Visual Merchandising Unit 4. Visual Merchandising the presentation of a store and its merchandise in ways that will best attract the attention of potential.

Slides:



Advertisements
Similar presentations
DESIGN’S MOST EXCITING ELEMENT
Advertisements

Principles and Elements of Design Review
Basic components or building blocks
Color It’s Magic!.
Elements & Principles of Design
Colors are non-verbal forms of communication. As you design brochures, logos, and Web sites, it is helpful to keep in mind how the eye and the mind perceive.
UNIT F FASHION PROMOTION 6.03 Explain visual merchandising.
VISUAL MERCHANDISING Display Building OBJECTIVE Be able to define “Visual Merchandising” & provide examples from 6 businesses *In this day & age of self.
Elements of Design Essentials of Interior and Textile.
Elements of Design.
Floriculture Elements of Design COLORCOLORCOLORCOLOR.
DESIGN’S MOST EXCITING ELEMENT
Create Design for a Simple Project
 Color might be the only visual element of a flower arrangement that anyone ever notices.
Composition (The elements). What is Composition Composition is the arrangement of shapes (forms) in an image – their position, relationship to one another.
Elements of Art.
ABSTRACT DESIGN.
COLOR USING COLOR TO ENHANCE A ROOM. COLOR Many designers agree that color is the most significant element of design. Individuality can be expressed through.
Textile & Apparel Production I
COLOR DESIGN’S MOST EXCITING ELEMENT Hue Value Intensity COLOR HAS THREE DIMENSIONS OR QUALITIES:
The Lines and Colors of Life. How does it feel when you see disorderly things? What do you feel when you observe orderly and pleasant arrangement of structures?
Elements of Art (pages 32-36)
Elements & Principles of Interior Design. 1.Line 2.Form 3.S p a c e 4.Texture 5.Color Elements of Design – Your Tools.
Color Wheel Assignment On the back of your color wheel poster  Top Left Corner should be Your Name – Fashion Essentials – Period  List the primary colors.
The Color Wheel. Why study color? It is the most important element of a design It is one of the few visual design elements that people notice.
COLOR An exciting ELEMENT of ART Hue Value Intensity COLOR HAS THREE DIMENSIONS OR QUALITIES:
Art Elements Color. COLOR is light reflected off objects.
The Color Wheel. THE COLOR WHEEL REDORANGEYELLOWGREENBLUEVIOLET.
Design and Layout (part one) Elements of Art - Color (Drawing Concepts)
Elements of Art Line Shape Value Form ColorSpace Texture.
The elements of art the ingredients. the elements of art line shape form color value texture space.
Apparel Development 2 Objective 2.01 Elements and Principles of Design.
1.04 Elements and Principles of Design Comm Tech I.
UNIT F FASHION PROMOTION 6.03 Explain visual merchandising.
PART 1 Elements of Art what artists use to create art.
Elements of Design COLOR.
Colors in Floral Design
Color An element or property of light.. Color An element or property of light.
11.03 What is clothing made up of? Good fashion has a combination of the elements and principles of design.
Lesson 5 - Colour Schemes and Use in Displays
Chapter  Color  Space  Line  Texture  Form.
Elements And Principles of Design. Line Direction of lines Direction of lines Horizontal Horizontal Vertical Vertical Diagonal Diagonal Structural Lines.
Principles of Design Balance b b A. Stability of an arrangement 1. Arrangement appears secure and stable 2. Balance must be both visual and actual.
© ExplorNet’s Centers for Quality Teaching and Learning 1 Objective % Understand concepts used to create digital graphics.
Principles and Elements of Design Put your name here.
COLOR DESIGN’S MOST EXCITING ELEMENT. Hue Value Intensity COLOR HAS THREE DIMENSIONS OR QUALITIES:
Chapter 8 Using Design in Fashion
Chapter 3 Unit I Can Identify the Principles of Design? 2. I Can Identify the Basic Designs used in flower arranging?
ART END OF YEAR EXAM POWERPOINT.  SURREALISM IS A CULTURAL MOVEMENT IN THE EARLY 1920’S THAT SOUGHT TO RELEASE THE CREATIVE POTENTIAL OF THE UNCONSCIOUS.
Color Shape Line Texture. Symbolism of Color Color Creates a Mood, Brings Out Emotion and Feelings Or Reflects Your Personality and Distinguishes Characters.
Color Modified by Georgia Agricultural Education Curriculum Office September 2005.
COLOR Color COLOR col·or 1. the property possessed by an object of producing different sensations on the eye as a result of the way the object reflects.
Apparel Development 2 Objective 2.01 Elements and Principles of Design.
Color Theory. Hue and Value "Hue" is the specific name of a color, red, yellow, blue (primary colors). ”Value” refers to the lightness or darkness of.
Principles of Design Balance b b A. Stability of an arrangement 1. Arrangement appears secure and stable 2. Balance must be both visual and actual.
The name of a color as it appears on the color wheel:
DESIGN’S MOST EXCITING ELEMENT
The Color Wheel.
The Color Wheel The color wheel is a means of organizing the colors in the spectrum. The color wheel consists of 12 sections, each containing one hue.
Chapter 19-2 Clothing Design Basics
Use Chapter 11 to define: Primary colors Secondary colors
Lesson -1 The world of colours.
Presentation by Ms.Amandeep Kaur Assistant Professor BKCE,Daudhar
Any Phone I See I will take!  You may have paper out to take notes.
Textile & Apparel Production I
Elements & Principles Of Design.
Textile & Apparel Production I
Textile & Apparel Production I
Colors and Mixing Painting 1.
Elements of Design “The Tools”
Presentation transcript:

Visual Merchandising Unit 4

Visual Merchandising the presentation of a store and its merchandise in ways that will best attract the attention of potential customers.

