Art in the Romantic Era. The Death of Marat by David 1793.

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Presentation transcript:

Art in the Romantic Era

The Death of Marat by David 1793

David, Napoleon Crossing the Alps, 1800

David, Coronation of Napoleon,

detail, Coronation

Arc de Triomphe, Paris

Aspects of Romanticism in music & art The Engaged & Enraged Artist Nature Supernatural, demonic; dreams & madness exoticism “ancient” (Medieval –– not Greek) - rejection of Classicism & Renaissance

Engaged and enraged THE ARTIST APART FROM SOCIETY THE ARTIST AS SOCIAL CRITIC/REVOLUTIONARY THE ARTIST AS GENIUS ARE WE NOT STILL IN THE ROMANTIC ERA?

Delacroix, Liberty Leading the People, 1830 text p. 334

Goya, Executions of the Third of May, text p. 336

Goya, Disasters of War Brave Deeds Against the Dead Etching Political communication

Nature peaceful, restorative, an escape; The Picturesque awesome, powerful, horrifying, overwhelming, indifferent to the fate of humans; The Sublime the language of God (edited) an inner emotional (subjective) state

John Constable, The Hay Wain, 1821 text p. 338

Constable Salisbury Cathedral 1826 God as nature, nature as God.

Caspar David Friedrich, The Wanderer Above the Mists, c text p. 337

FRIEDRICH, Caspar David The Sea of Ice, c , Oil on canvas, 96.7 x cm

J.M.W. Turner, The Slave Ship, 1842 text p. 340

detail, The Slave Ship

Turner, Joseph Mallord William, Rain, Steam and Speed 1844, Oil on canvas, 35 3/4 x 48 in. text p. 340

detail

Constable Turner

The Raft of the Medusa by Gericault 1819

Church, Frederic Edwin Rainy Season in the Tropics 1866, Oil on canvas, 56 1/4 x 84 3/16 in. The Fine Arts Museums of San Francisco

Church, Frederic Edwin, The Icebergs 1861, Oil on canvas, 64 1/4 x 112 1/4 in

Bierstadt, Albert Among the Sierra Nevada Mountains, California 1868, Oil on canvas, 183 x 305 cm text p. 341

The Supernatural ghosts, fairies, witches, demons, etc. the shadows of the mind – dreams & madness reaction to Rationalism? (1 st witch scare during the Renaissance) – the escape from Reason

Delacroix Méphistophélès dans les airs, 1828 No. 2 from the set of 18 lithographs of Goethe's Faust

Delacroix Faust dans la prison de Marguerite, 1828 No. 18 from the set of 18 lithographs of Goethe's Faust

Goya, The Sleep of Reason Brings Forth Monsters etching text p. 345

Goya Kronos devouring his children

Goya, Witches’ Sabbath, c text p. 345

Theodore Gericault Mad Woman with a Mania of Envy Study of the insane

Goya The Lunatics

Exoticism the sexy Other psychological/moral justification of imperialism? England is exotic to the Italians, Italy exotic to the English! a sense of escape?

Delacroix, The Death of Sardanapalus, 1826 p. 333

detail, Sardanapalus

Ingres, Jean Auguste Dominique La Grand Odalisque 1814 Oil on canvas

detail

Jean Auguste Ingres, The Turkish Bath, c text p. 344

detail, Ingres

Portrait of a Negress Marie Guillemine Benoist, 1800 Political comment on the rights of women? p. 327

John Nash Royal Pavilion at Brighton text p. 343

John Nash Royal Pavilion at Brighton text p. 343

Revival of past styles Gothic & Romanesque revival free mixture of stylistic elements Gothic verticality & asymmetry

Fonthill Abbey 1823 The most influential collapsed building? aka “Beckford’s folly” mentioned in text p. 342

Fonthill, painting of the interior by the architect, James Wyatt

Cole, The Architect’s Dream, 1840

Thomas Cole, The Return, 1837

Houses of Parliament, London, text p. 343

Lyndhurst

Trinity Church, Boston 1877 Richardson

An English building in India

Aspects of Romanticism in music & art The Engaged & Enraged Artist Nature Supernatural, demonic exoticism “ancient” (Medieval or folk –– not Greek) - rejection of Classicism & Renaissance

Goya, Executions of the Third of May, text p. 336 Engaged & enraged: political critique

John Constable, The Hay Wain, 1821 text p. 338 NATURE: The Picturesque

Caspar David Friedrich, The Wanderer Above the Mists, c p. 337 NATURE: The Sublime

Goya, The Sleep of Reason Brings Forth Monsters etching p. 345 The escape from REASON

John Nash Royal Pavilion at Brighton text p. 343 EXOTICISM: another escape from Reason

Houses of Parliament, London, text p. 342 The escape from Reason, Part 3: REVIVAL OF THE PRE-RENAISSANCE PAST

La Marselliaise by Francois Rude