii, mid 1st cent. BCE

Roman Wall Painting In the Third Style Roman Wall Painting, called the "Ornate Style," pictorial illusion is confined to "framed" images, where even the "framing" is painted on. The overall appearance is flat rather than a 3-d illusion of space. Third Style from the Villa at Boscotrecase, near Pompeii. 1st Century.

Roman Wall Painting The Fourth Style is also characterized by the open vistas and the use of aerial perspective, as well as the elaborate architectural framing. Ixion Room from the House of the Vetii, Pompeii, 1st Century.