‘Only Connect’: Text and Theory ‘Only Connect’: Text and Theory.

Slides:



Advertisements
Similar presentations
Literary Theories in very brief summary.
Advertisements

Kate Chopin and the Female Realists Mrs. Sikora American Literature.
Feminist Theory and Gender Studies
Father of Psychology! Sigmund Freud.
Utilizing the Metaphor of a Critical Lens.  Reader Response  Talking to the Text  Read Aloud.
The World of Literary Theory Feminist/Gender Psychological Marxist Cultural.
English Composition II: ENGL 112 Tuesday, February 22, 2011.
Literary Criticism Schools of Literary Theory. What is Literary Criticism? The study, analysis, and evaluation of a work of literature Each school of.
Critical Approaches to Literature
Critical Discourses in Away
Introduction to Literary Critical Theory Learning Goal: To understand and apply the critical theories used in literary studies. Agenda: 1)The Basics of.
Psychological/Psychoanalytic Criticism
Introduction to Literary Theory, Feminist and Gender Criticism
Critical Strategies for Reading & Writing. Formalist Examines: 1. Language4. Metaphor7. Characterization 2. Structure5. Plot8. Symbolism 3. Tone6. Setting.
Critical Strategies for Reading & Writing. Reader’s Response  What is in reader’s mind not in the writing  Meaning evolves with reader, writing does.
Literary / Critical Theories: A How To Guide Each of the literary theories analyzes one aspect of literature. Each of the literary theories analyzes one.
1 Critical Approaches to Literature Created by Mr. Smithmier
Psychoanalytic criticism By: Linda D’Alessandro. Psychoanalytic literary criticism refers to literary criticism which, in method, concept, theory, or.
Literary Theory How Do I Evaluate a Text?.
Nine Lit Crit Ways of Looking at The Great Gatsby...and the rest of the world Facilitated by a great many quotes from Donald E. Hall’s Literary and Cultural.
Psychoanalytical Literary Criticism Or, why all characters, authors, and readers have issues.
CRITICAL APPROACHES TO LITERATURE Literary Theory.
CRITICAL APPROACHES TO LITERATURE Literary Theory.
Psychoanalytic Criticism
FFocuses on language, structure, and tone IIntrinsic Reading vs. Extrinsic FFormalists study relationship between literary devices and meaning.
Introduction: The Strange Case of Dr. Jekyll and Mr. Hyde.
Please sit with your group from yesterday Get ready to add to your notes from yesterday.
LITERARY THEORIES An Introduction to Literary Criticism.
What’s Theory Got To Do With It? How Perspective Can Change Your Reading and the Way You See Your World!!!
CRITICAL APPROACHES TO READING Literary Theory. Reader Response What you’ve already read. What you’ve already experienced. This school of criticism focuses.
Freud and Jung.  Method of mind investigation – especially unconscious  “A therapeutic method, originated by Sigmund Freud, for treating mental disorders.
F RANKENSTEIN AND L ITERARY C RITICISM "Criticism asks what literature is, what it does, and what it is worth." Encyclopedia Britannica.
1 Literary Criticism Exploring literature beneath the surface.
Unit 4: Week 1 Further and Independent Reading Critical Anthology.
Critical Theory Strategies for reading. What is Critical Theory? O Different ways of looking at text (think new lenses) O None is “more right” than another.
LITERARY THEORY AND SCHOOLS OF CRITICISM.  Characterized by close reading  The text is studied without a consideration of era or author  Questions.
ENGLISH LITERATURE A2 Section B. THE GOTHIC (A04): DIFFICULT TO DEFINE? First Wave: Ann Radcliffe, Matthew Lewis, Horace Walpole Formulaic More likely.
CRITICAL METHODOLOGIES. LITERARY THEORY Literature (as well as art and culture) can be read and analyzed through a number of different critical lenses.
Literary Criticism The evaluation, analysis, description, or interpretation of literary works.
Understanding Literary Theory and Critical Lenses
CRITICAL APPROACHES TO LITERATURE Literary Theory.
Main works: The Interpretation of Dreams (1899) Three Essays on the Theory of Sexuality (1905) Totem and Taboo (1913) Civilisation and its Discontents.
CRITICAL APPROACHES TO LITERATURE Literary Theory.
Honors American Literature
Critical Approaches to Literature
Introduction to Literary Criticism
Critical Approaches to Literature
Critical Approaches to Literature
Introduction to Literary Criticism
Studying Women’s & Gender History
Post-Colonialism Dr Anisa G
Theoretical Approaches to Literary Criticism
Through Rose-Colored Glasses: The Feminist Lens
By: Fasica Mersha, Cxan Burton, Felina Thomas
Critical Theory or Literary Criticism
Literary Criticism An Introduction.
Types of Literary Criticism
Literary Criticism.
Psychoanalysis.
Literary Criticism.
Critical Approaches to Literature
Seven Different Lenses
Critical Approaches to Literature
Critical Approaches to Literature
Feminism Theory and Principles.
Critical Approaches to Literature
Critical Approaches to Literature
Critical Approaches to Literature
The theme of the DOUBLE: Wilde and Stevenson
Presentation transcript:

