Group Strategy Division | 2010 MRP 1 Sony Corporation DRAFT Changing TV Landscape June 2013.

Slides:



Advertisements
Similar presentations
A Network View of Netflix How Partners, Competition, and Opportunities Dictate Strategy.
Advertisements

© 2009 IBM Corporation1 Telco, media, entertainment and consumer electronics companies face an overlapping set of challenges and opportunities Companies.
CONFIDENTIAL page 1 LATIN AMERICA May 22, 2012 PRIVILEGED AND CONFIDENTIAL.
Breaking Bad Case Study Current vs. Original Profit Estimates A typical cable show can provide attractive returns, however, there is tremendous opportunity.
CONFIDENTIAL Sony Pictures Entertainment Summary Overview April 2010.
1 1. Executive Summary 2. Networks 3. Distribution & Ad Sales 4. Production 5. Appendix.
© 2015 WAN-IFRA | WORLDPRESSTRENDS We represent news media industry in 120 countries We represent more than 18,000 publications 15,000 online sites 3,000.
U.S. Production: Challenges and Opportunities Continued investment in A-list writers, directors and producers for future drama/comedy/unscripted development.
*United States estimate based on Q monthly average. For all of the most current estimates of U.S. cross-platform video consumption, please refer.
Group Strategy Division | 2010 MRP 1 Sony Corporation DRAFT Changing TV Landscape June 2013.
SPT Business Overview November 13, 2012 DRAFT – FOR DISCUSSION ONLY.
APPENDIX MID RANGE PLAN FISCAL YEARS 2012–2015 SEPTEMBER 8, 2011.
SPE has Built a Strong and Meaningful Networks Presence in India 1 SPE launched its network presence in India 17 years ago with SET – Between ,
Digital Services July, Why Digital Services are Critical to SPE and Sony Necessary to achieve margin expansion and growth objectives from what are.
SPE has Built a Strong and Meaningful Networks Presence in India 1 SPE launched its network presence in India 17 years ago with SET – Between ,
Thoughts on Next 3 Slides
1 News Corporation By Team Vivaldi Spring 2008 MGT 693 Class Professor Degravel Case Study Presentation Team Vivaldi.
1 1. Executive Summary 2. Networks 3. Distribution & Ad Sales 4. Production 5. Appendix.
CONFIDENTIAL SONY PICTURES ENTERTAINMENT MID RANGE PLAN – OCTOBER 4, 2012.
1 1. Executive Summary 2. Networks 3. Distribution & Ad Sales 4. Production 5. Appendix.
Worldwide Over-the-Top Subscription Video on Demand Market October 2013.
Saving Netflix: Planning to Turn Around a Steep Decline Joel Samen – IS 714: Mastering IT Strategies – Fall, 2011.
CONFIDENTIAL Key Trends, Issues, and Opportunities for SPE’s Mid-Range Plan August 27, 2010.
Group Strategy Division | 2010 MRP 1 Sony Corporation DRAFT Changing TV Landscape June 2013.
Breaking Bad Case Study Current vs. Original Profit Estimates A typical cable show can provide attractive returns, however, there is tremendous opportunity.
Content in the Cloud Scalability NOVEMBER 9, :00 – 10:30 AM Conference B: Infrastructure for the CLOUD Scalability Daniel Kenyon Vice President Equilibrium.
© 2013  Confidential Gabriel Dusil  1 Prague London Moscow Cologne Bratislava Belgrade Nairobi Dubai Gabriel Dusil SVP Marketing.
By Caroline Peck. NETFLIX World’s leading Internet Television Network 38 million members in 40 countries For one low monthly fee, members have unlimited.
SONY Online Content Discussion March DRAFT page 1 Executive Summary Type and volume of content selected may vary depending on our goals for a service.
Delivering Video over IP
Divisional Details Television. ● Networks −Cable network revenues are expected to see continued growth −There is increasing competition among media companies.
Ad Sales Strategy for Digital Networks
