1. Life as Art Or, the Aesthetic Temptations of Eleventh- Century Japan: Pillow Book, 52-125 (October 16, 2003)

2. The good life Crito and Socrates: where they disagree Crito and Socrates: where they disagree Where Crito is unable to answer Socrates Where Crito is unable to answer Socrates The good life is a life spent dealing justly with others and improving one’s soul, even at the expense of one’s personal life The good life is a life spent dealing justly with others and improving one’s soul, even at the expense of one’s personal life The reward structure of The Sims The reward structure of The Sims

3. Lightness and density Density of literary reference, of personal implication Density of literary reference, of personal implication But this play of internal reference doesn’t seem to be about anything serious But this play of internal reference doesn’t seem to be about anything serious Why are “Depressing Things,” “Hateful Things” that way? Why are “Depressing Things,” “Hateful Things” that way?

4. Experiments with value Section 149: “There are times when the world so exasperates me that I feel I cannot go on living in it for another moment and I want to disappear for good. But then, if I happen to obtain some nice white paper, Michinoku paper, or white decorated paper, I decide I can put up with things as they are a little longer.” Section 149: “There are times when the world so exasperates me that I feel I cannot go on living in it for another moment and I want to disappear for good. But then, if I happen to obtain some nice white paper, Michinoku paper, or white decorated paper, I decide I can put up with things as they are a little longer.”

5. Desire … And disappointment (sec. 13) … And disappointment (sec. 13) … And loss … And loss … And frustration (sec. 14) … And frustration (sec. 14)

6. Beyond good and evil? What would be a life lived for the sake of beauty? What would be a life lived for the sake of beauty? As opposed to…? As opposed to…?

7. “Should be” Aesthetic standards applied to daily life Aesthetic standards applied to daily life “A carriage passes by with a nasty, creaking noise… [When this happens,] I dislike not only the noise but also the owner of the carriage” (sec. 14) “A carriage passes by with a nasty, creaking noise… [When this happens,] I dislike not only the noise but also the owner of the carriage” (sec. 14) The arbiter of elegance? The arbiter of elegance? “as in a novel” “as in a novel” Sections 52 (Tadanobu’s visit), 86 (the square cakes) Sections 52 (Tadanobu’s visit), 86 (the square cakes) Romances and novels Romances and novels Genre confusions in the Pillow Book: sections 177, 179, 180, 181, 182– descriptions or fictions? Genre confusions in the Pillow Book: sections 177, 179, 180, 181, 182– descriptions or fictions?

8. Canons of beauty and value What are the ideals of this text? What are the ideals of this text? Meticulousness of the descriptions: beauty is infinitely specifiable Meticulousness of the descriptions: beauty is infinitely specifiable Lingering over details: details make all the difference Lingering over details: details make all the difference Openness and closedness of definitions Openness and closedness of definitions Beauty in relation to what other values? Beauty in relation to what other values?

9. Conversation as strategy game Section 89

10. The emergence of individuality Sei Shōnagon as unusual woman Sei Shōnagon as unusual woman The exception and the rule The exception and the rule Being seen; being recognized; being loved Being seen; being recognized; being loved Our role Our role