‘Only Connect’: Text and Theory ‘Only Connect’: Text and Theory

What We Read The Canon Milton Shakespeare WordsworthKeats Tennyson Jane Austen Dickens Children’s Literature Sci-Fi ThrillerDetective Fiction Popular Culture Chick Lit

What We Read The Reader Survivor Batman Atonement Harry Potter Pride and Prejudice Whale Rider Hamlet

How We Read AuthorText Reader Stable meaning Task of reader to work out author’s intention

How We Read Author TextReader Reader Response Meanings – fluid, flexible, multiple ‘The death of the author is the birth of the reader.’ Roland Barthes Ideology Background Culture Society

How We Read Literary Theory: Different ways of approaching, looking at text Different ways of approaching, looking at text Fashions come and go, new theories and approaches invented Fashions come and go, new theories and approaches inventedExamples: New Historicist New Historicist Post-colonial Post-colonial Marxist Marxist Psychoanalytic Psychoanalytic Feminist Feminist

Advantages Reader centre stage Reader centre stage Multiplicity Multiplicity Different voices heard Different voices heard Connections between texts: links, commonalities, divergences, intertextuality Connections between texts: links, commonalities, divergences, intertextualityBUT: Still need textual analysis, support Still need textual analysis, support

How We Read Texts New Historicist: Text in historical context Text in historical context Text shaped by cultural, political, ideological world in which produced Text shaped by cultural, political, ideological world in which produced For Example: Hard Times – 19 th trade union movement, education act Hard Times – 19 th trade union movement, education act The Tempest – exploration and discovery The Tempest – exploration and discovery The Captive Wife – convicts, cultural contact, 19 th attitudes towards women The Captive Wife – convicts, cultural contact, 19 th attitudes towards women

How We Read Texts Post-colonial: Examine representations of race, Empire, power imbalance Examine representations of race, Empire, power imbalance Indigenous voice/perspective Indigenous voice/perspective For Example: The Tempest – Ariel and Caliban indigenous, Prospero as coloniser The Tempest – Ariel and Caliban indigenous, Prospero as coloniser Mansfield Park – Edward Said – society/wealth founded on slave trade (Antigua) Mansfield Park – Edward Said – society/wealth founded on slave trade (Antigua) Salman Rushdie, Witi Ihimaera, Patricia Grace Salman Rushdie, Witi Ihimaera, Patricia Grace

How We Read Texts Marxist: Class struggle key feature of history, human interaction Class struggle key feature of history, human interaction How do texts represent society, class? How do texts represent society, class? For Example: Wuthering Heights – Heathcliff’s pursuit of wealth and power Wuthering Heights – Heathcliff’s pursuit of wealth and power Jane Eyre – Jane a ‘lady’, inheritance secures her class position Jane Eyre – Jane a ‘lady’, inheritance secures her class position

How We Read Texts Psychoanalytic: Freud – loss experienced upon separation from mother’s body, id versus ego Freud – loss experienced upon separation from mother’s body, id versus ego Jungian archetypes, collective unconscious Jungian archetypes, collective unconscious Jacques Lacan – structure of self and relation to the social, mirror stage Jacques Lacan – structure of self and relation to the social, mirror stage For Example: Bruce Wayne and Batman – ego and id, chaos and order Bruce Wayne and Batman – ego and id, chaos and order Bertha in Jane Eyre – the suppressed self Bertha in Jane Eyre – the suppressed self Goblin Market – sexuality and desire Goblin Market – sexuality and desire

