“Realism is not a matter of any fidelity to an empirical reality, but of the discursive conventions by which and for which a sense of reality is constructed.”

Slides:



Advertisements
Similar presentations
What are the main subject areas of interest in this film and what are the main themes and ideas being addressed? Could it be said that there are certain.
Advertisements

N EWS V ALUES A Level Media. R EALITY IN THE NEWS How realistic is the news? Can you think of any way that the news may be constructed? What is the role.
Foucauldian Discourse Analysis (FDA)
By Dylan and Ethan ‘Gone with the wind’ ‘Citizen Kane’ ‘Casablanca’
Vertigo How many different ways can we look at Hitchcock?
Quiz — The Sweet Hereafter. 1)Mitchell, the attorney, gets stuck in a very unusual place at the beginning of the film. What is this place? 1)The image.
I. ‘Silent’ to Sound Cinema 3. Sound Technology & Early Cinema.
Film Studies Reality Effects and Truth Effects. Table of Contents 1. Recap 2. Take a Photograph or Make a Photograph 3. Reality effects and truth effects.
Hollywood Cinema Space: The Conventions of Representation.
Classical American Film Texts Hollywood Films between 1917 and 1960.
VES 186c. Film & Photography, Image & Narration Professor David Rodowick Office hours: Monday and Wednesday 3-4 pm, or by appointment. M-06 Sever Hall.
VES 173t. Contemporary Film Theory Professor David Rodowick Office hours: Tuesday and Wednesday 3-4 pm, or by appointment. M-06 Sever Hall (4 th floor.
LIKE A VIRGIN&INTO THE GROOVE Structure Performance Style (visual) Conventions Representation Goodwin PM critics.
Burch’s idea of Form "The form of a work is that mode of being which ensures its unity while tending to promote, at the same time, the greatest possible.
Christian Metz ( ) “A film is difficult to explain because it is easy to understand . . .”
Enunciation, or film as narrative discourse Stephen Heath Film as a signifying practice--how subjectivity is constructed through a narrative discourse.
VISUAL CULTURE.
Screen: film and ideology
VES 172a. Film & Photography, Image & Narration
Critical Approaches to Film Screen Theory. More than 22,000 people have signed a petition for Disney to make its next princess character plus-sized.
DISCOURSE AND POWER Broadly speaking, inculcation is the mechanism of power-holders who wish to preserve their power, while communication is the mechanism.
Classical Realist Texts: American Films between 1916 and 1960 Montage.
Looking at Movies.
The Secret Code of Filming Editing V.I. Pudovkin: “The foundation of film art is editing.” Shots in film acquire meaning when they are juxtaposed with.
Film Theory What Films Do.
How are black people represented in the media?. Learning Objectives To understand how and why black people are represented within the media the way they.
Film Studies Reality Effects and Truth Effects. Table of Contents 1. Recap 2. Take a Photograph or Make a Photograph 3. Reality effects and truth effects.
PROSE FICTION - NARRATIVES
Looking at Movies. virtually every movie employs a narrative.
Continuity editing Hollywood, narrative style. Analytic editing. “Invisible” shot transitions. Shots subordinated to spatial unity of segment. Implies.
Documentary Film Note Taking For Use With: Vietnam: A Television History Frontline Films.
Film Studies Reality Effects and Truth Effects. Table of Contents 1. Recap 2. Take a Photograph or Make a Photograph 3. Reality effects and truth effects.
Lecture GEOG 335 Fall 2007 October 23, 2007 Joe Hannah.
Classical Cinematic Technique and Shadow of a Doubt
Study Questions Documentary Tradition Assignment # 1 Due: September 27 in class Define documentary mode: ½ page paragraph -- double-spaced Agree.
Genre and Text Features Understanding of Concept and Identification By Cali Linfor.
Classical Realist Texts: American Films between 1916 and 1960 Mise-en-scène.
Putting it all together Editing. Shot: the basic unit of film (one or more frames in a series on a continuous length of film stock) Editing: the coordination.
Session 8: EDITING. STUDYING EDITING ALLOWS US TO:  Reflect on how the art of film and its technologies reflect cultural and historical context  Understand.
FILM LANGUAGE Editing.  Sequences the shots into something that makes sense for the audience, in terms of time and space.  Most common editing technique.
Codes and conventions of documentary’s
Analytical “paradigms” dominance-subordination conformity-resistance resistance-incorporation all of the above can apply at the same time.
Classic Hollywood Film Language Alfred Hitchcock: Shadow of a Doubt (1943)
Film Appreciation Shots, Angles, Cuts, and Sound By Tonya Merritt.
DO NOW!!.  To understand that we need to be consumers of information  To become more objective when reading news  To understand that news is an interpretation.
Importance of media language Every medium has its own ‘language’ – or combination of languages – that it uses to communicate meaning. Television, for example,
Week Five Narrative: Form, Structure, Development
1/30/20161 Course Big Questions and Expectations By Ms. Bokpe.
Editing and other types of Video Wizardry Tricking your audience into believing anything!
Editing Taking a good film and making it great. Editing Editing is taking many different cuts and turning them into a finished product Editing also allows.
The continuity system of editing The history of cinema is a history of narrative space, making visual or pictorial space tell a story. Continuity editing’s.
Graphic match: (1.44) Parallel editing: Overlapping editing:
Moving pictures Session 4. What is digital cinema? Article by Lev Manowich Digital media redefines the very identity of cinema. New methods possible with.
In what ways does your media product use, develop or challenge forms and conventions of real media products?
LOGO Realism of Education Present by Miss Kamonrat Chimpalee Mrs. Siwaporn Ratanapech Mrs. Siripun Siribunnam.
Narrative and story are NOT the same thing. Story is WHAT happens. Narrative is HOW it happens – how the story and plot are combined.  Story: girl meets.
Developing a Way to Talk About Art. We are surrounded by images, but how do we read visual information? It is impossible to recognize, understand, or.
Single Camera Productions By Smiles. Formats The different formats for single camera production are: -TV Series - Film - Short film.
G235: Critical Perspectives in Media
TODAY QUESTION 1B.
Documentary film and narrative
HOMEWORK IS DUE.
Question 1b: Media Language.
G235: Critical Perspectives in Media
Seamless Editing and Continuity
Spectatorship and Beasts of the Southern Wild
Continuity Editing & The Studio System
Realism Attempts to duplicate the look of objective reality as it’s commonly perceived. Emphasis on authentic locations, long shots, lengthy takes, and.
Chapter 2.5 Test: Sound in television drama
QUESTION 1B The list of concepts to which questions will relate is as follows: • Genre • Narrative • Representation • Audience • Media language.
Presentation transcript:

