SIO AV Archiving Presentation Introduction to the Practices and Principles of Audio-Visual Archiving International Council on Archives, Section of International.

Slides:



Advertisements
Similar presentations
Keeping an old 35mm film in your drawer? - Don´t!
Advertisements

Printergy: Services for a Digital World. What do you have?
Multimedia Components (Develop & Delivery System)
Audio and Visual Technologies
CP1610: Introduction to Computer Components Archival Storage Devices.
Pradeep Kumar SEMINAR ON BLU RAY DISC CONTENTS 1.Introduction 2.Characteristics of Blu-ray disc 3.Specification of Blu-ray disc 4.Comparision of storage.
MOTION PICTURE FILM: the basics. Identifying formats Common gauges  8mm  Super 8  16mm  35mm Unusual gauges  9.5mm  17mm  28mm.
The Development of a Digital Media Preservation Lab To Save Morris Library’s At-Risk Audiovisual Collections Kathleen Harrison Southern Illinois University.
Wake up and smell the vinegar: a guide to collection condition surveys Annual General Meeting of The Society of California Archivists Genevieve Maxwell.
The Vietnam Center and Archive Stephen Maxner, Ph.D.
Convening Great Lakes Culture Keepers, Lac du Flambeau, WI October 23-24, 2014 Basic Audio-Visual Digitization and Preservation by Stacey Baldridge.
DIGITIZATION OF AUDIOVISUAL COLLECTIONS: EMPOWERING PUBLIC LIBRARIES THROUGH THE PUBLIC-PRIVATE PARTNERSHIPS Bogdan Trifunović Digital Projects Librarian.
Housing and Storing AV Materials: A Basic Introduction Jane Hedberg Senior Preservation Program Officer Elizabeth Walters Preservation Program Officer.
Storage Devices or Backing Storage
Computer SCIENCE Data Representation and Machine Concepts Section 1.3
How to Preserve Audio (and video) Richard Wright BBC Information & Archives
 Introduction Introduction  Types of Secondary storage devices Types of Secondary storage devices  Floppy Disks Floppy Disks  Hard Disks Hard Disks.
ASHIMA KALRA.  Hard disks.Hard disks.  Floppy disks.Floppy disks.  CD ROMs.CD ROMs.  DVDs.DVDs.
The BUFVC and BoB National How can it aid your research? British Universities Film & Video Council
Teaching and Learning with Technology Click to edit Master title style  Allyn and Bacon 2002 Teaching and Learning with Technology Click to edit Master.
Byte into history; digitial media in archives Elizabeth Estbergs ACT Government Reference Archivist 31 March 2012.
Secondary Storage Chapter 7.
Digitisation of Archival and Manuscript Materials in Libraries Presentation by Martin Bradley.
Funded by: © AHDS Practical steps towards audiovisual preservation Sarah Jones AHDS Performing Arts.
Recordkeeping for Good Governance Toolkit Digital Recordkeeping Guidance Funafuti, Tuvalu – June 2013.
David E. Pitts Digital Cameras 101 Digital Cameras by David E. Pitts March 27, 2012 Copyright 2012.
The Colorado Agricultural Archive Building Your Personal Archive Professional Development Institute January 7, 2011 Linda Meyer, archivist Colorado State.
 Around billion CDs have been sold all over the world  CD’s revolutionized the way that data could be stored and moved  DVDs replaced VHS  CDs.
Updating Library and Information Systems Resource.
Computer memory. Bits and bytes  Data can be stored and measured in bytes  One bytes can contains 8 bytes  A bits can only be 0 or 1  A series of.
Moving Image Preservation 101 Siobhan C. Hagan Audiovisual Archivist University of Baltimore>Langsdale Library>Special Collections Hosted by ALCTS, Association.
Content Introduction History Types of optical disc Formats of optical disk Working Features of optical disk Applications Advantages.
Preserving our audiovisual heritage Plan for a national television and radio archive.
National Aeronautics and Space Administration Telecine High Definition Film Transfer NASA/JSC February 2009.
Drowning in a Sea of Paper Document Archiving With Technology Presented by Arthur J. Staerk AccuScan
1 3 Computing System Fundamentals 3.2 Computer Architecture.
 Secondary storage (or external memory) - is not directly accessible by the CPU. Secondary storage does not loose the data when the device is powered.
Government Information Preservation Working Group Highlights of Digital Preservation Survey December 16 th 2003 Oliver Slattery Information Access Division.
Television archiving – managing the move from analogue to digital Dr Bob Pymm School of Information Studies Charles Sturt University, Australia.
Digitizing the Past Newsfilm Digitization Guideline With 3 cases & 3 tips June (JungYun) Oh ; Digital Preservation ; December 15, 2010.
THE EVOLUTION OF CASSETTES… AND OTHER MEDIA RECORDERS…
FORMAT AND FILE ISSUES FOR VIDEO ARCHIVING Franz Pavuza Phonogrammarchiv Austrian Academy of Science.
1 Manx National Heritage Welcomes BISA Conference 2013.
Storage.  Explain what a storage device is  Define the two storage operations  Define what a hard disk is and list the types  Define what a CD and.
Presented by Kristen J. Nyitray Head, Special Collections & University Archives University Archivist Special Collections & University Archives Stony Brook.
Technology in the Classroom Continue. So what is technology in the classroom? Click on a picture! END.
Moving Images Film Amy Timshel and Aubrey Iglesias LI 827.
Storage of digital objects Adolf Knoll National Library of the Czech Republic
Thanks for the Memories: How to handle your precious old documents and photos.
Multimedia ETD Questions Bill Savage UMI Dissertations Publishing ETD 2002 Provo, Utah Saturday, June 1, 2002.
SPECIAL MATERIALS LIS-12 BY: ROMEL U. RELLON. Special collections  Some libraries segregate from the general collection rare books, manuscripts, papers,
How to Retain the Balance? Archives of Latvian Folklore in the Digital Age Aldis Pūtelis LFK.
Preservation of Obsolete Media: The Need for Managed Digital Storage Bruce Whisler Director of Music Technology Clemson University.
Storage Devices 1. Objectives Overview Differentiate between storage devices and storage media Describe the characteristics of an internal hard disk including.
Film preservation; a first glance Elif Rongen-Kaynakçi Glasgow, 12 may 2008.
Digital Art: Theory and Practice Christian Nold 2005.
Preserving & Realizing Your Diocesan Legacy Audiovisual Collection
PRESERVATION IN A DIGITAL WORLD Presented By: Darrell Garwood Imaging Lab Manager Library and Archives Division Kansas State Historical Society
Objective of this lesson Understand data archives and back-ups.
Audiovisual Technologies Chapter 9 Teaching and Learning With Technology, 3e.
MAC OS – Unit A Page:14-15 Understand Storage Media.
Non-Paper Media LIS2214. Why do we care about non-paper formats?
IASA-TC 05 Handling and Storage of Audio and Video Carriers © 2012 Dietrich Schüller and Albrecht Häfner 1 Dietrich Schüller Introduction to IASA-TC 05.
- Intan - Kamini - Balqis - Izzati - Tan - Fadzrul.
Foundations of Digital Moving Images. Physical Formats Film Invented in late 18th century, still widely used until about 10 years ago. Kodak bankrupt.
Chapter 1 About Video.
Reinventing Archival Methods – Description and Preservation
Digital Storage Options – a Transitional Perspective: How Current Storage Technologies Can Facilitate Longevity and Access JTS 2007 Toronto.
Video and Film Introduction
Film and Media Overview
Presentation transcript:

