Antoine Watteau, Return from Cythera, ROCOCO

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Presentation transcript:

Antoine Watteau, Return from Cythera, 1717-1719 ROCOCO

Michelangelo Merisi (Caravaggio) Conversion of Saint Paul , 1601 ITALIAN BAROQUE

Santa Maria Novella, Florence, Italy ca. 1428 Masaccio Holy Trinity Santa Maria Novella, Florence, Italy ca. 1428 EARLY ITALIAN RENAISSANCE

Gislebertus, Last Judgment (from Saint-Lazzare) Autun, France ca 1120-1135 ROMANESQUE

Rembrandt van Rijn, The Nightwatch, 1642 DUTCH BAROQUE

Peter Paul Rubens, Raising of the Cross, 1609-1610 FLEMISH BAROQUE

Jean-Honré Fragonard The Swing, 1766 ROCOCO

Gianlorenzo Bernini David 1623 ITALIAN BAROQUE

Kritios Boy ca. 480 BCE Early Classical Greek

Frans Hals The Jolly Toper (or The Merry Drinker) 1628-1630 DUTCH BAROQUE

Limbourg Brothers Tres Riches Heures (Very Rich Hours) 1413-1416

Frans Hals Buffoon (Jester) Playing A Lute 1623 DUTCH BAROQUE

Tintoretto, The Last Supper, 1592-94, Oil on Canvas Tintoretto, The Last Supper, 1592-94, Oil on Canvas. HIGH REN / MANNERISM

Caravaggio, “Calling of Saint Matthew”, 1597-1601 ITALIAN BAROQUE

Albrecht Durer Four Horsemen of the Apocolypse, Woodcut, 1498. HIGH GERMAN RENAISSANCE

Praxiteles Hermes and Infant Dionysus (Roman Copy) 343 BCE Late Classical Period

EARLY ITALIAN RENAISSANCE Masaccio, Tribute Money, Brancacci Chapel, Florence, Italy, ca. 1427 EARLY ITALIAN RENAISSANCE

Raphael, The School of Athens, 1511, Fresco, Stanza della Segnatura Raphael, The School of Athens, 1511, Fresco, Stanza della Segnatura. HIGH ITALIAN RENAISSANCE

Carlo Maderno, Saint Peter’s Front Facade Vatican City, Rome, Italy 1606-1612 ITALIAN BAROQUE

Salon de la Princesse, Paris, France c1737-1740 ROCOCO

Gianlorenzo Bernini “Ecstasy of Saint Theresa” 1645-1652 ITALIAN BAROQUE

Diego Velazquez King Phillip IV of Spain (Fraga Philip), 1644 SPANISH BAROQUE

Praxiteles Hermes and Infant Dionysus (Roman Copy) 343 BCE Late Classical Period

Gero Crucifix 6-ft. tall Oak Carving ca. 970 OTTONIAN

Artemisia Gentileschi “Judith and Maidservant Beheading Holofernes” ca. 1625 ITALIAN BAROQUE

Matthias Grunewald, Isenheim altarpiece, 1515. HIGH GERMAN RENAISSANCE

Rembrandt van Rijn Self-Portrait 1660 DUTCH BAROQUE

Gianlorenzo Bernini, baldacchino, Saint Peter’s, Vatican City, Rome Italy ITALIAN BAROQUE

Peter Paul Rubens, Marie Arrives At Marseilles, 1622-1625. FLEMISH BAROQUE

Anthony Van Dyck, Charles I at the Hunt, 1635. FLEMISH BAROQUE

Jan Vermeer Girl With a Pearl Earring 1665 DUTCH BAROQUE

Carlo Maderno, Santa Susanna Rome, Italy 1597-1603 ITALIAN BAROQUE

Gero Crucifix 6-ft. tall Oak Carving ca. 970 OTTONIAN

Judith Leyster Self-Portrait 1630 DUTCH BAROQUE

Jan Vermeer Young Woman with a Water Pitcher c1665 DUTCH BAROQUE

Giotto Lamentation, ca. 1305 Arena Chapel, Padua, Italy LATE GOTHIC / PROTO-RENAISSANCE

Diego Velazquez, Las Meninas, 1656. SPANISH BAROQUE

ITALIAN BAROQUE Artemisia Gentileschi “Judith Slaying Holofernes” ca. 1614-1620 ITALIAN BAROQUE

Apollo from Veii C500 BCE Terra Cotta, 5’10” in height. ETRUSCAN

Nicola Pisano Baptistry Pulpit, ca. 1260 LATE GOTHIC / PROTO-RENAISSANCE

EARLY NORTHERN RENAISSANCE Hugo van der Goes, Portinari Altarpiece (open) 1474-76. EARLY NORTHERN RENAISSANCE

Giotto Madonna Enthroned ca. 1310. LATE GOTHIC / PROTO-RENAISSANCE

Hans Holbein the Younger The (French) Ambassadors, 1533. Oil on Wood.

Kouros Greece ca. 600 BC ARCHAIC GREEK

Portraits of the Four tetrarchs Saint Mark’s, Venice, A.D. 305 LATE EMPIRE ROMAN

Bernward Doors (on Abbey Church of St. Michael) 1015 OTTONIAN In the 10th and 11th centuries, artists in northern Europe began a tradition of large sculpture in wood and bronze that would significantly influence later medieval art. Bishop Bernward was an important patron of the arts, and was also a skillful goldsmith. A pair of bronze doors, made under his direction, was the most ambitious bronze project undertaken since antiquity. The Bishop installed these bronze doors in 1015.