© 2005 UMFK. 1-1 BMG Entertainment internet business models text and cases Kristin Belanger.

Slides:



Advertisements
Similar presentations
Five Ways to Shift the Paradigm with Intellectual Property, Challenge Conventional Laissez Fair and Blow Your Client Away with Results.
Advertisements

Promotion and Promotional Mix
E-Commerce Internet and the Music Industry Jacques Robert.
Multi-Media and Cross-Platform Integration Chapter 13.
Traditional, Indie, 360 Versus DIY Artists, Labels and Contracts.
Anthony Bonanni. Introduction  Traditional way for artists to make money was by revenue from album sales.  Album sales are decreasing yearly.  One.
“Why the Music Industry Hates Guitar Hero” Ryan Veerkamp Sergio Cirinas Neil Potter By Jeff Howe, Wired Magazine Article Link.
Introduction EMI music group was established in 1931 when Gramophone Company merges with Columbia Graph phone to form Electric and Musical Industries.
1 MusicNet Announcement April 2, What MusicNet Is MusicNet is a new company we are launching today. Its goal is to make the dream of digital music.
MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.
YouTube For Marketing Broadcast yourself By: Kanakamadala Bharath.
© 2005 UMFK. 1-1 Napster internet business models text and cases Jeffery T. Pelletier.
Mark Pendolino COM 538 – Digital Media Theories Marketing Music Today: The Effect of New Media on the Marketing and Promotion of Musical Artists.
© 2005 UMFK. 1-1 CarPoint internet business models text and cases Kristin Belanger.
Case Study of Monster Inc. By Donatas Sumyla. Content Introduction Introduction Online Brokers Online Brokers Company Overview Company Overview Monster.com.
Music Publishing The New Math Deal By Professor Ed Calle Miami-Dade College - School of Entertainment Design Technology The New Math Deal By.
© 2005 UMFK. 1-1 iVillage.com internet business models text and cases Kristin Belanger.
ARTISTdirect Network Advertising Opportunities & Targeted Sponsorship.
Marketing Music and Theater Chapter 8.3. Today’s Music  The media used for recording and playing back music and the channels of distribution continue.
Music distributing with new media technologies. learning outcomes Describe the current state of the music industry from an industrial perspective. Outline.
Media Studies G322 Section A Representation & textual analysis TV Drama Section A Representation & textual analysis TV Drama Section B Institution & Audience.
Applying the case-studies Explore an exam style question Understand the terms and how to apply a case study. Identify gaps in research.
1 Competitive Analysis of Apple’s iPod and iTunes.
Music Industry Presentation:
Business Overview. What is Venzo Digital? A award-winning web platform that helps people sell music & apps on iTunes for free! We operate on a freemium.
1 Music 2.0 Revenue Streams, Consumer Behavior and Policy Issues Kristin Thomson Ignite : Philly June 11, 2008 Kristin Thomson and Michael Bracy Future.
Mobile Game Development in the West vs. East Luke Stapley – Cross Platform Please view my notes for more information.
Corporate Presentation 2011 JMD TeleFilms Industries Limited.
WHAT IS THE MUSIC INDUSTRY? MUSIC INDUSTRY DEFINITION – A BUSINESS MAINLY SPLIT INTO FOUR PARTS INCLUDING:RECORDING OF THE MUSIC, SONG WRITING, PUBLISHING,
Macrovision Corp. November 18, 2004 David Mizell Mary Voss Wei Wang.
Business Models In Media Industries. Definitions (1) A business model is an action methodology for the systematic and routine generation of money or equivalent.
Media as Businesses 1. Business organization 2. Implications?
SOCIAL MEDIA FOR BUSINESS reqSmart. Some Facts about Social Media - I Years to reach 50 million users. Radio – 38 years Television – 13 years Internet.
Regardless of what you are marketing today the internet has opened up a whole new world of opportunity. But the way people now access the internet has.
COHESION MEDIA GROUP PRESENTS RADIO BROADCASTING NETWORK FEATURING SONY MUSIC RADIO UNIVERSAL MUSIC RADIO WARNER MUSIC RADIO HOUSE OF BLUES RADIO ROCK.
The Long Tail Theory Applied to the Music Industry. Georgia, Ellen and Sophia.
Strategic Marketing For The Web Professional Web Services Internet Growth Amount of Information Technology Improvements Customer Relationship Management.
The Recording Industry Week 4. THE RISE OF RECORDS As late as 1880 or 1890, people growing up in a middle-class U.S. household had no recorded music in.
Blue Pie Productions A presentation for Blue Pie artists on how we deliver our music to the WORLD!
Corporate Presentation 2011 JMD TeleFilms Industries Limited.
Topic 4 Marketing International Marketing and E-Commerce.
Homework recap – in pairs discuss For a musical artist of your choice write about them, introducing them and how they have been marketed: For a musical.
“The Culture Industry” and the “Mass Culture” Critique "mass culture" is produced for masses, not individuals Made for passive consumption Culture (such.
MUSIC COMM. I MS. JOHNSTON. MUSIC How many of you download music? –iTunes –Zune Marketplace –podsafeaudio –LimeWire.
Economies and Diseconomies of Scale IB Unit GROWTH.
VS. CONSULTANTS: Jack Chang Maria Dimoka Matthieu Guibourge Hiroo Oda
CS 453 E-Commerce Technologies Sweet Spot Case Study 11 September, 2003 Ryan K. Dickey.
Jordan Baxley Kyle Neal Kadell James Justin Copeland.
TM Gain Exposure through Viral Marketing. Blueprint Selling Solutions Music Protection Our Network Featured Ads How You get Paid? Brand Integrity Summary.
M EDIA E CONOMICS J201 Mass Media & Society November 22, 2013.
Global Entertainment & Tourism Meeting 9. Tourism Largest global employer Travel communicates cultures Host and guest issues Visitor communications about.
MEDIA BY DAVID TEMBO. OBJECTIVES  Description on the current state of the media  Explain in detail Reasons:  File sharing  Piracy  Digital media.
Globalisation affects: music MOVEMENT OF PEOPLE - Immigration. With the migrants comes their music. Tourists and music sales. Education. - Effects of foreign.
Organisations In The Music Industry By: Shanann Thompson.
Media Points Finger at Google Presented by: Jennifer Hocking and Nikhil Gupta February 13, 2007.
Some History Radio signals the beginning of…? The end of…? Broadcasting Wireless communication. The end of…? Records Able to hear free music Sound.
Major Record Label V s Independent Record Label. 4AD  As one fourth of the Beggars Group, 4AD is a British independent record label that was started.
Richard E. Caplan The University of Akron 5. Recordings Christopher Burnett California State, Long Beach.
Digital Rights Management Zach Milko. Overview Definition Why it exists DRM Today  Fairplay Opponents of DRM  DefectiveByDesign.org Future Conclusion.
An objective Cashcrate Review. Can I make money with Cashcrate?
Chapter 3 Sounds & music. How does music make us feel?
Chapter 5: Sound Recording & Popular Music. U.S. Popular Music & the Rise of Rock Popular music or “pop” was possible as the result of recorded music.
MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.
Music Publishing.
DIGITAL ENTERTAINMENT
The Music Industry Aim – To understand who controls the music industry. To examine the pros and cons of multi national ownership of the industry.
Off-Key Performance For the overall music products industry, 2015 was a year of almost no growth, as sales increased a mere 0.8% to a total of $7.1 billion,
Business Plan StreamNet is a music and entertainment technology company whose primary business is to provide streaming entertainment content. The company’s.
MusicNet Announcement
PRICE DECISIONS Sec
Presentation transcript:

© 2005 UMFK. 1-1 BMG Entertainment internet business models text and cases Kristin Belanger

© 2005 UMFK. 1-2 Development of a Global Music Industry

© 2005 UMFK. 1-3 Overview Introduction History Strategies Stakeholders Get Big Fast! Hindsight

© 2005 UMFK. 1-4 Introduction Music Industry –One of the fastest moving Industries CEO – Strauss Zelnick (in 1998) Brick and Mortar company gone Online Two of the Six leading companies merged in the past year Steered BMG towards online opportunities Cautiously made strategic moves

© 2005 UMFK. 1-5 Introduction cont. Subsidiary of Bertelsmann AG (German company) World 4 th largest media company (Billboard.com) By 1999, $4.6 billion music and entertainment company –More than 200 record labels and in over 53 countries (Billboard.com) 1999 distributed 5 of the best selling albums Cut money – losing divisions (apparel, video distribution)

© 2005 UMFK. 1-6 Road Blocks The ever changing Music Industry –Company able to keep up with changes –Predict upcoming problems Five other competitive content providers

© 2005 UMFK. 1-7 History of Music Industry Sheet music to phonograph Tin Pan Alley (NY, NY) First popular song “After the ball” 1892 – then industry spiked Numerous roadblocks –Broadcast radio – Sales dropped, radio’s soared –Depression (1920’s) Music Industry peaked –1948 vinyl Major compeditors RCA/Victor, EMI, and CBS Records