SIO AV Archiving Presentation Introduction to the Practices and Principles of Audio-Visual Archiving International Council on Archives, Section of International Organisations Nairobi, Kenya 25 October, 2007 Martha Hunt, Audio-Visual Archivist United Nations International Criminal Tribunal for Rwanda

SIO AV Archiving Presentation What are Audio-Visual Records? Audio – something that is heard Audio – something that is heard Visual – something that is seen Visual – something that is seen An object that: An object that: stores sight and sound stores sight and sound reproduces sight and sound reproduces sight and sound

SIO AV Archiving Presentation History of Audio Recording Tin-foil “phonograph” Tin-foil “phonograph” Wax cylinder Wax cylinder Pressed disks (LPs) Pressed disks (LPs) Magnetic tape (various formats) Magnetic tape (various formats) Cassette tapes Cassette tapes CD CD Digital audio files Digital audio files

SIO AV Archiving Presentation Henry Fox Talbot Louis Daguerre

SIO AV Archiving Presentation Edward Muybridge

SIO AV Archiving Presentation Nitrate Film Flammable Flammable Destroyed by studios when no longer financially valuable Destroyed by studios when no longer financially valuable Nitrate deterioration Nitrate deterioration

SIO AV Archiving Presentation The British Film Institute Established to “encourage the development of the art of the film, to promote its use as a record of contemporary life and manners, and to foster public appreciation and study of it from these points of view.”

