Objective % Select and utilize tools for digital audio production.

Slides:



Advertisements
Similar presentations
The Shure SM58® is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and.
Advertisements

Basic Audio Production
How to record the sound of works of art Robert Hermann Diplom Tonmeister
Digital Audio Mics and connections.
Mixing Consoles Designations Inputs Outputs Signal processing.
A presentation for the 2009 ACUI Annual Conference Ryan Willerton Director of Student Activities Facilities University of Notre Dame UNDERSTANDING THE.
1 Live Sound Reinforcement Microphones. 2 Live Sound Reinforcement A microphone is a transducer that changes sound waves into electrical signals and there.
Live Sound Training. Essential Question: “How do we get the entire audience to hear exactly what we want them to hear?”
Microphone Pickup Patterns. Pickup Patterns Microphones can be designed to be sensitive to sounds from given directions while they reject sounds from.
Telecommunications 1 Audio Production What’s your background? Telecommunications 1 Audio Production What are some terms? Have you noticed audio? Questions.
Microphones. How they work! Microphones transduce sound waves into electric energy – the audio signal.
TRS (Tip, Ring, Sleeve) Phono Jack or Stereo Jack- 1/8 Also called a “Mini”
Audio Basic Concepts. Audio in Multimedia Digital Audio: Sound that has been captured or created electronically by a computer In a multimedia production,
 Process of recording audio on set  Starts in pre-production  Specific crew positions  Goal is to capture the cleanest possible recording of set dialogue.
Sound Mixer. Sound Mixers: Overview Applications Some of the most common uses for sound mixers include: Music studios and live performances: Combining.
UFCEXR-20-1Multimedia Sound Production Microphones, Monitor Speakers and Headphones.
UFCEXR-20-1Multimedia Sound Production Studio Equipment and Layout.
Sound:Hardware & Connectivity B.Sc. (Hons) Multimedia ComputingMedia Technologies.
CHAPTER 7 SOUND. CHAPTER OBJECTIVES Examine the role of Sound in Video Production; Survey the tools for Sound Recording and Design; Explore the process.
Australian Monitor Products Here is a look the AMIS product line & some of our other products from AM Pro & AMAV.
Theme: Multimedia Sound ProductionUFCFY Studio Equipment for Multimedia Sound Production.
HOW MICROPHONES HEAR Microphone types and how they hear.
Unit 9 Key Properties Definition & Instrument Use Advantages Disadvantages Condenser Microphone The condenser microphone is also called a capacitor microphone.
Recording Audio. Audio Problems Microphones pick up every sound within their range! A noisy background can degrade sound quality. To have good audio,
Sound Audio – All microphones convert sound waves into electrical energy – the audio signals.
Audio Silence is NOT golden!. Headphone s Most important piece of sound equipment! Only about $50.
1. 1.What is the potential drawback of only using the on camera microphone? Think about distance and background noise In what way are the results.
Microphones Sound-a-licious-ness.. Every Tool Has It’s Place.
 Process of recording audio on set  Starts in pre-production  Specific crew positions  Goal is to capture the cleanest possible recording of set dialogue.
Mics: The Sonic Lens. Recording Chain A system or “ecosystem” for recording and playback.
Live Sound Reinforcement
The XLR connector is a style of electrical connector, primarily found on professional audio, video, and stage lighting equipment. The connectors are.
EDTC 5340 SOUND BASICS Abel Kalum Jennifer Dennis Sections: 1.Kinds of microphones 2.Tips for quality sound recording 3.Roles of a sound engineer 4.What.
Audio Pump up the Volume!. AUDIO: WHO OPERATES THE AUDIO MIXER? Answer: AUDIO ENGINEER.
VID102 DAY 3.  Schedule Change  Viewing Examples  Audio Principles Class Schedule.
 Audio The red-haired stepchild of video production It’s really important! Bad audio = lost viewers Lots of choices in sound design Basic principle: Transduction.
Studio Components Day 2. Speakers M-Audio BX5 A Used primarily as a reference monitor for a recording studio. This particular model would be a common.
Audio Mixer. Allows for the mixing of sounds Allows for the mixing of sounds.
Objective Understand digital audio production methods, software, and hardware. Course Weight : 6%
Sound Principles VCC West Philly Sound Team Training.
The microphone is your primary tool in the sound chain from sound source to audio storage medium.
Mics: The Sonic Lens 1.
Microphones. How Microphones Work Sound is created when a vibrating object (such as a guitar string, drum skin etc..) causes the air around it to vibrate.
EDTC 5340 SOUND BASICS Abel Kalum Jennifer Dennis.
© ExplorNet’s Centers for Quality Teaching and Learning 1 Objective % Understand advanced pre-production methods for digital audio.
© ExplorNet’s Centers for Quality Teaching and Learning 1 Objective % Understand advanced post-production methods for digital audio.
By continuing this presentation, you understand, and agree to abide by the License Agreement that appears on the CD-ROM. The entire presentation, each.
Chapter 7 - Audio Kevin Bechet. Cables Review VGA - Computer Cable XLR - Audio Cable XLR to Mini, XLR to Quarter Inch BNC - Video Cable RCA Cable- Standard.
Objective % Select and utilize tools for digital video production.
Pre-Production Determine the overall purpose of the project.
Introduction to microphones and techniques
Computer Output Device: Speakers
Designations Inputs Outputs Signal processing
Live Sound Training Mixer/ Console Condensor Mic Sound Snake
AOIT Digital Video Production
Audio Review RTV 440 S18.
Multimedia Production
Chapter 9 calls the direction in which people look the _______
Designations Inputs Outputs Signal processing
Video Production Handbook Chapter 10 (5th Edition)
Signal Flow All signals leave one component and enter another. IN OUT.
Microphones.
Signal Flow All signals leave one component and enter another. IN OUT.
Audio Multimedia Broadcast.
Pre-Production Determine the overall purpose of the project.
CHAPTER 7 SOUND.
Sound set-up/ Power-up/ Tear Down (Strike)
Microphones and Their Role in Radio Production
Audio Review Most of the Final Exam will be focused on ‘Basic Media Production’ – audio and video. Test 4 will focus on lighting and sound. This is an.
Presentation transcript:

Objective 205.02 5% Select and utilize tools for digital audio production.

Microphones There are different types of microphones that have particular characteristics and produce different results. Condenser Dynamic Lavaliere Shotgun

Condenser Microphone Requires an outside power source (phantom power). Results in a high quality signal production. Commonly used to capture a person’s voice or a musical instrument in a studio.

Dynamic Microphone Does not require an outside power source. Audio signal strengthened by an audio board or other amplifier. Commonly used to capture audio during live production. Durable microphone.

Lavaliere Microphone Typically attached to the necktie or shirt of the user. Used by performers on television or stage because their small size makes it easy to hide. Produce a relatively good sound quality.

Shotgun Microphone Usually long and skinny in appearance. Commonly found on high-end video cameras for capturing sound from the recording. Also referred to as a “boom” microphone.

Audio Cables Certain cable types are needed to connect all of the equipment correctly. RCA Cables XLR Cables Mini Cables ¼” (Phono) Cables

RCA Cables Very common audio (and video) cable used in professional and consumer settings alike. Color coded system makes it easy to distinguish left and right channels of audio.

XLR Cables The best audio quality, making it common in the professional industry. Has a push-button locking system that keeps it from easily being unplugged. Very commonly used for microphones.

Mini Cables Found on virtually every consumer audio device. Relatively poor audio quality. Number of rings around the plug indicate if cable is mono (one ring) or stereo (two rings).

¼” (Phonos) Cables Widely used to connect speakers, amplifiers, and guitars. Similar to mini plug with the rings indicating the number of channels. Better audio quality when compared to the mini.

Microphone Pickup Patterns Depending on the type of recording that is desired and the location of the performers, different microphone pickup patterns record the sound in varying methods.

Microphone Pickup Patterns Omnidirectional Pickup Pattern Captures sound from all directions. Useful for capturing sound from all parts of a room. Commonly found on consumer video cameras.

Microphone Pickup Patterns Cardioid Pickup Pattern Heart-shaped. Audio sources in the front of the microphone and very close to the sides are captured. Very little sound is picked up from behind the microphone.

Microphone Pickup Patterns Bi-Directional Pickup Pattern Captures sound from in front of the microphone and behind it. Very little sound is picked up from the sides. Good microphone to use when recording a two-person conversation.

Microphone Pickup Patterns Shotgun Pickup Pattern Captures sound from a pointed direction in a narrow range. Useful for recording sound from long distances away (during video shoots, in stadiums, recording wildlife, etc.). Very little sound is picked up from the sides or behind the microphone.

Setup Microphone & Cables Setup the microphone and use the appropriate cables to connect to a recording device Monitor the levels of the audio while the recording is taking place. Watch the V.U. meter to make sure the audio is at the appropriate level throughout the entire recording. Adjust the volume of the recording to keep the signal from clipping (producing a signal that is too loud for the amplifier to handle).

Advanced Audio Editing Terms Scrubbing Clicking and dragging the playhead of an audio project through the timeline to get to a particular section. The user is able to hear the audio while scrubbing, making navigation of the project more efficient.

Advanced Audio Editing Terms Ducking An editing feature that lowers the volume of a particular track when another audio source is present. Commonly used for voiceovers with background music. Equalization The process of adjusting the different levels (bass, treble, mid-tones, etc.) in an audio recording in order to produce the best sound.

Advanced Audio Editing Terms Audio Gain Adding gain to audio will increase the level of the output signal using power from an amplifier; increases the voltage output of the signal. Normalization The process of making sure all of the audio levels in a project are at a consistent level and sound good together.