The Divine Comedy describes Dante's journey through Hell (Inferno), Purgatory (Purgatorio), and Paradise (Paradiso), guided first by the Roman poet Virgil.

Slides:



Advertisements
Similar presentations
A Visual Depiction of Dante’s Inferno
Advertisements

Dante’s Inferno.
Canto 17 (XVII) Morgan Stafford 11/20/07. Summary Dante and Virgil are trying to get to the next realm. Dante and Virgil are trying to get to the next.
“Inferno” from The Divine Comedy
The Divine Comedy: “INFERNO” 11/20/2007Christopher A. Pugh.
How does Dante use his life and his times in the Inferno? What do you already know about The Inferno?
Dante’s Inferno The Details of Hell.
Dante’s Inferno By: Dante AlighieriDante Alighieri.
Ladder of Values An intro to the themes of Dantes’ Inferno.
D ANTE ’ S I NFERNO The Circles of Hell. A CTIVATOR : P ERSONAL C ONNECTION INSTRUCTIONS: You have received nine post-it notes that you should number.
Post Reading Discussion
Heaven & Hell. Egypt ‘Harrowing of Hell’ Chora Church, Istanbul, ~ th c. manuscript.
DANTE’S INFERNO THE JOURNEY INTO HELL Drew Zailik Class of 2007 This presentation is intended for a student to have a fun and colorful journey through.
Dante’s Inferno. The Dark Wood of Error The encounter with the three beasts.
By Giselle Hussein. Full name: Dante Alighieri He was an Italian poet in the middle ages. He was the author of the famous “ Divine Comedy”. Seen as a.
The Divine Comedy Dante Alighieri. The Divine Comedy Written between 1308 and 1321 Central epic poem of Italian literature Divided into three parts Inferno.
Dante’s Divine Comedy One of the Best Poems of European Literature.
The Divine Comedy Dante’s Inferno By: Dante Alighieri By: Brittany Donaldson.
Dante Alighieri and his greatest work Divine Comedy.
Dante’s Inferno By Dante Alighieri. Dante Alighieri World’s greatest poet of ideas Born in Florence, grew up in beginning of the Renaissance Exiled for.
1 st Ring: Limbo ► Luke Warm. Neither sinned nor believed in Christ. ► Heaven does not claim them, Hell does not want them.
 The woman in the game and movie is not Dante’s wife. She is Beatrice, the love of his life.  In the text, Dante is not searching for Beatrice Movie.
THE DIVINE COMEDY DANTE ALIGHIERI “ABANDON ALL HOPE, YE WHO ENTER HERE.”
Dante Alighieri’s Inferno home!index storyboard.
Dante Alighieri The Divine Comedy. Biography of Dante Born in Florence, Italy, in 1265 Exiled from Florence in 1300 –Political party was overthrown –Civil.
Dante’s Inferno Cantos I, III, IV, V, VI, VII, VIII, IX, XVII, XVIII and XXXIV & Background.
By Dante Alighieri. Dante Alighieri Son of a nobleman Born in 1265 in Florence, Italy Mother died when he was very young Received early education in Florence.
Dante and…who was his guide? Now, you must choose your own guide through the depths of Hell… VIRGIL.
Dante Alighieri:  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.
Dante’s Inferno An exciting journey through all the circles of Hell.
Dante’s Divine Comedy. Introduction to Dante Dante Aligheri ( ), of Florence, Italy. Dante Aligheri ( ), of Florence, Italy. One of.
Introduction: The Divine Comedy Dante Alighieri.
Dante Alighieri and The Divine Comedy. Dante was an Italian poet during the Middle Ages. He wrote a large poem called The Divine Comedy, a masterpiece.
Dante’s Inferno.
ABANDON ALL HOPE YE WHO ENTER HERE DANTE THE INFERNO.
ABANDON ALL HOPE YE WHO ENTER HERE DANTE THE INFERNO.
How does Dante use his life and his times in the Inferno?
THE DIVINE COMEDY Dante’s Inferno Dante Alighieri.
Antithesis: a person or thing that is the direct opposite of someone or something else. Who and what are the antitheses of God and heaven? The Devil and.
Dante Alighieri The Inferno. The Inferno is an Allegory It is meant to be understood on two levels 1. Literal – actual progress through the.
Dante Alighieri ( ) The Inferno. T. S. Eliot quote “Dante and Shakespeare divide the world between them; there is no third.”
DANTE’S INFERNO THE JOURNEY INTO HELL Dante and his guide Virgil.
The Divine Comedy The Inferno By Dante Alighieri.
Canto XXXIV The Ninth & Final Circle of Hell Summary of the Canto The poet reach the final round of the last circle of Cocytus, the ninth and final circle.
What the Inferno? Burning Questions about Dante’s Hell.
Moving Through the Circles of Dante’s Inferno. “In the midway of this our mortal life, I found me in a gloomy wood, astray.” -Canto I, lines 1,2.
 1265–1321 (56 years)  Nickname: “The Supreme Poet” (il Sommo Poeta)  Born in Florence, Italy.
Dante’s Inferno Abandon all hope ye who enter here…
By Dante Alighieri. Dante Alighieri Son of a nobleman: not too wealthy Born in 1265 in Florence, Italy Mother died when he was 9 Father died when he was.
Inferno Dante Alighieri.
Day 30: Dante’s Inferno and Sinners in the Hands of an Angry God
The Divine Comedy Dante Alighieri.
The Divine Comedy: Dante’s Inferno
1st Ring: Limbo Luke Warm. Neither sinned nor believed in Christ.
1st Ring: Limbo Luke Warm. Neither sinned nor believed in Christ.
The Inferno by Dante Alighieri.
Dante’s Inferno The Details of Hell.
Part I of The Divine Comedy
The Divine Comedy: Dante’s Inferno
Warm-up #10 Who was Niccolo Machiavelli? What was he famous for?
1st Ring: Limbo Luke Warm. Neither sinned nor believed in Christ.
1st Ring: Limbo Luke Warm. Neither sinned nor believed in Christ.
An exciting journey through all the circles of Hell
Warm-up #13 Why was Don Quixote a flawed hero?
Dante’s Inferno Background Notes
Dante’s Divine Comedy Introduction to Dante.
Presentation transcript:

