Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1 Copywriting Part 4: Effective Advertising Messages Chapter.

Slides:



Advertisements
Similar presentations
1 © 2009 South-Western, a part of Cengage Learning Chapter 12 Copywriting PPT 12-1.
Advertisements

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1 Public Relations Part 5: Integration and Evaluation Chapter.
Advertising & Copy Development Workshops
Copyright © 2012 Pearson Education, Inc. publishing as Prentice HallChapter Copywriting.
Part 4: Effective Advertising Messages Chapter 13
COPYWRITING Expressing the values and benefits a brand has to offer through written or verbal descriptions. Able to comprehend and then incorporate the.
The Creative and Message Strategy
MCD 1073 PRINCIPLES OF ADVERTISING
1 Copywriting Matakuliah: G0492 / English for Advertising Tahun: 2005/2006 oCopywriting for Print oHow to Write Radio Copy oHow to Write Television Copy.
Principles of Effective Print Advertising By Steve Blom.
Copywriting and Design Part 4: Effective Advertising Messages Chapter 13 & 14.
Creating Broadcast Advertising
Outline The language of advertising Copywriting for print Radio copywriting Television copywriting Writing for the Web Chapter 12 Copywriting.
Chapter 12 Copywriting.
Chapter nine Creative Strategy and the Creative Process McGraw-Hill/Irwin Essentials of Contemporary Advertising Copyright © 2007 The McGraw-Hill Companies,
Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1 Design and Production Part 4: Effective Advertising Messages.
Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1 Direct Marketing Part 5: Integration and Evaluation Chapter.
Creative Execution: Art and Copy
Art Direction and Production
Copyright © 2006 Thomson Business and Economics. All rights reserved. Chapter 13 Art Direction and Production.
Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1 The Creative Side and Message Strategy Part 4: Effective.
Creative Execution: Art and Copy Chapter 09 McGraw-Hill/Irwin Copyright © 2012 by The McGraw-Hill Companies, Inc. All rights reserved.
Copywriting. THE LANGUAGE OF COPYWRITING CopywriterNamesWriting StyleEffective Copy.
Copywriting (Continued)
Radio and Television Lecture 4 © 2013 SAGE Publications, Inc.
Part 4: Principles: Creativity and Breakthrough Advertising
Copyright © 2006 Thomson Business and Economics. All rights reserved. Chapter 12 Copywriting.
Part 4: Effective Advertising Messages Chapter 14
Marketing 3344 Creative Team Creative Concept Art Director Copywriter.
6-1 Copyright © 2009 Pearson Education Canada CHAPTER 6 Design, Layout, and Production.
Marketing 3344 The Evolution from Words to Pictures  Improved technology  Advantages of visuals over text  Brand images are build better with visuals.
Developing Media Plans n Market Analysis n Establishing Media Objectives n Developing Media Strategies –Select the media mix –Determine the target market.
1 Message Strategy 2 Context for Message Strategy Objectives Methods Message Strategy Advertising Strategy (Planning, Preparation, Placement) Advertising.
1 Presented by: Shammi Kumar (31) Advertising Copywriting.
Muhammad Waqas Copywriting Lecture 23. Muhammad Waqas Recap I.The Internet II.Internet Advertising III. Advertising IV.Alternative and New Media.
Creative Execution Art & Copy.  Design refers to how the art director, graphic director or designer chooses and structures the elements of an ad.  Various.
Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1 Broadcast Media Part 3: Effective Advertising Media Chapter.
Essential Elements of Advertising
Media Literacy.
Media Selection To whom should the advertising be directed? Where do these people live? What media should be used? 1.
For use only with Duncan texts. © 2005 McGraw-Hill Companies, Inc. McGraw-Hill/Irwin Message Execution.
For use only with Duncan texts. © 2005 McGraw-Hill Companies, Inc. McGraw-Hill/Irwin Message Execution.
3-*** Split Run Tests Blind Headlines 14-2.
© 2006 Pearson Education Canada Inc. 6.1 Canadian Advertising in Action Chapter 6 Design, Layout, and Production.
Copyright © 2006 Thomson Business and Economics. All rights reserved. Chapter 12 Copywriting.
Section 20.1 Elements of Advertising Chapter 20 print advertisements Section 20.2 Advertising Layout.
Chapter Thirteen Copywriting. Prentice Hall, © The person who shapes and sculpts the words in an advertisement is called the: a) Media planner.
Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice 1 Strategic Research Part 2: Planning and Strategy Chapter.
Part 2: Planning and Strategy Chapter 4
Chapter Nine Creative Execution: Art and Copy
Creating Print Ads. Key Elements Copy –The words of an ad –Headlines, subheads, slogans, captions, body copy Art –The visual elements of the ad –Illustrations,
Copywriting and Design. Advertising Writing Style Copy should be as simple as possible Should have a clear focus and try to convey only one selling point.
Canadian Advertising in Action, 6th ed. Keith J. Tuckwell ©2003 Pearson Education Canada Inc. 6-1 Components of a Print Advertisement 1. Headline 2. Subheadline.
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
Part 4: Effective Advertising Messages Chapter 13
Part 3 Practice: Developing Breakthrough Ideas in the Digital Age Copyright © 2015 Pearson Education, Inc. publishing as Prentice Hall.
Section 19.1 Advertising Media Chapter 19 advertising Section 19.2 Media Rates.
Literary Genres are a category or certain kind of literature or writing. These categories are identified by examining the characteristics of each piece.
Chapter Number Six Message Execution Modular: Afjal Hossain, Assistant Professor, Department of Marketing, PSTU Kenneth K. Clow & Donald Baack “Integrated.
The creative process & creative brief
Chapter Number Six Message Execution
Chapter Number Eight Message Execution
Ground Rules Come for lecture IN time.
Chapter 13 Copywriting: The Language of Advertising
Chapter 12 Copywriting Five types of ads in which words are crucial:
Bell Ringer Activity Divide the class into groups of 4 or 5. Have each group imagine that it manages a creative services dept. at an advertising agency.
Television Advertising
Creative Execution: Art and Copy
Chapter 6 Creative Development
Presentation transcript:

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1 Copywriting Part 4: Effective Advertising Messages Chapter 13

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-2 Key Points Explain the basic style used for advertising copy Describe the various elements of a print ad Explain the message characteristics and tools of radio advertising Discuss the major elements of television commercials Discuss how Web advertising is written

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice3 Part4: Copywriting

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-4 Copywriting: The Language of Advertising Four types of ads in which words are crucial 1.If the message is complicated 2.If the ad is for a high-involvement product (more info, the better means using words) 3.Information that needs definition and explanation e.g. computer, camera, wireless phone 4.If a message tries to convey abstract qualities e.g. justice & quality

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-5 Copywriting for Print -Copy elements: - 1) Display copy : Elements readers see in their initial scanning -2) Body copy (text): Elements that are designed to be read & absorbed 1)DISPLAY COPY -Headline: a phrase or a sentence tt serves as the opening of the ad -Subheads: used in longer cop blocks, subheads begin a new section or the copy -Taglines: a short phrase that wraps up the key idea or creative concept that usu. Appears at the end of the body copy -Slogans: a distinctive catchy phrase that serves as a motto for a campaign, brand or co. (used from one ad to another) (it can be used as a tagline) -Call out: sentence that floats around the visual

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-6 Good headlines -attract the target audience & filter out non- prospects -Work w/ visuals to stop the audience (gain attention) -Identify the p/d, the brand or the main selling message -Lead the reader to the body copy

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-7 Copywriting for Print (contd.) 2) Body copy (text) : it is the message/info. of the ad. -Captions: a sentence or short piece of copy that explains what u are looking at in a photo or illustration -Call to action: This is a line at the end of an ad tt encourages people to respond & gives info.. On how to respond e.g. visit contact at no.xxxxxxx -Lead paragraph: the first paragraph of the body copy -Where people usu. test the message & see if they want to read it - Closing paragraph: refers back to the creative concept & wraps up the big idea

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-8 Creative job Creative Roles Copywriters and art directors develop the creative concept and draft the execution of the advertising idea The Creative Person In advertising, creativity is both a job description and a goal Art director: taking care of art direction and visual. Copy writer: taking care of verbal writing. Copywriter -The person who shapes and sculpts the words (copy, tone of voice) in an ad

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-9 Creative job Creative Characteristics Problem solving Ability to visualize Openness to new experiences Conceptual thinking

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-10 Writing for specific media- Print Newspaper : the copy should be straightforward & informative Magazine ad is longer, contains more detail, has higher quality reproduction Directories require copy that focuses on the service Product literature also called “collateral” (brochure) used as support of an ad campaign Posters & Outdoor words try to catch the consumer’s attention, for poster, copy should go along with the visual Consideration; diff print medium requires different style of copy but they use the same copy elements

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-11 How to Write Radio Copy Must be simple enough for consumers to grasp, but intriguing enough to prevent them from switching the station Ability of the listener to remember facts is difficult -  need to repeat the key points of brand name and identification information Theater of the mind The story is visualized in the listener’s imagination Uses WORD to paint pictures in listeners’ mind

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-12 How to Write Radio Copy The tools of radio copy Voice: Jingle, announcement, dialogue, Human voice, animal voice Music: serious, funny, exciting Sound effects: (SFX) helps the audience to visualize e.g. shoe tapping, horses, engine. Radio Script: direction of the message for radio ad

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-13 How to Write Television Copy Moving action makes television so much more engaging than print The challenge is to fuse the images with the words to present a creative concept and a story Storytelling is one way copywriters can present action in a television commercial more powerfully than in other media

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-14 Planning the TV Commercial Copywriters must plan Length of the commercial Shots in each scene Key visual Where and how to shoot the commercial Scenes Segments of action that occur in a single location Key frames The visual that sticks in one’s mind

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-15 Tools of Television Copywriting Video Audio Voice-over Off camera Other TV Tools: Sets, Casting for talents, Pace Storyboard (TVC) or TV script

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice1-16 Writing style of advertising ( a different approach) -Simplicity is a key to effective ad copy -Ad copy is succinct, short & to the point -Copy is tightly edited to eliminate any unnecessary words or ideas -Copy talks about specifics of a p/d, not broad genralities -Ad copy focuses on a single, strong point -Copy captures a conversational tone tt emulates the way people talk casually (Tone of voice=copy) -Ad copy strives to use original ideas & phrases -Variety of copy e.g. mixing sentences & paragraph lengths -Tone of voice: write as if the target audience were in the conversation. Grammar is violated only when it helps make a point or deliver the message -Avoiding the stereotypes of adese such as phrases

Wells, Moriarty, Burnett & Lwin - Xth EditionADVERTISING Principles and Effective IMC Practice17 End of the Lesson