SIO AV Archiving Presentation Cinematheque Francaises The first national cinematheque, and model for numerous institutions world- wide. The first national cinematheque, and model for numerous institutions world- wide. Focused on the public screenings and museum exhibits. Focused on the public screenings and museum exhibits.

SIO AV Archiving Presentation Acetate Film Non-flammable “safety” film Non-flammable “safety” film 35mm 35mm 16mm 16mm 8mm 8mm affordable for amateur use affordable for amateur use

SIO AV Archiving Presentation Video Television Television Broadcasting only, not recordable Broadcasting only, not recordable Magnetic tape used for recording image Magnetic tape used for recording image First videos too large for consumer use First videos too large for consumer use Various formats developed Various formats developed Professional quality Professional quality Consumer quality (VHS) Consumer quality (VHS)

SIO AV Archiving Presentation DVD and Digital Files DVD DVD Same shape and physical make-up as CDs Same shape and physical make-up as CDs Capable of storing large amounts of information Capable of storing large amounts of information Image quality superior to VHS Image quality superior to VHS Digital Video Files No longer a physical object Storage space costly Will become more common in the near future

SIO AV Archiving Presentation Goals of Audio-Visual Archiving Preservation Preservation Public Accessibility Public Accessibility

SIO AV Archiving Presentation Problems with film Nitrate deterioration Nitrate deterioration Acetate deterioration (vinegar syndrome) Acetate deterioration (vinegar syndrome) Black and white fading Black and white fading Color fading Color fading Physical damage to prints Physical damage to prints

SIO AV Archiving Presentation Problems with video Drop-outs Drop-outs Damage in playback Damage in playback Dust and pollutants Dust and pollutants Mould Mould Binder break-down (stick-shed syndrome) Binder break-down (stick-shed syndrome)

SIO AV Archiving Presentation Problems with CDs and DVDs Scratches Scratches Dye-fading Dye-fading No standards No standards Uncertain life expectancy Uncertain life expectancy

SIO AV Archiving Presentation Points to consider regarding digitisation Purpose Purpose Enhanced public accessibility Enhanced public accessibility Preservation Preservation Compression schemes Compression schemes Lossy vs. loseless Lossy vs. loseless Storage media Storage media LTO LTO RAID RAID Technological Obsolescence Technological Obsolescence Back-ups Back-ups Retention of original materials Retention of original materials

SIO AV Archiving Presentation Care and Handling of AV Material Videos Videos Store in a cool, dry, and clean environment Store in a cool, dry, and clean environment Rewind Rewind Store in enclosed cases Store in enclosed cases Clearly label case and tape Clearly label case and tape Store on end Store on end Limited use Limited use Metal shelving Metal shelving CDs and DVDs Store in a dark, clean environment Store in cases Only write on the clear hub of disc to label Store on end Limited use

SIO AV Archiving Presentation Preservation of Audio-Visual Materials Professional formats Professional formats DVCAM or DigiBeta DVCAM or DigiBeta Standardize if possible Standardize if possible Back ups Back ups 2 copies, stored separately 2 copies, stored separately Plan ahead Plan ahead

SIO AV Archiving Presentation Public accessibility of an audio-visual collection Physical organization Physical organization Shelves designed for your material Shelves designed for your material Intellectual organization Intellectual organization Database should fit your needs Database should fit your needs Digitization Digitization Easy to reproduce and distribute Easy to reproduce and distribute Do the best you can within your budget Do the best you can within your budget

SIO AV Archiving Presentation Challenges of A-V archiving Instability of materials Instability of materials Multiple formats Multiple formats Expensive Expensive

SIO AV Archiving Presentation Why keep A-V records? Accuracy of information Accuracy of information Accessible to a wider public Accessible to a wider public Nuance and meaning Nuance and meaning

SIO AV Archiving Presentation United Nations International Criminal Tribunal for Rwanda