Gender, Power and the Film Noir Student Edition Based on Works by Andreia Thaxton Jeneen Surrency Aaron Simmons Greg Thompson Created and Edited by: Dr.

Slides:

Advertisements

Similar presentations

Close Up! Production Best Practice Day December 2 nd 2009.

Advertisements

Film Noir Guy, Mica, Sam, Shanel. Origin Classic film noir started after the second world war. Much of the fear, mistrust, bleakness, loss of innocence,

American Film Comparative Study. American Film – Comparative Study Context 1.Why are the classic noir films obsessed with the femme fatale? 2.Why are.

Basic Film Elements Student Edition Edited by: Dr. Kay Picart.

Gender, Power and the Film Noir—II Student Edition Based on Works by Andreia Thaxton Jeneen Surrency Aaron Simmons Greg Thompson Created and Edited by.

Creative Media Intro Unit Lesson 6. Lesson Objective At the end of this lesson we will have learnt the final camera terms and definitions and analysed.

Discussing development of camera and editing skills… How did you use media technologies in the construction and research, planning and evaluation stages?

Evaluation question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products? By Eleanor Wright.

Oli Tapping.  Complex shot types are rarely used to save money.  Cuts and continuous editing used as much as possible  Low angle shots are used to.

Reading, Note- Taking, and Writing for Research Lynn W Zimmerman, PhD.

It could be:  An element of characterisation or a relationship between characters  One (or more) of the themes from your play  Make sure that your.

What is Film Noir? ‘The world doesn’t make any heroes any more’. The Third Man.

L3 - Action Adventure – Character Roles Tuesday 5 th March 2013.

Independent Films: Classical v. Radical SE Powerpoint by Peter Reed Edited by: Dr. Kay Picart.

Film Theory What Films Do.

KEY CONCEPTS IN FILM ANALYSIS

Film Noir French for “Black Film”. What is it? 0 Crime Fiction.

Media Studies at As and A2 Studies Learning Objectives To have a secure understanding of the Media Studies course overview and the key skills essential.

Framework for Analyzing Film. Narrative the story, story line, what the story line is based on; two opposing elements; disruption of an equilibrium and.

Movie Analysis Topics and Areas of Films to Evaluate.

IMPROVING STANDARDS IN G.C.S.E. MEDIA STUDIES

Teaching Schindler’s List: Fact, Fiction and Film in Remembering the Holocaust Student Edition Based on a book, Holocaust as Horror by: Caroline (Kay)

Classical Cinematic Technique and Shadow of a Doubt

DEVELOPING ANALYSIS SKILLS MISE EN SCENE. MISE-EN-SCENE Mise-En-Scene includes: Setting Decor Lighting Body language (or NVC) Props Costume, hair and.

Genre Conventions. Genre A class or type of film such as the western or the horror movie. Films belonging to a particular genre share narrative, visual,

IB FILM – PRESENTATION. Externally Assessed IB FILM – PRESENTATION Externally Assessed Worth 25% of IB mark.

Credits: 3 Respond critically to significant aspects of visual and/or oral text(s) through close reading, supported by evidence English 3.9 Through their.

Evaluation: How does your media product represent particular social groups?

Case Study: The Evolution of Frankenstein Films Class, Race and the Horror Film Student Edition Draft Written by: Greg Thompson and Brandon Montgomery.

“Wake up, time to die.” Edited by: Dr. Kay Picart, Donna Gallagher, and Kristen Millen Blade Runner.

Classic Hollywood Film Language Alfred Hitchcock: Shadow of a Doubt (1943)

Lesson : Applying Cinematic Techniques Identify cinematic techniques in a video Explain the effect of the cinematic choices Compare key stylistic.

Space. Space Depth, proximity, size and proportions of the places and objects in a film can be manipulated through camera placement and lenses, lighting,

Monstrosity, Sex, and Gender SE PowerPoint Presentation By: Jason Jewell Edited by: Dr. Kay Picart, Kristen Millen, and Donna Gallagher.

What is film noir?. Made in the U.S.A. American films produced by Hollywood in the 1930s and 40s B movies Common themes of loneliness, alienation, despair,

Exploring a film still As you take your seat you must explore the mise-en- scene in the film still I have given you. Consider and write brief bullet points.

Film Noir “Play it again Sam.”. What constitutes Film Noir?

Using Media Language. Genre Deconstructing the text Deconstructing the text Genre genre signifiersrepertoire of elements Genre genre signifiersrepertoire.

Film Noir planning  How Film Noir has evolved  Typical conventions and how I plan to challenge them  How I intend to incorporate my research into my.

