WHAT IS THE MUSIC INDUSTRY? MUSIC INDUSTRY DEFINITION – A BUSINESS MAINLY SPLIT INTO FOUR PARTS INCLUDING:RECORDING OF THE MUSIC, SONG WRITING, PUBLISHING,

Slides:



Advertisements
Similar presentations
The Industries and Exhibition. “What They Do” The Roots, 1996 Dir. Charles Stone III – Wassup? Wassup?
Advertisements

Objective: Know the different organisations in the Music Industry Understand job roles from the performing side of the Music Industry Understand job roles.
Part 1: Setting the Stage. Chapter 3 Start Thinking What areas of expertise are required to get a song to market? 2. What is your particular area.
Traditional, Indie, 360 Versus DIY Artists, Labels and Contracts.
Copyright, Sampling and Collection.  Copyright exists in any original musical composition or lyrics created which is set down in some permanent form’
Images and Merchandising Images and Merchandising Licensing and Royalties Licensing and Royalties 2.
Anthony Bonanni. Introduction  Traditional way for artists to make money was by revenue from album sales.  Album sales are decreasing yearly.  One.
BTEC LEVEL 3 SUBSIDIARY DIPLOMA in MUSIC. Live PerformancesRecord Companies Music Publishing CompaniesArtist Management.
Chapter 17 Music Business Handbook and Career Guide, 10th Ed. © 2013 Sherwood Publishing Partners.
Commercial Music Careers
Helps with major business decisions, assists with the creative process, promotes an artist's career, assembles & heads the artist's professional team,
Agents, Managers, and Attorneys Chapter Eight
Chapter 16 Music Business Handbook and Career Guide, 10th Ed. © 2013 Sherwood Publishing Partners.
MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.
Music Publishing The New Math Deal By Professor Ed Calle Miami-Dade College - School of Entertainment Design Technology The New Math Deal By.
Copyright vs. trademark
Unit 39 P2,M2,D2 By Steven Horwood
The Australian Music Industry. Australian musicians and songwriters talk about the realities of life in the industry.
Marketing Music and Theater Chapter 8.3. Today’s Music  The media used for recording and playing back music and the channels of distribution continue.
Record Labels Chapter Thirteen
RESEARCHING THE MUSIC INDUSTRY By Harry Leggatt. THE MUSIC INDUSTRY SECTORS There are over 3 sectors of the music industry, all focusing on a different.
THE PA or the “Composition” THE SR or the “Sound Recording”
Applying the case-studies Explore an exam style question Understand the terms and how to apply a case study. Identify gaps in research.
The Music Business System Chapter Three
Music Industry Research By Jared Gibson. Sectors of the industry 1. Live Touring o The Live touring sector is crucial to the survival and success of the.
Legal Issues Recording Contracts Producer Contracts.
January 2009: PRS Template Presentation An i ntroduction to PRS for Music.
BROADCASTING INDUSTRY: ROYALTY AND COLLECTING SOCIETIES
Unit 2 – PMD 1 Backstage Production Job Roles By Amy Vickers.
Music Industry Quiz BTEC LEVEL 3 SUBSIDIARY DIPLOMA in MUSIC
Part 3: Managing Artist Relationships. Chapter 11.
Careers in Music. Arranger Adapts musical compositions to new styles Studies musical theory and notation.
Copyright for Songwriters and Composers. Protects the form of expression of ideas but not the ideas themselves. It builds a system where authors are rewarded.
TAXI ROAD RALLY November, 2014NOT LEGAL ADVICE!1 Music Business and Terminology This presentation is general information. Nothing in it should be construed.
Unit 2: Music Management (Part B – Short Term Associates) Players, People, Processes prepared by Philip Rothschild, Missouri State University, Entertainment.
Inside Record Labels 3.1. Major Label Departments CEO of a major label will generally oversee the business affairs of all the affiliated labels under.
Part 4: Producing, Performing, and Merchandising.
The Recording Industry Week 4. THE RISE OF RECORDS As late as 1880 or 1890, people growing up in a middle-class U.S. household had no recorded music in.
Images and Merchandising
Music Business Careers MUM 2702 Professor Calle Miami-Dade College SEDT.
Organizations in the music industry
Homework recap – in pairs discuss For a musical artist of your choice write about them, introducing them and how they have been marketed: For a musical.
Part 3: Managing Artist Relationships. Chapter 8.
October 2010 Music Publishing Overview. 2 Overview of Music Publishing Music Publishing is the business of acquiring, administering and exploiting rights.
Organisations In The Music Industry By: Shanann Thompson.
Media Industry Structure: Oligopoly The “few” selling to the many: Dominant firm oligopoly: One firm holds 50-90% of the market Tight oligopoly: Four firms.
The roles and contracts within Live performance Kai. Oakley.
Richard E. Caplan The University of Akron 5. Recordings Christopher Burnett California State, Long Beach.
*DJs (disc jockeys) play recorded music for audiences on radio or at live venues. There are three main types of DJ: Club DJs: * work in clubs and bars,
Music Industry Quiz Show. Multiple Questions A. B. C. D. E. Helps with major business decisions, assists with the creative process, promotes an artist's.
The Impact of Image image The public image of a celebrity can make the difference between success and failure. -Media feeds public fascination -Slander-False.
Licensed to the hilt What you need to know. Copyright Licensing Agency Fair dealing: UK Copyright ServiceUK Copyright Service covers printed books,
Part 4: The Recorded Music Industry. Chapter 13 Start Thinking... What does it take to get music recorded and distributed? Who are the different people.
Part 3: Managing Artist Relationships. Chapter 11.
Community buildings in a changing landscape Chapter 4.
Entertainment Pricing. P P P P The Marketing Mix—The Four Ps 2 involve the goods, services, or ideas used to satisfy consumer needs. Product Decisions.
Part 5: Live Music. Chapter 16 Start Thinking... Brainstorm all the factors you believe contribute to a successful, well-planned concert.
Disc Jockey (DJ) From getting paid in drink tickets to millions of dollars a year. $300/night is normal.
Section 3- Service Companies and Agencies
Artists’ Recording Contracts Chapter Twelve
The Music Business System Chapter Three
Music Publishing.
Music Publishing Overview
UNDERSTANDING THE DIFFERENCE BETWEEN A SOUND RECORDING (SR)
Management and promotion roles
Getting Started and Getting Paid
KS4 Knowledge Organiser: Year 11 Unit 1
Images and Merchandising
PRICE DECISIONS Sec
Media Industry Structure: Oligopoly
Presentation transcript:

WHAT IS THE MUSIC INDUSTRY? MUSIC INDUSTRY DEFINITION – A BUSINESS MAINLY SPLIT INTO FOUR PARTS INCLUDING:RECORDING OF THE MUSIC, SONG WRITING, PUBLISHING, LIVE MUSIC AND MANAGING THE ARTIST

RECORDING This is a map of the the recording process, In order for an artist to record they must first find a record label on which to record on, following this they should choose whether to cover a song, which they would have to find the rights to, or record an original song the next action in this process is recording the singers and artists, after this a backtrack maybe added, the product will then we put onto a CD and duplicated for further distribution

SONG WRITING AND PUBLISHING Song writing and publishing agreements When an individual writes a song there are certain terms and conditions that apply when publishing this song into the music industry. The song is split up is into two halves; the writer’s share and then the Publisher’s share. So, for 100% of all publishing revenues that a particular song generates, it will be 50% for the songwriter and 50% for the publisher.

LIVE MUSIC Due to the up rise in illegal downloading of songs and albums the main source of income for artists these days is from doing gigs, concerts and festival i.e. live music The main process in live music is this: promoter gets the performing artist and a venue owner together so that they can arrange a contract. A booking agency represents the artist to the promoters, It is the booking agencys job to make deals and book the artist in for performances. Consumers usually buy tickets either from the venue or from a ticket distribution service such as Ticketmaster. Record companies may provide tour support and they may finance a tour in the hopes that it will help promote the sale of recordings. However, in the 21st century, it has become more common to release recordings to promote tours, rather than book tours to promote records. Successful artists will usually employ a road crew: a semi-permanent touring organization that travels with the artist. This is headed by a tour manager and provides stage lighting, live sound reinforcement, musical instrument tuning and maintenance and transportation. On large tours, the road crew may also include an accountant, stage manager and catering. Local crews are typically hired to help move equipment on and off stage. On small tours, all of these jobs may be handled by just a few roadies, or by the musicians themselves.road crew: a semi-permanent touring organization that travels with the artist. This is headed by a tour manager and provides stage lighting, live sound reinforcement, musical instrument tuning and maintenance and transportation. On large tours, the road crew may also include an accountant, stage manager and catering. Local crews are typically hired to help move equipment on and off stage. On small tours, all of these jobs may be handled by just a few roadies, or by the musicians themselves.

ARTIST MANAGEMENT In order to become successful an artist may hire various people to help them on the way such as: Artist manager – also known as the talent manager oversees all situations that may crop up in an artists career in exchange for a percentage of the artists income. Entertainment lawyer – focuses on legal services of the music industry including contracts with record companies and various other deals Business manager – It’s their job to sort out all finance and book keeping

WHAT IS A RECORD LABEL? A record label is a brand or trade mark which takes care of the marketing and recording of an artists songs and music videos, it also covers the production, manufacturing, promoting, marketing and distribution.

DIFFERENT DEPARTMENTS IN A RECORD LABEL A&R (Artists and Repertoire) – Discover new talent, choose what songs should be on the album and choose where the album should be recorded Artist Development - promotes and publicizes the artists over the course of their career Promotion Department – main purpose is to make sure that the artists songs get played on the radio Publicity – This departments job is to get word out about a new artist Sales – This group oversees all retail in the record business Admin – controls finance and legal contracts

MAJOR LABELS VS. INDEPENDENT LABELS Warner Brothers Records BMG EMI Domino Rough Trade Records Apple Records

WHAT IS PRS AND PPL? PRS (Performing rights society) is a UK copyright collection society undertaking collective rights management in the music industry PPL (phonographic performance Ltd) is using recorded music on behalf of the record companies and performers rights i.e. on television ads, radio and CD’s

WHO IS IN A RECORDING STUDIO? Technicians Sound engineer/mixer Record producer e.g. Timbaland, Mark Ronson, Dr Dre The artist

WHAT DOES A MUSIC PUBLISHER DO? HOW DOES THE PUBLISHING SYSTEM WORK? music publishers sort out administering copyrights, licensing songs to record companies and others, and collecting royalties on behalf of the songwriter. Basically the way the publishing system works is like this: the song is written, a contract is sorted with the publisher, the song is used and the royalties are collected.