A History of Documentary and Photojournalistic Photography.

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Presentation transcript:

A History of Documentary and Photojournalistic Photography

Bandits’ Roost, 59 1/2 Mulberry St, 1888, by Jacob Riis

Home of Italian Ragpicker, 1888, by Jacob Riis

Italians at Ellis Island, 1905 by Lewis Hine

Photos By Lewis Hine Covering Child Labor in the U.S.

Powerhouse Mechanic, 1920 by Lewis Hine

“Organ Grinder” by Eugene Atget, Paris, 1905

Rag Picker by Eugene Atget, 1908

Old Bridge Near Paris, Eugene Atget, 1915

Store Front, Eugene Atget, 1925

Lunch Counter, 1929 by Walker Evans

Graveyard, Steel Mill and Houses in Pittsburgh, 1935, by Walker Evans

Houses and Billboards, Atlanta, 1936

Garage, Somewhere in Alabama, by Walker Evans 1936

From Let Us Now Praise Famous Men, 1939, by Walker Evans and James Agee

“White Angel Bread Line”, 1936 by Dorothea Lange

Hoe Culture, Alabama, 1936 by D. Lange

Migrant Mother, California, 1936, by Lange

Plantation Overseer & His Field Hands, Near Clarksdale, Mississippi, 1936, by Lange

The Photography of Henri Cartier Bresson

“Gestapo Informer Accused,” Cartier-Bresson, 1945

Fort Peck Dam, 1st Cover of LIFE Magazine, 1936 by Margaret Bourke-White

Bread Line After Louisville Flood, 1936 by Margaret Bourke-White

Prisoners at Buchenwald, 1945 by Margaret Bourke-White

Three Members of a Nazi Family Who Poisioned Themselves, 1945 by Margaret Bourke-White

German Civilians Made to Face Their Nation’s Crimes, 1945 by Margaret Bourke-White

Concentration Camp Victims by Bourke-White,’45

Marine Finds a Dying Baby, 1944 by W. Eugene Smith

Eugene Smith, Marine with Canteen

“Walk to Paradise Garden”, 1946, by E. Smith

One Photo From Smith's Photo Essay The Country Doctor for Life Magazine

The Photography of Robert Frank

William Seaman’s Pulitzer Prize Winning Photo Minneapolis Tribune, 1959

Suspected Viet Cong, Saigon, Feb. 1, 1968 by Eddie Adams

Photo by Kevin Carter, 1993, Sudan, Africa

Pulitizer Prize Winning Photo of Elian Gonzalez By AP Photographer Alan DiazAP Photographer Alan Diaz

Cheryl Delgado is learning to deal with her 18-year-old daughter, Sarah, turning into a woman. This must be the hardest stage of motherhood and I really thank them for letting me into their lives. (from site covering best of photojournalism)site covering best of photojournalism)

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