The Divine Comedy describes Dante's journey through Hell (Inferno), Purgatory (Purgatorio), and Paradise (Paradiso), guided first by the Roman poet Virgil and then by Beatrice, a lady he loved and admired greatly. While the vision of Hell, the Inferno, is vivid for modern readers, the theological niceties presented in the other books require a certain amount of patience and knowledge to appreciate. (They are very hard to understand!!)Divine Comedy HellPurgatoryParadiseVirgilBeatrice

With a little help with our friends with LEGOS…

 The virtuous unbaptized – those who died before the birth of Christ or without being baptized but were basically good people.  They are not punished…they merely stay where they are, unhurt, but unable to see God.

 People who are overcome by lust.  Punishment is to be whirled around forever in a gale of wind – in “the act” but never reaching satisfaction. Their sinful pleasure in life is now their torture.

 People who cannot stop eating.  The sinners here wallow in the mud while a constant torrential downpour of rain, sleet, and snow falls on them – the opposite of the warm satisfied feeling induced by food.

 Spendthrifts - These people are the ones who squandered their money in life on useless things. Their punishment is to roll large stones, clashing in head-on collisions with the Avaricious who are trying to go the opposite direction.  Hoarders – these people are the miserly, who hoarded their money, never giving or sharing freely. They try to push their stones in one direction at all time, but are halted by collisions with the spendthrifts.

 The Wrathful or Slothful  Wrathful are people who are constantly angry and the slothful are people who are constantly lazy.  The wrathful are punished by being forced to fight on the sloppy, muddy River Styx, where, mad with rage, they bite each other and themselves.  The slothful must lie under the waters of the River Styx.

 Heretics are individuals who hold religious beliefs in conflict with the teachings of the church.  The heretics are punished by the three furies in the city of Dis – they are stuck in their coffins and are tortured with flames that shoot out of their graves.

 The Violent are organized in three categories:  1. Violence against another person. These are punished in the Phlegethon, a boiling, tar-like river. It is guarded by demons who will stab the sinners with pitchforks should they try to come out of the river…they stay underwater, surfacing for air like frogs.  2. Violence against ones self. These people are those who took their own life for granted, committing suicide. They are now in the form of trees, immobile, and never again to have bodies.  3. Violence against God, nature, and art. These sinners are forced to walk on burning sand for all eternity.

 People who commit fraud are sentenced to this circle of hell. Dante identifies nine types of fraudulence – each with a different punishment.  Panderers, seducers (Pimps and prostitutes)  Flatterers,  Simoniacs (people who buy religious services)  Fortunetellers  Lawyers*Pimps and prostitutes are  Hypocriteswhipped  Thieves* Flatterers are forced to wallow  Evil Counselorsin muck  Sowers of Discord*Simoniacs are buried upside  Falsifiersdown and burned! Ouch!

 This circle is divided into four sub-circles of TRAITORS:  Traitors to Kindred (family)  Traitors to Country  Traitors to Guests  Traitors to Masters

 Satan: Here at the bottom of the pit, frozen in Lake Cocytus, is the GREAT WORM in the core of earth. Satan is represented as a three headed monster (a twisted reflection of the Christian trinity of father, son, and holy spirit) each of a different symbolic color, and each chewing on a famous sinner.  RED: the color of Hatred. Opposite of Divine Love. The middle face, chewing on Judas Iscariot.  YELLOW: The color of Impotence. Opposite of Divine Omnipotence. He is powerless – uselessly trapped here forever. The right face chews Cassius.  BLACK: The color of Ignorance. Opposite of Divine Wisdom. He made his mistake and learned nothing from it. It chews Brutus, who stabbed Caesar, his best friend.

 Before Viewing: The film you are about to see was in theaters in 1998 and won an Academy Award for best visual effects. It is a moving description of loss and love that explores the clichés of both heaven and hell in a visually stunning presentation. The film makes visual connections with Dante’s imagining of the layers of heaven and hell as well as following in Milton’s example by seeking to justify the ways of God to man. Visual representations of metaphysical conceits and paradoxes are also frequently utilized in the film!