Robert Rauschenberg American painter, sculptor, printmaker, photographer and performance artist. While too much of an individualist ever to be fully a.

Slides:

Advertisements

Similar presentations

The Photo Collage Artwork of Pop Artist David Hockney.

Advertisements

Exploring Modern Portraiture Images for educators from The Alexandria Museum of Art Spring 2013 Exhibitions Ray Turner: Population and An Adventure in.

“Inspiration does exist, but it must find you working.” -Pablo Picasso Spanish Cubist painter ( )

Grades 7-12 Pre-gallery visit activities Meet the Artist: Henri Matisse.

Mixed Media Painting. Romare Bearden – Patchwork Quilt - cut- and-pasted cloth and paper with synthetic polymer paint on composition board, 1970.

Realism Hannah, Izzy, Max. Roman Realism ●Included ideological messages ●Some images were idealized ●Depicted warriors and heroic adventures in spirit.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

By: Cole Cochard. Time Period and Countries  Pop art is an art movement that emerged in the mid 1950s in Britain and in the late 1950s in the United.

Pop Art was an art movement in the late 1950s and 1960s that reflected everyday life and common objects. Pop artists blurred the line between fine art.

JUST PATRICK Pop Art. Rise of pop art Originated in England in 1950s The movement of pop art was most successful in USA Pop artist embraced the post ww2.

Pop Art (1958 – 1975). Art history The Pop Art movement originated in England in the 1950s and traveled overseas to the United States during the 1960s.

Sculpture.  Assemblage is an artistic process in which a 3D composition is made from putting together found objects.  The origin of the word can be.

Chapter Seven Introducing the World’s Art. The first prerogative of an artist in any medium is to make a fool of himself. -Pauline Kael.

Robert Rauschenberg Pop Artist. BMW Art Car1986.

Multi-Media Piece in Two Styles

Pop Art - Movement Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America.

Robert Rauschenberg Combines and Photems.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art JFK – Mrs. A – Intro to Visual Arts, Fall 2013 Location: Britain Group: Mishal, Angelica, James, Carlton.

COMBINING MEDIACOMBINING MEDIA. Robert Rauschenberg American ( ) Interested in the iconography of American popular culture. Emotional style of.

Portrait Photography is one of most common forms of photography. Portraiture, is the art of capturing a subject’s expressions The best portrait photographers.

Photo Montage Collage. “A montage i did of my bedroom, it's a bit messy but it adds to the image, i think. It took 83 photos to.

Mother and Child, 1944 Elizabeth Catlett (Mexican, born United States, 1915) Lithograph Sheet: 12 3/8 x 9 3/8 in. (31.4 x 23.8 cm); image: 7 3/4 x 5 3/4.

Final Fabulous Review Art History – Mrs. Fox 2012.

Pop project. Robert Rauschenberg Jasper Johns 1968 Flags Imagery derives from "things the mind already knows," utterly familiar icons such as flags,

Collage Art. Pablo Picasso, Guitar, after March 31, 1913, pasted paper, charcoal, ink, and chalk on blue paper, mounted on ragboard, 26 1/8 x 19 1/2 inches.

Mark Making Mark making as a visual language Grace Wynne Willson.

Marlene Dumas ARTE344 Rachel Noteboom Sarah Ortinau Liz Gardona.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

“I am always doing that which I cannot do, in order to learn how to do it.” - Pablo Picasso.

Cubist Photography Pablo Picasso to David Hockney.

R.R. & J.J. Presented by: D.S.S.F. Robert Rauschenberg American collagist, painter and graphic artist Movement: Neo-Dada Born: Oct , Texas.

Studio Arts Unit 1 Artistic Inspiration and techniques Artist Studies.

Robert Rauschenberg  The “Combine” Painter. Biography  Born in Port Arthur, Texas in 1925  imagined himself first as a minister and later as a pharmacist.

Chuck Close. Biography Born July 5, 1940 in Monroe, Washington American painter and printmaker Suffering from severe dyslexia, Close did poorly in school.

Agenda Housekeeping: Syllabus Page Art Movements Presentations ◦ Fine arts vs. modern design pieces response Past Design Technology Introduction of Artist.

