Hindustani & Carnatic Music

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Presentation transcript:

Hindustani & Carnatic Music By Michael brien

Hindustani

General info Music which is most commonly found being played in the Northern part of India It ordinated from Vedic ritual chants and has been evolving since the 12th century

Instruments used There were a wide range of instruments used pacifically for this type of music: Veena Sitar Sarod Surbahar Sursringar Santoor Bansuri Shehnai Harmonium Tabla

Different styles There were many different types of compositions with in the Hindustani music all having different character traits but all having the same essence these include: Dhrupad Khyal Tarana Tappa Thumri Ghazal

Hindustani Example http://www.youtube.com/watch?v=pb5iwSi5OIo

Carnatic

General info Music most commonly played in the Southern part of the subcontinent of India Unaffected by Persian and Arabic influences, unlike Hindustani Music The style came about in the 12th Century. However Carnatic and Hindustani were classified as very similar styles until the 16th century where it became demarcation between these styles Mainly patronised by kings in the Kingdom of Mysore and the Kingdom of Travancore from the 18th - 20th century.

Instruments Used Instruments involved in Carnatic music: Veena Rudra Veena Violin Ghatam Flute Mridangam Nagaswara Swarahat

Different styles Śruti – Refers to musical pitch Swara – Refers to the sound of a note Raga System – A set of rules for building a melody. The rules range from movements of the melody to the uses and avoidances of specific phrases Tala System – Refers to a fixed cycle/meter. Improvisation – Used a lot in Carnatic Music. Some examples of it include: Alapana Niraval Swarakalpana Ragam Tanam Pallavi Tani Avartanam

Carnatic Example http://www.youtube.com/watch?v=Qew5JAy3gyw