The visual merchandiser (window trimmer) presents the image of the store to the customer and invites the customer to come in and shop. displayers-and-window-trimmers/ displayers-and-window-trimmers

Silent Sellers Any tool of a visual merchandiser that gives unspoken messages to the customer about the merchandise Ex. Windows, mannequins, fixtures

Exterior Display - windows act as a bridge between the exterior and the interior of the store. The window tells a story to the customer.

A corner window is a focal point and should always display the most important merchandise.

Storefront Styles: Straight front or parallel to sidewalk Most common & most workable

Angled front – increases the total window area.

Arcade front – requires setting the store’s entrance back and extending the size of the display windows.

Window Styles Corner

Elevated Window – most common Brings merchandise to the customer’s eye level.

Open-back window – retailers want the entire store visible to the consumer. Disadvantage: Merchandise can be knocked over and damaged.

Island windows – used when stores have large vestibule areas. Shoppers can view merchandise from all angels

Shadow-box windows – small windows that exist alone or part of a large window. It is usually fitted with lights. Advantages: Invites close inspection of merchandise Displays small items more effectively

Interior Display Floor Cases – customer can view merchandise at close range. May be used also as a sales counter.

Wall Cases – enables customers to examine merchandise and serve themselves.

Interior island displays encourages self-service.

Show and sell fixturing includes self-service racks and stands that feature attractively arranged merchandise.

Fixtures includes stands millinery heads and forms (mannequins) Millinery heads Mannequins

Stand display fixture with multiple attachments. T-stand Draping Garment Lingerie

Color: Fundamental Concepts & Application Color adds excitement to a visual presentation at a low cost. Color attracts attention to a subject. Art, theatre, movies and television make color one of their most vital ingredients in capturing attention.

Hue – the name of a color, such as blue, red or green. Value – is the color’s lightness or darkness. A color becomes lighter, by adding white and darker by adding black. True Color

Intensity – the color’s brightness or dullness. To dull the color, gray is added.

A color wheel is a system of color location and the relationship of one to another. The color wheel shows at a glance which colors may be combined to achieve a desired visual effect.

The color wheel is based on three “primary” or basic colors: Yellow Red Blue

“Secondary colors” are Orange ( red & yellow) Violet (blue & red) Green (blue & yellow)

“Tertiary” are colors that fall between primary and secondary colors.

Color Harmonies Monochromatic one basic color- variations may be achieved by using black and white.

Analogous – colors that occupy adjacent places on the wheel. Ex. Yellow Yellow green

Complementary – two colors that are opposite each other on the wheel. Ex. Red-green Purple-yellow

Split complementary use of one basic color with two colors that are on either side of the opposite color on the wheel.

Double complementary- two sets of complementary colors (4 basic colors) Triad – using three colors on the wheel that are equidistant from each other.

Neutrals- black, white, gray and tan may be used with any color combination for emphasis or contrast.

Psychology of Color – Color has a significant effect on our emotions possibly motivating us to buy.

Psychological feeling of Warmth – orange, red and yellow Coolness – blue, green, purple

Advancing (near) receding (distant) colors. Warm colors such as red and orange appear to be nearer or advancing. (cozy feeling – brings the walls in)

Cool colors such as blue and green appear to be more distant or receding (more open and spacious)

Emotional Effects of Colors Red – associated with romance and love. Yellow- sunny & cheerful Orange – warm, sunny feeling Blue – the favorite color of most people provides coolness and serenity.

Green – refreshing & peaceful Purple – the symbol of royalty used for dramatic purposes

Display Formats- must be consistent with the merchandise and the area in which the display is being set up.

Types of Display Formats Step format Pyramid format Zigzag format

Step format- is a graduation in levels from lowest to highest with all the levels being parallel. The eye movement in this type of display is upward and to the back of the configuration of the steps.

Pyramid format – approximates the shape of a three-sided figure. The merchandise at the base of the pyramid will be larger and more spread out and the items will be smaller and more compact as they near the top. This format is especially effective when the merchandise is all the same shape, such as boxes in a supermarket.

Zigzag format – a combination of both the step format and the pyramid format. It moves the eye because of various heights in the display. This format is especially effective where there are a large number of items to be shown.

Elements of Visual Effect Line – the lines in a display come from the merchandise itself as well as from the positioning of the merchandise, and they impart specific meaning to the customer. A line may be either straight or curved with different direction to it.

Straight line produces a feeling of precision, rigidity, directness.

Curved line gives the feeling of flexibility, action and a flowing continuity.

Horizontal line represents calm, quiet, and restfulness. It may also give the impression of width. Vertical line- implies poise, balance, dignity and height.

Diagonal line – can create different reactions. Usually a diagonal from high left to low right gives a feeling of action. It is exciting and indicates something is happening. A diagonal line from right (high) to left (low) will often convey a feeling of instability. It leads the eye through an unnatural movement and may produce a feeling of lack of confidence.

Symmetrical or formal balance the display is divided in half by an imaginary line. Every object on the left- hand side of the line must be repeated on the right-hand side of the line

Asymmetrical or informal balance the items on each side of the imaginary line do not repeat each other.

Repetition – is the regular occurrence of an object or element throughout a display. It creates continuity in a display. It registers the merchandise or the theme with the customer through visual impact.

Proportion – refers to what is usually accepted as being a proper relationship between objects and spaces. Items can purposely be made out of proportion for their normal context to create a certain impact. It is used for visual impact and theme identification.