How We Read Texts Feminist: Representation of women in literature Representation of women in literature Desire to recover ‘silenced’ writers Desire to recover ‘silenced’ writers Patriarchal structure of society and language Patriarchal structure of society and language For Example: Jane Austen – predicament of 18 th Century women Jane Austen – predicament of 18 th Century women Aphra Behn, Dorothy Wordsworth, Louisa Baker, Dorothy Parker Aphra Behn, Dorothy Wordsworth, Louisa Baker, Dorothy Parker John Donne – ‘she is all states, all Princes I’; ‘Ah my America, my new found land’ – male conqueror critiqued John Donne – ‘she is all states, all Princes I’; ‘Ah my America, my new found land’ – male conqueror critiqued

Dr Jekyll and Mr Hyde Robert Louis Stevenson

Charles Darwin Origin of Species (1859) Charles Darwin Origin of Species (1859) Evolutionary Scale: Natural Selection Evolutionary Scale: Natural Selection ‘Civilised’ Man ‘Civilised’ Man ‘Savage’ ‘Savage’ Ape Ape

Atavistic Criminal Cesare Lombroso, Criminal Man (1876): Ears of unusual size, standing out from the head as do those of the chimpanzee Ears of unusual size, standing out from the head as do those of the chimpanzee Nose twisted, upturned, or flattened in thieves, or aquiline or beak-like in murderers, or with a tip rising like a peak from swollen nostrils. Nose twisted, upturned, or flattened in thieves, or aquiline or beak-like in murderers, or with a tip rising like a peak from swollen nostrils. Lips fleshy, swollen, and protruding Lips fleshy, swollen, and protruding Chin receding, or excessively long, or short and flat, as in apes. Chin receding, or excessively long, or short and flat, as in apes. Abnormally hairy Abnormally hairy Excessive length of arms, extra fingers and toes Excessive length of arms, extra fingers and toes

New Historicist Reading Jekyll: Genial Doctor Hyde: Ape-Like, Deformed, Atavistic Criminal -‘impression of deformity…hardly human…something troglodytic…’ -‘ape-like fury’ -‘like a monkey’ -‘animal terror’ -‘face…great muscular activity…debility of constitution’ -‘hand…corded and hairy’ -‘ape-like tricks’, ‘ape-like spite’ -‘a large, well-made, smooth- faced man of fifty, with something of a slyish cat perhaps, but every mark of capacity and kindness…’

Post-Colonial and Marxist Readings Jekyll/Hyde ‘Primitive’ Lurks Within No Sense of Evolutionary Progress Superiority/Evolved Nature of ‘Civilised’ Man an Illusion Crimes of a Middle Class Man Hyde: Middle Class, Hyde Described As ‘Gentleman’

Sigmund Freud Studies on Hysteria, 1895 Sigmund Freud Studies on Hysteria, 1895 Id – instinctual self, location of desires, repressed because socially unacceptable, a threat to the ego (pleasure principle) Id – instinctual self, location of desires, repressed because socially unacceptable, a threat to the ego (pleasure principle) Ego – conscious self (reality Principle) Ego – conscious self (reality Principle) Superego – conscience (internalisation of punishments and warnings) and ego ideal (shaped by rewards and positive models) Superego – conscience (internalisation of punishments and warnings) and ego ideal (shaped by rewards and positive models) Return of the Repressed – can never banish id, will emerge at some point Return of the Repressed – can never banish id, will emerge at some point

Psychoanalytic Reading Id: Hyde Ego: Jekyll Superego Conscience: Wrong to Indulge Desires Ego Ideal: Respected, Charitable Doctor The Return of The Repressed… ‘his wonderful selfishness and circumscription to the moment…’ ‘his every act and thought centred on self; drinking pleasure with bestial avidity…’ Anti- Calvinist Allegory

Study in Addiction Attraction of altered state (Hyde) Attraction of altered state (Hyde) Dependency on/ enslavement by Hyde Dependency on/ enslavement by Hyde Illusion of self-control, belief can be free of Hyde when choose Illusion of self-control, belief can be free of Hyde when choose Concealment, manipulation of others Concealment, manipulation of others Compulsive behaviour Compulsive behaviour Despair, retreat into pathological reclusiveness, underworld Despair, retreat into pathological reclusiveness, underworld Inability to achieve desired effect Inability to achieve desired effect Triumph of Hyde Triumph of Hyde Jekyll compares self with ‘drunkard’