“Realism is not a matter of any fidelity to an empirical reality, but of the discursive conventions by which and for which a sense of reality is constructed.” –John Fiske, Television Culture, 21.

Lecture Summary Realism constructs a “reality” and presents it as unconstructed Realism makes the viewer feel all-knowing Realism positions the viewer socially

Reality and Realism Reality: The unconstructed, empirical world Realism: A constructed sense of “reality” - an imagined world (Barthes: Nature and History)

What is “Believable” conforms to the “invisible metadiscourse” –content norms –formal norms –ideological norms

Example: Motivated editing –shot / reverse shot technique 180 degree rule eyeline match

Colin MacCabe, “Realism and the Cinema,” 1974 the classic realist text (unarticulated) metalanguage and the object language dominant specularity

Metalanguage and object language “He thinks of nothing,” she said to herself, “but his own ambition (…) – nothing more.” She could see that he was in search of her but had not yet...

Object languages (= “object discourses) appear as reality “in inverted commas” there may be several o.l.’s

Metalanguage –a.k.a. “narrative discourse,” “dominant narrative” –often unarticulated –“denies its own status as articulation”

“Hierarchy” among discourses hierarchy: the metalanguage is at a higher level than the object language(s) a higher level means more knowledge

Specularity the (social) position of the unseen spectator Dominant specularity: –the position of the spectator who knows the truth (reality)

Positioning the Viewer “the text produces a socially located position that it invites the viewer to occupy in order to understand it easily and unproblematically”

TV: Social extension Britain: working class (often) setting United States: middle class setting

TV: In the “Present” Sense of being “live” –Film: “a record of what has happened” –Television: “a relay of what is happenening”

The Quiz Show how does it create a sense of “being live”? what is the role of the musical score?

Reality TV reality or realism? –an empirical or a constructed world?