- What Clicks? מוזיאון בלחיצת עכבר סוזן חזן איגוד האינטרנט הישראלי Israel Internet Association (isoc-il) ISOC-IL 9th Annual Conference, Wednesday - Thursday,

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- What Clicks? מוזיאון בלחיצת עכבר סוזן חזן איגוד האינטרנט הישראלי Israel Internet Association (isoc-il) ISOC-IL 9th Annual Conference, Wednesday - Thursday, February 9-10, 2005, David Intercontinental Hotel, Tel Aviv

Modifications to the ICOM Statutes adopted by the General Assembly in Barcelona on Friday 6th July 2001 now include Cultural centres and other entities that facilitate the preservation, continuation and management of tangible or intangible heritage resources (living heritage and digital creative activity) digital creative activity

On Monday, 10 September 2001 The ICANN Board unanimously adopted a resolution empowering the ICANN President to sign the agreement between ICANN and MuseDoma establishing dot-museum.. museum מוזיאון-ישראל. ירושלים. מוזיאון xn----zhcbrbevd2alq4im.xn--9dbhblg6di.museum

Fresco Basilica of St Mary of the Graces Artist: Leonardo da VinciLeonardo da Vinci Date: Medium/Size: Tempera on plaster 460 x 880 cm Location: Convent of Santa Maria delle Grazie (Refectory), Milan, Italy

דימוי העתקשעתוק תמונההמקוראמיתי

Walter Benjamin’s Art in an Age of Mechanical Reproduction וולטר בנימין יצירת האמנות בעידן השעתוק המכני

המקור העתק דימוי שחזור שעתוק אמיתי הילה Aura

Space Art While there are many artworks that refer to space, few artists have so far investigated space directly as a unique context for the creation and installation of work. Tate in Space is attempting to redress this as an intrinsic part of its future programme, exploring the potential for artists residencies, sci-art collaborations and new commissions in addition to developing imaginative and appropriate ways in which Tate in Space may accommodate existing works from Tate's collection. Part of the research focuses on a practical investigation into issues of conservation in a zero gravity, confined and non-renewable atmospheric environment. What happens to a sculpture such as Richard Serra's Trip Hammer (1988) when denied of the gravity that holds it in place? How might this environment change the nature of works such as Cornelia Parker's Cold Dark Matter: An Exploded View (1991)?

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