Feminist Reading? ‘Weeping like a woman or a lost soul…’ ‘Weeping like a woman or a lost soul…’ Hyde as the Repressed Feminine? Hyde as the Repressed Feminine? Hyde as Product of Male Environment Hyde as Product of Male Environment ‘…the more it looks like Queer Street, the less I ask’ ‘…the more it looks like Queer Street, the less I ask’ The Back Door The Back Door A Warning: Text and Context A Warning: Text and Context Queer Studies Reading?

Belonging or Alienation?

Settler Indigenity ‘It is only by going native that the European arrivant can become native.’ (Terry Goldie) ‘It is only by going native that the European arrivant can become native.’ (Terry Goldie) ‘To surrender the furnishings of a culture both European and bourgeois is to come into the sensuality of a “natural occupancy” of the new land. The pleasure afforded by these fictions is that they allow the heirs of a settler society to imagine our unhistoric origin as the possibility of the making of a settlement without a colony.’ (Linda Hardy) ‘To surrender the furnishings of a culture both European and bourgeois is to come into the sensuality of a “natural occupancy” of the new land. The pleasure afforded by these fictions is that they allow the heirs of a settler society to imagine our unhistoric origin as the possibility of the making of a settlement without a colony.’ (Linda Hardy)

‘Colonial Being’ (Stephen Turner) Colonial New Zealander New place like home New place like home Eliminate indigenous population Eliminate indigenous population To be at home/of the new place To be at home/of the new place To be indigenous To be indigenous Colonial Being fantasized history fantasized history illusory continuity; historical discontinuity illusory continuity; historical discontinuity myth-making myth-making

Becoming Māori Becoming Māori Language and Affection Language and Affection Rechristening Rechristening Symbolic Wedding Night Symbolic Wedding Night Moko Moko Baptism Baptism

Displaced Woman Sacrifice of Self Sacrifice of Self Voice-Over – ‘Sadness’ and ‘Despair’ Voice-Over – ‘Sadness’ and ‘Despair’ Dissolving Words Dissolving Words Ocean – Symbolic Separator Ocean – Symbolic Separator Celtic Theme Tune Celtic Theme Tune

Mister Pip, Lloyd Jones Post-Modern Power to Reader: Liberation and Transformation Post-Modern Power to Reader: Liberation and Transformation Post-Colonial? Exploitation and the Culture of Violence Post-Colonial? Exploitation and the Culture of Violence Dickens Appropriated; Oral and Written, Feminine and Masculine Dickens Appropriated; Oral and Written, Feminine and Masculine Cultural Colonisation? Cultural Colonisation? Masculine Voice? Masculine Voice?

Katherine Mansfield, How Pearl Button was Kidnapped Katherine Mansfield, How Pearl Button was Kidnapped Anne Estelle Rice, Katherine Mansfield, 1918 Nigel Brown, Names Painting Katherine Mansfield, , Private Collection, Photograph Nicola Topping.

How Pearl Button Was Kidnapped New Historicist Reading: Written 1910 Written 1910 New Zealand female suffrage 1885 New Zealand female suffrage 1885 Maori – fatal impact, assimilation Maori – fatal impact, assimilation Puritan society – tradition of literary critique of Puritan mindset – Mansfield attacks the ‘box’ mentality of early 20 th century New Zealand secular Puritanism Puritan society – tradition of literary critique of Puritan mindset – Mansfield attacks the ‘box’ mentality of early 20 th century New Zealand secular Puritanism

How Pearl Button Was Kidnapped Feminist Reading: House, ‘box’, domestic space of conformity and traditional female domestic drudgery ‘In the kitchen, ironing-because-its- Tuesday’ House, ‘box’, domestic space of conformity and traditional female domestic drudgery ‘In the kitchen, ironing-because-its- Tuesday’ Pearl – rebellious, desirous of new horizons and experiences Pearl – rebellious, desirous of new horizons and experiences Shedding of ‘shoes and stocking, her pinafore and dress’, freeing from female constraint, expectation Shedding of ‘shoes and stocking, her pinafore and dress’, freeing from female constraint, expectation

