1. Impressionism & Post Impressionism Van Gogh

2. Origins of Impressionism Art movement starting in the 1860s. Originating in France. Monet’s “Impressions Sunrise” was inspiration for the name of the art movement. Monet

3. Characteristics of Some Impressionistic Artwork. Study of transient effects of light Loose brushstrokes Optical color blending Scenes from everyday life Outdoor settings Weather & atmosphere Renoir

4. Transient Effects of Light Degas Observing and recording the fleeting effects of light and shadows.

5. Loose Brushstrokes Impressionistic artwork is objective. It represents an object or form, yet it is painted loosely. This was a break from the highly realistic artwork of the Renaissance which preceded Impressionism. Renoir “Impressionism” Da Vinci “Renaissance”

7. Optical blending of colors “Neo-Impressionist” Georges Seurat used a method called “Pointillism” to put dots of the primary colors onto the canvas. The color would blend optically as the viewer looked at the work. Seurat

10. Scenes from Everyday Life Impressionistic subject matter usually consisted of scenes from everyday life. For example, this could be a street scene, a still life of common objects, or a mother and a child. Cézanne

11. Outdoor Settings Outdoor settings were popular with the impressionist. They were intrigued with light on objects and the outdoors was great for catching that feeling of fleeting light. Monet

12. Weather & Atmosphere Van Gogh Some of the Impressionists were fascinated with weather and atmosphere and trying to capture the feeling and movement of these elements.

13. Post-Impressionism followed Impressionism. The Post- Impressionists were less casual and more emotionally charged. They showed a greater concern for: expression, structure, and form \ Degas “Impressionist” Cézanne “Post-Impressionist”

14. American Impressionist There were several American Impressionist artists. The most famous was a woman named Mary Cassatt. She was most well known for her pastel drawings of mothers and their children. Cassatt

15. Short, thick strokes of paint are used to quickly capture the essence of the subject, rather than its details. Colors are applied side-by-side with as little mixing as possible, creating a vibrant surface. The optical mixing of colors occurs in the eye of the viewer. Impressionist painting techniques

16. The play of natural light is emphasized. Close attention is paid to the reflection of colors from object to object. Grays and dark tones are produced by mixing complementary colors. In pure Impressionism the use of black paint is avoided.complementary colors Painting in the evening to get effets de soir - the shadowy effects of the light in the evening or twilight.effets de soir

17. Pierre-Auguste Renoir 1881

19. Claude Monet 1875

22. Claude Monet 1885

23. Claude Monet 1916

24. Camille Pissarro 1887 8” x 10”

25. Edgar Degas 1878

26. Assignment: Impressionism Day 1 Oil Pastel Still Life Practice: Find a color photograph of real object(s) or a landscape. Copy it lightly onto watercolor paper Color it using oil pastels

27. Assignment: Impressionistic Painting Highlights Read the Impressionism assignment document! You will create your own original painting in the style of Impressionism. (not a copy) Your painting will be based on a photographic reference. Medium: oil pastel 14”x18” watercolor paper

28. Assignment: Impressionistic Painting Look for a photo reference Use the Impressionism Project Worksheet to create a plan for how you are going to make an impressionistic painting from the photo. Practice with oil pastel Sketch drawing onto watercolor paper