Group Strategy Division | 2010 MRP 1 Sony Corporation SPT Networks – International June 2013.
1 SET SPAIN PARTNERSHIP OPPORTUNITY OCTOBER 2009.
CONFIDENTIAL Key Trends, Issues and Opportunities for SPE’s Mid-Range Plan August 27, 2010.
Gabriel Dusil Chief Marketing & Corporate Strategy Officer Visual Unity Global cz.linkedin.com/in/gabrieldusil gdusil.wordpress.com
CONFIDENTIAL SPE Service Opportunities Draft 4. page 1 Traditional Studio Content and Distribution Businesses are Fragmenting Studio User Generated Games.
SPE INTERNAL Channel Acquisition Opportunities September 2008.
Digital TV Interactive TV T-Commerce Convergence of Internet, Broadband, and Television Technology DEFINITIONS.
Strategic Considerations for Video Services. DRAFT page 1 SVOD and AVOD: Strategic Considerations (1 of 2) Previous discussions have evaluated the launch.
1 Objectives Bring Crackle to break-even Continue to build the Crackle brand with quality originals, a meaningful Film and TV business, and broader reach.
What is Lenovo Goal Mission & Vision Business Groups SWOT Analysis
What is Lenovo Goal Mission & Vision Business Groups SWOT Analysis
HBO Divestiture Opportunity (DRAFT) September 11, 2009.
Entertainment Mid Range Plan Strategy Towards Emerging Market Sony Corp. Corporate Planning & Control Division September 30, 2010.
1 SET SPAIN PARTNERSHIP OPPORTUNITY OCTOBER 2009.
Overview of Sony Pictures Television Networks Materials Presented to Sony Corporation’s Board of Directors July 18, 2011.
Confidential Draft SPT Strategic Initiatives February 1, 2008.
Group Strategy Division | 2010 MRP 1 Sony Corporation DRAFT Changing TV Landscape June 2013.
Group Strategy Division | 2010 MRP 1 Sony Corporation DRAFT Changing TV Landscape June 2013.
Overview of Sony Pictures Television Networks and Indian Regional Channels Opportunity Materials Presented to Sony Corporation’s Board of Directors July.
CONFIDENTIAL SPE Service Opportunities Draft. page 1 Traditional Studio Content and Distribution Businesses are Fragmenting Studio User Generated Games.
The Wurl TV Network Multi-Channel Streaming Video programming on Pay TV 1.
Video on Demand (VOD) Market by Solution (Pay TV, OTT, IPTV), by Delivery (TVOD, SVOD, NVOD), by Application (Entertainment, Education and Training, Video.
CONFIDENTIAL SPE Service Opportunities Draft. page 1 Traditional Studio Content and Distribution Businesses are Fragmenting Studio User Generated Games.
1 The Wurl TV Network Multi-Channel Streaming Video programming on Pay TV.
Video on Demand in Hospitality Market by Solution, Service & User Type
MVPD Subscribers Are Most Satisfied With Paid Streaming Video Services, Showing Just How Much These Services Complement Pay-TV 1 When it comes to specific.
Executive Summary Until recently, the window for new domestic channels has been closed and existing channels have been prohibitively expensive Now several.
Powering the Future of TV
Digital Services and Distribution Landscape
© 2016 Global Market Insights, Inc. USA. All Rights Reserved Streaming Devices Market to grow at 20% CAGR from 2017 to 2024: Global.
© 2016 Global Market Insights, Inc. USA. All Rights Reserved Fuel Cell Market size worth $25.5bn by 2024 Streaming Devices Market to.
Changing TV Landscape June 2013.
The Vast Majority of US Households, Nearly 100 Million, Subscribe To A Cable, Satellite, Or Telco Service Cable+ Households (000) 85% of Total TV HHs 84%
SPE Point of View Proposal
Video HHs by Method of Delivery
While MVPD Subscriptions Will Maintain A Large Share Of HHs, OTT-Only HHs Are Projected To Grow to 17.9MM Homes By % +8.2% +1.9% +43.4% CAGR %
SMART TV : RISING PENETRATION GLOBALLY
Presentation transcript:

Group Strategy Division | 2010 MRP 1 Sony Corporation DRAFT Changing TV Landscape June 2013

Group Strategy Division | 2010 MRP 2 Sony Corporation Changing Television Landscape TV distribution and consumption are changing all over the world In the U.S. and other developed markets, new devices and platforms are driving increased programming consumption In international territories, traditional pay television platforms continue to grow, adding new channels and viewers Hit shows and formats created in the U.S. are finding a more global audience; at the same time, the market for local programming is thriving The result is an increased demand for new and library content, and programmed channel experiences

Group Strategy Division | 2010 MRP 3 Sony Corporation Connected Devices such as Tablets, Smartphones, Consoles, & Smart TV’s are Enabling Ubiquitous Consumer Access to Content Source: SNL Kagan. Number of devices in millions. (1)Applies to Internet-connected video game consoles used to access professionally produced content. Excludes multiple video game consoles per HH. (2)Stand-alone set-top boxes including, but not limited to, Apple TV, Roku, Boxee and TiVo. Excludes set-tops integrated with multichannel service (3)Internet capable TVs and blu-ray units that are connected and used for OTT video. Excludes overlap of devices. (4)Applies to households using a PC or media server to transfer OTT delivered content to the TV. Excludes households viewing content directly on PC screen. (1)(2)(3)(4) Over the next 4 years, connected device ownership is expected to grow at a 13% CAGR

Group Strategy Division | 2010 MRP 4 Sony Corporation Connectivity and Devices are Driving Online Viewing (1)Does not represent cord cutters but applies to households regularly viewing television shows or movies using Internet or over-the-top (OTT) delivery, most online/OTT video HHs in the above graph also subscribe to multichannel services. Source: SNL Kagan, September CAGR: 9.5% (1) Penetration40%55%

Group Strategy Division | 2010 MRP 5 Sony Corporation The Emergence of Online Viewing Has Created New Options as Consumers Seek Flexibility Traditional MSOs (i.e., cable & satellite) and networks are adapting their services to accommodate online viewing TV Everywhere Over-the-Top (OTT) New digital networks have emerged taking advantage of the ability to go directly to the viewer without an MSO middleman

Group Strategy Division | 2010 MRP 6 Sony Corporation By Adding Digital Services to Traditional “Linear” Channels, There is Greater Demand for Content Broadcast Digital Services Basic/Premium Cable Digital services also create renewed demand for library programming US Landscape

Group Strategy Division | 2010 MRP 7 Sony Corporation Originals Exclusive licensed content Non-exclusive library product Networks are Under Greater Pressure to Distinguish Themselves and Attract Viewers Potential for emphasis to shift Original programming is increasingly used to differentiate their content propositions

Group Strategy Division | 2010 MRP 8 Sony Corporation Both Traditional Networks and Digital Services are Spending More on Programming Est. Annual Content Spend $2Bn+ $500MM $500MM – $1Bn Traditional Linear NetworksNew Digital Services Annual Content Spend $500MM+ $475MM+ $940MM $650MM+ Note: Content spend as of fiscal year ended December 31, Growth calculated as CAGR. 19% 14% 10% 1%1% Growth

Group Strategy Division | 2010 MRP 9 Sony Corporation Digital Services are Now Beginning to Compete with Linear Source: BTIG May 21, 2013.

Group Strategy Division | 2010 MRP 10 Sony Corporation Pay TV Also Continues to Grow Internationally, Creating New Opportunities for Programmed Channels Global Pay TV Households (MM) (1) Source: Informa (1) Pay TV Subscribers include Digital Cable, Analog Cable, Pay IPTV, Pay DTH, and Digital Pay Terrestrial TV households. CAGR: 4.4% Penetration54%59%

Group Strategy Division | 2010 MRP 11 Sony Corporation The Proliferation of International Channels is Increasing the Demand for US Studio-quality Content Source: SNL Kagan CAGR: 5.0% Worldwide Market for U.S. Produced Programming ($BN)