Films always reflect the times and places in which they were made

AS Media Studies MS1: Media Representations and Responses Please have your folder, paper and a pen out ready to begin the session.

Media. UNIT 3 SAC: Narrative - 40 marks – (All 3 SAC’s - 12%) SAT: Production Exercises SAT: PDP UNIT 4 SAT: Media Process SAC: Social Values - 40 marks.

Preparing for media forms question Year 12 exam preparation.

Chapter 9 Film Genres 1 © 2013 McGraw-Hill Higher Education. All rights reserved.

Action Adventure The Key Points.

The Intention and Audience of Your Production

Assignment Two Deliver a presentation exploring at least two texts from different genres (these need to be agreed in advance with your tutor). You should.

The seedy side of the film world . . .

American Film –Comparative Study

LO1 – Micro-Analysing Horror Movies

Documentary and Politics

Learning Intentions To be able to identify the different types of camera shots and camera angles used in film. To be able to comment on the purpose of.

Chicago (2002) dir. Rob Marshall

Answer the following questions on each slide.

A LEVEL FILM STUDIES SEPTEMBER 2018.

Film Production Elements

“You may think you know what you’re dealing with, but believe me, you don’t.” – Noah Cross (John Huston) to Jake Gittes (Jack Nicholson) in Roman Polanksi’s.

Stylistics, Codes & Conventions

Linguistic and Visual Techniques in Advertising

Evaluation- Question 2 How does your media product represent particular social groups?

Gather your materials! Let’s Prepare!.

Gather your materials! Let’s Prepare!.

Feminist Criticism.

THE EVALUATION.

Knowledge Organiser: CSP Television & Film

Part 3: Case Study Evolution of Frankenstein Films

Film Education and CP3 Liverpool 2009.

Gather your materials! Let’s Prepare!.

By: Laura McEachron Michelle Ewen, Shana Kerby

Presentation transcript:

Gender, Power and the Film Noir Student Edition Based on Works by Andreia Thaxton Jeneen Surrency Aaron Simmons Greg Thompson Created and Edited by: Dr. Kay 2002

Film Noir--Lecture Outline  This PowerPoint is broken into two sections.  This division should correspond to two fifty minute class sessions.

L.A. Confidential  Section One covers John Belton’s article “Film Noir: Somewhere in the Night,” and L.A. Confidential as an example of Film Noir  Section Two covers the Brian Gallagher text and its relationship to the film  Each section will contain discussion questions relative to the information. Film Noir--Lecture Outline (2)

 Background and Conventions of Film Noir (10 minutes)  Masculine and Feminine Character Types (10 minutes)  Links to Existentialism (optional 10 minutes)  L.A. Confidential (20 minutes) Film Noir: Time, Section One

 What are the origins of the term “film noir”?  What does “film noir” mean? Film Noir: Background Continued on Next Slide

 What themes are characteristic of film noir? Film Noir: Background (2) Continued on Next Slide

Genre, what elements does film noir contain?  As Genre, what elements does film noir contain? Film Noir: Genre, Series of Mode Continued on Next Slide

Series, what are film noir’s characteristics as an  As Series, what are film noir’s characteristics as an aesthetic movement? (Pay attention to film form.) Film Noir: Genre, Series of Mode Continued on Next Slide

Mode, what are film noir’s key characteristics?  As Mode, what are film noir’s key characteristics? Film Noir: Genre, Series of Mode

Small Group Discussion  Profile the standard male protagonist of the film noir.

 What two threats does the female pose to the Film Noir hero? Film Noir: The Fe-Male Character Continued on Next Slide

 Themes of Film Noir deal with such existential issues such as _________? Film Noir and Existentialism Continued on Next Slide

Critique L.A. Confidential as a Film Noir Continued on Next Slide L.A. Confidential will be abbreviated L.A.C. hereafter

Film Noir Aesthetics in L.A.C.  Comment on the lighting and camera angles in L.A.C.  Give specific examples Continued on Next Slide

Film Noir Aesthetics in L.A.C. (5)  Voice-Over Narration:  Give examples Continued on Next Slide

Film Noir Aesthetics in L.A.C. (8)  Examples of Claustrophobic Framing? Continued on Next Slide

Film Noir Aesthetics in L.A.C. (10)  Complex Narrative Structure:  EXAMPLES  EXAMPLES? Continued on Next Slide

Film Noir Male Heroes  Characterize Bud White as Film Noir Hero  Cite specific scenes to back up these characterization Continued on Next Slide

Film Noir Fe-Male Hero  Characterize Lynn Bracken as a Film Noir Femme Fatal :  Cite particular scenes to back up this characterization. Once again, use film form language. Continued on Next Slide