Basquiat: The Unknown Notebooks Key Images February 28- May 29, 2016 Tseng Kwong Chi (Chinese-Canadian-American, born Hong Kong, ), Jean Michel.

Briana Curry Photorealism.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Collage Meets Sculpture

Basquiat: The Unknown Notebooks Key Images February 28- May 29, 2016

One of the most original and exciting artistic movements …. ever!!!

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

The Research; the figure in abstract expressionism & pop-art

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Introduction to Screenprinting

Hans Hoffman Han Hoffman Contemporary Matisse, Picasso

Silkscreen Printing: Gathering and Manipulating Source Images Lesson 2

Silkscreen Printing: Gathering and Manipulating Source Images Lesson 2

Hamilton claimed that any interior is 'a set of anachronisms, a museum, with the lingering residues of decorative styles that an inhabited space collects.'

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Postmodern Principles: contemporary art-making strategies

His use of compositions, technique and use of color

Portrait Photography 101 Some slides credit to JohnBarsby Photography.

David Hockney Painter Photographer Artist. David Hockney Painter Photographer Artist.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

The National Gallery of Canada

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Robert Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Kashi art gallery & café

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Artists as photographers

Presentation transcript:

Robert Rauschenberg American painter, sculptor, printmaker, photographer and performance artist. While too much of an individualist ever to be fully a part of any movement, he acted as an important bridge between Abstract Expressionism and Pop art and can be credited as one of the major influences in the return to favour of representational art in the USA. As iconoclastic in his invention of new techniques as in his wide-ranging iconography of modern life, he suggested new possibilities that continued to be exploited by younger artists throughout the latter decades of the 20th century. Almanac 1962

Photography’s Abstraction In Camera Lucida, Roland Barthes insists, “A specific photograph, in effect, is never distinguished from its referent (from what it represents), or at least it is not immediately or generally distinguished from its referent.”18 Barthes asks his audience to take into account the processes of framing, lighting, exposure, printing, and cropping, emphasizing that even the most straightforward photograph is always an abstraction of reality. Rauschenberg considered the process to be even more direct. “What you see in front of you is a fact,” he commented. “You click when you believe it’s the truth.” He went on to note that “information is waiting to become in essence a concentration . . . [that] can be projected back into real life, into your recognition.”19Despite his inclination to evoke a strenuously reliable image of reality, albeit highly condensed, Rauschenberg’s photographic truth lent itself to abstraction through the processes of transference, recontextualization, juxtaposition, and fragmentation, and his insistence to actively involve viewers in the creation of a work’s meaning. CAT. 82 Robert Rauschenberg (1925–2008), Solar Elephant (Kabal American Zephyr), 1982. Solvent transfer, fabric collage, acrylic, wood door, wood mallet, metal spring, and string on wood support; 104 x 83 x 15 3/4 inches (264.2 x 210.8 x 40 cm). Robert Rauschenberg Foundation, New York, New York. © Robert Rauschenberg Foundation / Licensed by VAGA, New York, New York.

Rauschenberg brings together photographs of elephants, an image of a turtle, fortune telling signs, a no trespassing sign, and photographs of a blue fire hydrant. Laurence Getford, Rauschenberg’s former studio assistant, noted that when Rauschenberg was unable to move about freely in his later years, he dispatched his assistants with cameras, instructing them to take photographs of “uninteresting things,” emphasizing his belief that “the unimportant was as important as the important.” Robert Rauschenberg (1925–2008), Meditative March (Runt), 2007. Inkjet pigment transfer on polylaminate, 61 x 73 1/2 (154.9 x 186.7 cm).

Robert Rauschenberg (1925–2008), Untitled, 1984 Robert Rauschenberg (1925–2008), Untitled, 1984. Screenprint with fabric and photo collage on hand-cut paper, edition 9/75, 31 7/8 x 26 3/8 inches (81 x 67 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Gift of Blake Byrne (T’57), Susan and David Gersh, Bea Gersh, and Carol and David Appel; 2006.9.1. © Robert Rauschenberg Foundation / Licensed by VAGA, New York, New York. Photo by Peter Paul Geoffrion.

Water Stop 1968

Booster, 1967

Robert Rauschenberg: Tracer,1963, Oil and silkscreen on canvas