© 2005 UMFK. 1-8 History (cont.) Rock and Roll –Hundreds of record companies RCA/Victor and CBS were afraid of marketing to teenage market 1960’s began merging multiple labels under one music corporation –Branding each into different genre’s of music Industry decline between 1980’s and 1990’s Music Industry mergers helped in the 1990’s

© 2005 UMFK. 1-9 Music Industry Organization Composers & Lyricists –People who wrote the music and words Performing Artists –Performers of their own original songs or used some created by lyricists and composers Music Publishers Bought rights to the pieces and promoted music through channels Record Companies –Artists under contract, bought musical rights, managed recording, made CDs, distributed, promoted products Independent Distributors –Distributed on behalf of independent labels and made cross- regional mergers

© 2005 UMFK Music Industry Organization (cont.) Retail Channels –Sold through brick & mortar, record clubs, mail order, online retailers Consumers –Directed at individual consumers (by genre) Promotion –Battled with radio stations to get new releases aired (equals more record sales) Rights Agencies –Paid by royalties (payments tied to actual use of music) Industry Economics –Divided profits among various players

© 2005 UMFK Strategic Plans Mergers in 1920’s helped in 1999 –BMG one of top 5 corporations Manufacturing, distribution, music publishing, sales and marketing activities were centralized over the 200 labels Labels responsible for individual promotion of artists Launched first website in 1995 with many different website for different genre’s –Peeps.com for hip-hop (non – existent anymore) –TwangThis.com (country)

© 2005 UMFK Strategic Plans cont. Teamed up with GetMusic.com – comparable to CDnow.com or Amazon.com Were first to experiment with downloads in 1997 Had longer-term intentions

© 2005 UMFK Strategic Partners Microsoft, Liquid Audio, Real Networks, AT & T and IBM Helped stream in audio clips, music video’s and more All partners were needed to help set technological standards for downloading music Had hundreds of files on potential deals

© 2005 UMFK Don’t sell your copyrights or license them exclusively. Don’t make long-term deals that you can’t change. Once you’ve followed those rules, be willing to take risks and try things out. If God forbid you’re wrong, you still own your copyrights. -Strauss Zelnick

© 2005 UMFK Competition Universal Music Group –Still around today Sony Music Entertainment –(merged with BMG – now called Sony BMG Music Entertainment) Warner Music Group –Still around today EMI –Still around today as well

© 2005 UMFK Brands (Labels) Some of the labels that were under BMG included: –Arista –Ariola –RCA –BMG Records –Red Seal –Windham Hill Group Had artists such as Christina Aguilera, DAVE MATTHEWS BAND, Grateful Dead, Kenny G, Barry Manilow, Notorious B.I.G., Puff Daddy, Santana, Sarah McLachlan, Whitney Houston, ZZ Top

© 2005 UMFK Serious Threats Napster, BearShare, Limewire –All free* MP3 download programs Listen.com, Emusic.com, MP3.com –Consumers sampled music for.99 cents a song – downloaded an album for $8.99

© 2005 UMFK Why Content Provider? BMG Entertainment was clearly a Content Provider –Content included Artists, Songs, Lyrics, Downloads, Appearances, and much more. (Original Professional content) Considered a horizontal content provider –Reached out to everyone –Reached out to people with different genre tastes (had a little something for everyone)

© 2005 UMFK Stakeholders Customers –Strategic Partners –Buying consumers Employees –Employees of BMG –Shareholders (both employees of Bertelsmann AG and Sony) Partnerships –Microsoft, Liquid Audio, Real Networks, etc.

© 2005 UMFK Winner Takes All? Customer Acquisition Costs –Low to moderate - people keep returning for the content (i.e. Music downloads, albums, information) Network Effects –Strong the more people go to BMG music to see their favorite artists the more they can download songs & info Scale Economies –Strong – the more people go to the webpage's the more people buy the more revenue they receive –The costs are fixed – ad companies add to scale economies (the more the exposure the more revenue) Customer Retention –High – great discounts (get 12 free buy 3 CD’s) –Appearance information –Usernames – keep sending updates to customers accounts

© 2005 UMFK Success? I definitely think that BMG will be around for a long time. They have been through the music industry (fast moving industry) and have continued to release Top 10 Best Selling Albums

© 2005 UMFK Update! August 2004 Merger –Sony Corporation of America and Bertelsmann A.G. (Billboard, 9/24/2005, Vol. 117 Issue 39, p5, 2p) Reason for merger –Music industry = global crisis (Billboard.com) –Costs risen and CDs fallen (Billboard.com) Andrew Lack is CEO of Sony BMG Entertainment (previous jobs include President of NBC News, CBS News, West 57 th ) (bmg.com)

© 2005 UMFK. 1-23

© 2005 UMFK Questions??