Satire on False Perspective is the title of an engraving produced by William Hogarth in 1754 for his friend John Joshua Kirby's pamphlet.

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Presentation transcript:

Satire on False Perspective is the title of an engraving produced by William Hogarth in 1754 for his friend John Joshua Kirby's pamphlet on linear perspective. The intent of the work is clearly given by the subtitle: Whoever makes a DESIGN without the Knowledge of PERSPECTIVE will be liable to such Absurdities as are shewn in this Frontiſpiece

Partial list of "Errors" The most immediately prominent errors are the first three or four: The man in the foreground's fishing rod's line passes behind that of the man behind him. The sign is moored to two buildings, one in front of the other, with beams that show no difference in depth The sign is overlapped by two distant trees. The man climbing the hill is lighting his pipe with the candle of the woman leaning out of the upper story window. The crow perched on the tree is massive in comparison to it. The church appears to front onto the river. Both ends of the church are viewable at the same time. The left horizon on the water declines precipitously. The man in the boat under the bridge fires at the swan on the other side, which is impossible as he's aiming straight at the bridge abutments. The right-hand end of the arch above the boat meets the water further from the viewer than does the left-hand end. The two story building, though viewed from below shows the top of the roof. As does the church tower in the distance. The barrel closest to the foreground fisherman reveals both its top and bottom simultaneously. The tiles the foreground fisherman stands on have a vanishing point that converge towards the viewer. A tree is growing out of the top of the bridge. The vanishing point for the near side of the first building transforms midway down the wall. The line of trees obscuring the sign are likely representative of how objects should decrease in scale as they move further away, but in this case reversed. The sheep on the left-hand side increase in scale as they get further away. The swan behind the boat is larger than the men manning the boat. Aside from the impossibilities of scale there are in fact approximately 10 different horizons based on the various vanishing points.

Maurits Cornelis (M. C.) Escher (17 June 1898 – 27 March 1972), was a Dutch graphic artist known for works that feature impossible constructions, explorations of infinity, architecture, and tessellations. He shows the inherent paradoxes of trying to represent 3-dimensional scenes using only 2-dimensional paper.