1 Lecture 5: Our Media, Our Selves Professor Victoria Meng How do the media affect who we are?

Slides:



Advertisements
Similar presentations
Electronic Lesson Plan (Introduction to Photo Composition)
Advertisements

Film Terminology English Language Arts.
Film Terms & Techniques
Starter for 10 Unit 9: Using a digital or video camera Transform IT SFT09_camera_video.
Jean-Louis Baudry: apparatus & dispositif
Principles of Film Form
Marshall McLuhan Technological Determinism. McLuhan’s Vision We are entering an electronic age Electronic Media alter the way people  Think  Feel.
1 Lecture 4: Extended Abilities Professor Victoria Meng Where Is the Body/World Boundary?
Stills From Pan’s Labyrinth
Digital Communications II
VES 186c. Film & Photography, Image & Narration Professor David Rodowick Office hours: Monday and Wednesday 3-4 pm, or by appointment. M-06 Sever Hall.
VES 173t. Contemporary Film Theory Professor David Rodowick Office hours: Tuesday and Wednesday 3-4 pm, or by appointment. M-06 Sever Hall (4 th floor.
Jean Mitry: Aesthetic and Psychology of Cinema
VES 172a. Film & Photography, Image & Narration
Key Stage 3 National Strategy ICT Communication: text and graphics.
Defining and controlling the space of the frame Aspect ratio Masking Camera placement Focus Perspective Mobile framing.
© Anselm Spoerri Lecture 13 Video Editing –Short Movie Example –Meaning – Basic Film Editing –Compress Time –Create Illusion of Continuity –Create Illusion.
Animation Introduction to Flash Media
Film Techniques.  Film techniques describe the way meaning is created in film.
Looking at Movies.
Media Journal What does Marshall McLuhan mean when he says that “the medium is the message”?
Introduction to Humanities
A Sociology of the Media Introduction II
1 telePresence Tracking Project Results Psychological Processing of Media Spring 2012.
TERMS FOR VISUAL MEDIA Camera Moves. Persistence of Vision the brain retains images cast on the retina for 1/20th to 1/5th of a second, allowing the images.
COM 343: HISTORY OF PHOTOGRAPHY Lesson 6: Camera Angles Metin Ersoy Faculty of Communication and Media Studies.
Chapter 6 – Cinematography Cinematography Camerawork Lenses & filters Film stock Special visual effects.
© Anselm Spoerri Lecture 8 Video Editing Principles –Short Movie Example –Basic Film / Video Editing –Compress Time –Create Illusion of Continuity –Create.
Film as Representation Lecture one. Reflecting life One of the ways in which reality may be represented But - something very distinct about film and cinema.
1 Lecture 15:I and We: Lecture 15: I and We: Professor Victoria Meng How do digital media situate us in space and time?
VISUAL PERCEPTION 1. Developed by the German school called Gestalt Psychology –The relation between the figure and the background –Termination or closure.
Style, Camera and Editing This powerpoint lecture was distilled from Chapter 6 - Style and the Camera, and Chapter 7- Style and Editing from Jeremy Butler’s.
Media Aesthetics Contextualism in Applied Media Aesthetics.
>>0 >>1 >> 2 >> 3 >> 4 >> 15 Film and Cinema By: Prof.Bautista Chapter 15.
Vorlesung A Sociology of the Media Prof. Dr. Joost van Loon Institut für Soziologie, LMU Nottingham Trent University, U.K.
The Use of Chroma Key Technology in the Classroom Presented by Dean Pomfrett Wenona School 2009.
Reading Film Comparing Literary Elements to Cinematic Elements
Understanding Media a presentation of....
In Written Texts and Screens.  Make a list of dominant images in the novel  Categorize the images into binary opposites.
Film Terminology Shots and Framing Camera Angles Camera Movements
Film Terms A. Types of Shots Long shot- a shot taken from a sufficient distance to show a landscape, building, or a figure or several people from waist.
Introduction to Soundtrack. WALT – Spoiler Alert!  To understand how to answer Question 2 (Editing) as to improve our exam score on the exam.
T HE G RAMMAR OF F ILM H OW F ILMMAKERS TELL A STORY ON SCREEN A M S. W ICHTERMAN P RODUCTION.
CA0932a Multimedia Development Lecture 9 Story, Storyboard, Direction.
 Developed by the German school called Gestalt Psychology The relation between the figure and the background Termination or closure principle Other perceptive.
FILM PRODUCTION ELEMENTS How to study a film. PRODUCTION ELEMENTS Production elements are all the different things that go into making a film come to.
Working with Cinematic Techniques English 9 Perry High School.
CINEMATIC TECHNIQUES ENGLISH 12 Q4 Film. FILM ANALYSIS Much like writers use stylistic devices to achieve specific effects in their writing, directors.
Learn about Digital Camera Modes A presentation by visionary media productions.
Week 10 Phenomenology. Lecture outline 1 Phenomenology (technology affects how we experience our bodies, space and time). 2 Jameson’s 3 types of cultural.
The Language of Film Framing: Day 1 Film 1 Mrs. Kelly Brown Rio Seco.
1 INTRODUCTION TO COMPUTER GRAPHICS. Computer Graphics The computer is an information processing machine. It is a tool for storing, manipulating and correlating.
Framing The Joker By the end of the lesson you will have an understanding of how the framing in the opening sequence place the Joker as the villain.
What is Cinema?.
Cinema is dead, long live cinema.
Film Studies Need to Know (Or what I should have gotten 1st Semester)
Editing and Camera Terms
Cinematic Elements …as they relate to Film.
N7 Graphic Communication
(c) 2001 by The McGraw-Hill Companies, Inc. All rights reserved.
PHOTOGRAPHIC INVESTIGATION
To explore the potential of still image in mathematics.
Cinematic Techniques.
Elements of Cinematography
Cinematic Techniques.
Manufacturing Illusion
Film Techniques.
MECS 102: Introduction to Media Studies
Camera and Lighting Techniques
What kind of image do your findings present of your place
Presentation transcript:

1 Lecture 5: Our Media, Our Selves Professor Victoria Meng How do the media affect who we are?

2 Lecture Outline Vivian Sobchack’s “The Scene of the Screen” Optical illusions website Richard Linklater’s A Scanner Darkly Selections from The Animatrix

3 Reading Review “The Scene of the Screen,” from Carnal Thoughts by Vivian Sobchack

4 Review: Marshall McLuhan and Don Ihde Media extend human abilities. Media change the terms of our interactions with the world. Media shape what we can express and perceive.

5 “The Scene of the Screen” Photographic, Cinematic, and Electronic (New) Media

6 Review: Terry Flew The three levels of technology: 1.Tools (objects) 2.Techniques (skills) 3.Context (institutions)

7 “The Scene of the Screen” “—we are all part of a moving- image culture, and we live cinematic and electronic lives.” Sobchack, p. 136

8 “The Scene of the Screen”

9 “As our aesthetic forms and representations of ‘reality’ become externally realized and then unsettled first by photography, then cinema, and now electronic media, our values and evaluative criteria of what counts in our lives are also unsettled and transformed.” Sobchack, p. 136

10 “The Scene of the Screen” Elizabeth I ( ) Elizabeth II (1926-present)

11 “The Scene of the Screen” pp. 137 – 140.

12 “The Scene of the Screen” Photographic media

13 “The Scene of the Screen” Photographic media extend the range of our eyes. - Distant places without travel - Past events - Technology-aided explorations

14 “The Scene of the Screen” Photographic media extend the range of our eyes. extend the range of our memories. - Rachel’s childhood photographs in Blade Runner

15 “The Scene of the Screen” Photographic media extend the range of our eyes. extend the range of our memories. preserve only an instant in time. - Nostalgia; “being-that-has been”

16 “The Scene of the Screen” Photographic media extend the range of our eyes. extend the range of our memories. preserve only an instant in time. can be held, transferred, and copied.

17 “The Scene of the Screen” Cinematic media projector/projector.gif

18 “The Scene of the Screen” Cinematic media also extend our eyes and mind. also can be transferred and copied.

19 “The Scene of the Screen” Cinematic media also extend our eyes and mind. also can be transferred and copied. How long did you first look at the cartoon projector? How often did you look back at it, instead of looking at the still slide?

20 “The Scene of the Screen” Cinematic media also extend our eyes and mind. also can be transferred and copied. move! They make it easy to feel like we are “there” in the action.

21 “The Scene of the Screen” EyesMovies Near and faraway sights Close-ups and long shots Body and head motions Tracking and panning shots Staring and glancing Slow and fast editing

22 “The Scene of the Screen” The cinematic medium “…signifies its own materialized agency, intentionality, and subjectivity.” (p.147) Watching a movie is like seeing out of someone else’s head.

23 “The Scene of the Screen” Electronic media

24 “The Scene of the Screen” Electronic media extends our ability to switch from activity to activity instantaneously. can re-present other kinds of media. promotes a diffusion of our attention.

25 “The Scene of the Screen” “Indeed, the electronic is phenomenologi- cally experienced not as a discrete, intentional, body-centered mediation and projection in space, but rather as a simultaneous, dispersed, and insubstantial transmission across a network or web that is constituted spatially more as a materially flimsy latticework of nodal points than as the stable ground of embodied experience.” Sobchack, p. 154.

26 “The Scene of the Screen”

27 “The Scene of the Screen” Vivian Sobchack, Film and media theorist

28 Optical Illusions Website Prof. Meng’s picks: motion induced blindness, biological motion, and rotating face mask.

29 Screening: A Scanner Darkly Photographic media: Nostalgia and objectification Cinematic media: Suspense and identification Electronic media Freedom and displacement

30 Screening: selections from The Animatrix

End of Lecture 5 Next Lecture: Miracle Workers: What tasks can/should media do? 31