Group Strategy Division | 2010 MRP 12 Sony Corporation Sony Pictures Television: Highlights SPT is well positioned to take advantage of the changing TV landscape Global Pay TV Growth Increased Demand for Content New Distribution Opportunities Networks projected to have an EBIT CAGR of 23% across the plan, coming from all regions across the world as newer channels mature to profitability and more mature channels grow or maintain their margins Most successful production slate in a decade with SPT receiving orders for eight new scripted series Currently producing 33 programs for 17 US networks Distribution continues to grow given new buyers and opportunities with SVOD and a strong global Pay TV market International Distribution sells in over 300 countries/markets and US Distribution sells in over 200 US markets Crackle positioned as top ad-supported channel on multiple platforms; breaking new ground with original production, distribution across platforms, and global expansion

Group Strategy Division | 2010 MRP 13 Sony Corporation SPT Embraces Change Total TV = 37% Total TV = 60% An industry leader constantly shaping and adapting to new trends, SPT has experienced significant growth and has become the largest contributor of profitability to SPE

Group Strategy Division | 2010 MRP 14 Sony Corporation AUSTRALIA LATIN AMERICA AFRICA ASIA JAPAN EUROPE & RUSSIA KOREA 159 COUNTRIES804 MILLION HOMES124 FEEDS22 LANGUAGES NORTH AMERICA SPT is capturing the subscriber growth trend by continuing to expand our channel presence internationally through new channel launches and targeted acquisitions in key growth areas SPT Networks: Global Expansion

Group Strategy Division | 2010 MRP 15 Sony Corporation SPT Networks Adapting to Changes in Consumer Behavior SPE already owns a premium content OTT digital network with Crackle Top ad-supported premium content service that is available across all platforms; broader audience reach than several top paid services, including Hulu+ and Amazon Top ad-supported channel on key platforms (Top 5 channel on Bravia, Blu-ray, and Roku) Crackle expanding device and territory footprint to capitalize on growth in alternative consumption models Expanding Reach of Linear Networks Evaluating direct-to-consumer apps (e.g., AXN Go in LATAM) with cable/sat partners Participating in existing local TV Everywhere offerings of cable/sat partners (e.g., Singapore) SPT’s broader network strategy also recognizes new distribution platforms and consumer behavior

Group Strategy Division | 2010 MRP 16 Sony Corporation SPT Distribution: Growing Buyer Pool Source: SPT analysis. Note: Domestic count does not include local affiliates of national networks already included. Domestic International International distribution continues to grow given new buyers and opportunities with SVOD and a strong global Pay TV market. The team has continued to build relationships with content buyers both domestically and internationally which is directly reflected in the growing number of SPT customers to whom we sell.

Group Strategy Division | 2010 MRP 17 Sony Corporation SPE Distribution: Shift in our Revenue Mix U.S. Revenue Mix International Revenue Mix Source: SPT and SPHE finance. SPE has capitalized on the shift in consumption patterns, and our revenue mix today reflects the emergence of new markets and partners (ex. Community on Netflix).

Group Strategy Division | 2010 MRP 18 Sony Corporation SPT: U.S. Production Note: Excludes Wheel of Fortune, Jeopardy!, The Young and the Restless, and Days of Our Lives. SPT has had the most successful production slate in a decade with SPT receiving orders for eight new scripted series. SPT’s increased production slate reflects our success creating original television content to satisfy a greater demand for our product New SeriesReturning Series

Group Strategy Division | 2010 MRP 19 Sony Corporation Miami (Latin America/USH) Bogota Sao Paolo Rome Cologne Moscow Beijing Hong Kong Dubai Beirut Cairo Paris London Amsterdam AMERICAS EMEA (Europe, Middle East, Africa) ASIA Culver City SPT: International Production Building a Worldwide Presence Companies in 13 countries around the world covering multiple regions; Programs aired in 88 countries, 73 languages and counting… Companies in 13 countries around the world covering multiple regions; Programs aired in 88 countries, 73 languages and counting… Tuvalu

Group Strategy Division | 2010 MRP 20 Sony Corporation Q&A