How Pearl Button Was Kidnapped Psychoanalytic Reading: Id: Instinctual Self Super-Ego Ego: Pearl Conscience: ‘nasty things’ policemen Ego Ideal: mother at home Boxes = order Escape Archetype: Socialisation of individual Fantasy of escape Freud: Journey away from Mother

How Pearl Button Was Kidnapped Post-Colonial Reading: Cultural encounter – Maori culture seen as warm, communal, loving, spontaneous; Pakeha culture as restricting, sterile and claustrophobic Cultural encounter – Maori culture seen as warm, communal, loving, spontaneous; Pakeha culture as restricting, sterile and claustrophobic Maori stereotypes – ‘fat’, ‘dusty’, ‘naked’, admiring of Pearl’s ‘yellow curls’ Maori stereotypes – ‘fat’, ‘dusty’, ‘naked’, admiring of Pearl’s ‘yellow curls’ Witi Ihimaera’s ‘The Affectionate Kidnappers’ – ‘a tamariki all alone – no good’, ‘gone into darkness, gone into the stomach of the Pakeha …eaten up by the white man’ Witi Ihimaera’s ‘The Affectionate Kidnappers’ – ‘a tamariki all alone – no good’, ‘gone into darkness, gone into the stomach of the Pakeha …eaten up by the white man’

How Pearl Button Was Kidnapped Marxist Reading: Bourgeois Pakeha society: individual ownership = conformity, alienation, ‘nasty things’ Bourgeois Pakeha society: individual ownership = conformity, alienation, ‘nasty things’ Maori society: communal, warmth, laughter Maori society: communal, warmth, laughter Pearl instinctively Marxist in outlook and preferences Pearl instinctively Marxist in outlook and preferences

Bibliography: Literary Theory Gregory Castle, The Blackwell Guide to Literary Theory (2007) Gregory Castle, The Blackwell Guide to Literary Theory (2007) Jonathan Culler, Literary Theory: A Very Short Introduction (Oxford UP 1997) Jonathan Culler, Literary Theory: A Very Short Introduction (Oxford UP 1997) Terry Eagleton, Literary Theory: An Introduction (Minnesota UP 1996) Terry Eagleton, Literary Theory: An Introduction (Minnesota UP 1996) Patricia Waugh, ed., Literary Theory and Criticism: An Oxford Guide (2006) Patricia Waugh, ed., Literary Theory and Criticism: An Oxford Guide (2006)

Bibliography: Mister Pip, River Queen John Lovell, Mister Pip Teacher’s Guide (Longman, 2008) John Lovell, Mister Pip Teacher’s Guide (Longman, 2008) Jennifer Lawn, ‘What the Dickens: Storytelling and Intertextuality in Lloyd Jones’ Mister Pip,’ in Floating Worlds: Essays on Contemporary New Zealand Fiction, ed. Anna Jackson and Jane Stafford (Victoria University Press, 2009)pp Jennifer Lawn, ‘What the Dickens: Storytelling and Intertextuality in Lloyd Jones’ Mister Pip,’ in Floating Worlds: Essays on Contemporary New Zealand Fiction, ed. Anna Jackson and Jane Stafford (Victoria University Press, 2009)pp Mark Llewellyn, ‘What is Neo-Victorian Studies?’ Neo- Victorian Studies 1:1 (2008) pp on Mister Pip Mark Llewellyn, ‘What is Neo-Victorian Studies?’ Neo- Victorian Studies 1:1 (2008) pp on Mister Pip Bruce Babington, ‘What Streams May Come: Navigating Vincent Ward’s River Queen’ Illusions Winter (2008) pp Bruce Babington, ‘What Streams May Come: Navigating Vincent Ward’s River Queen’ Illusions Winter (2008) pp Kirstine Moffat, ‘The River and the Ocean: Indigenity and Dispossession in River Queen’ Moving Worlds, Special Issue: New New Zealand, 8:2 (2009) pp Kirstine Moffat, ‘The River and the Ocean: Indigenity and Dispossession in River Queen’ Moving Worlds, Special Issue: New New Zealand, 8:2 (2009) pp